Paramount

“You’re not just an analyst anymore. You’re operational now.”

Witness the birth of -- actually make that rebirth of --one of the most popular action heroes in literature. Tom Clancy’s Jack Ryan has been a character of many jobs and many faces over the years. Baldwin, Ford, and Affleck have all stepped into the role of the man who has been a soldier, an analyst, an operative, and a president. Now Chris Pine looks to fill the shoes left behind by some of Hollywood’s heaviest hitters

We first came to know Paul Hogan as the "Shrimp On The Barbie" guy. He was doing television and radio ads for Australian tourism. A smart fellow, he saw that the ad character was popular and rode an enormous wave of an Australian fad that hit America in the 1980's.. Suddenly there were Australian bands like Men At Work teaching us about vegemite sandwiches on the top of the music charts. We got steak, not shrimp, on our barbie with a chain of Australian-themed steakhouses appropriately called Outback "no rules, just right" started up by a Florida group.

by Eric Mitchell

G.W. McLintock (John Wayne, True Grit, Rooster Cogburn) made most of his money by being a cattle baron. He made so much money, in fact, that the film’s fictional town was named after him. How cool is that? But all is not milk and honey in McLintock’s life. He has an estranged wife who does not live with him (Quiet Man co star Maureen O’Hara), and now wants a divorce

“Whoever tells the best story wins.”

This bit of lawyerly wisdom is given by John Quincy Adams in Amistad, Steven Spielberg’s account of a real-life 19th century slave revolt. President Adams is offering advice on how to mount the most effective case on the slaves’ behalf, but his words ring true well beyond the courtroom. Spielberg has been telling some of the best stories since the 1970s. Amistad may not be top-tier Spielberg, but the film — making its Blu-ray debut — is an absorbing historical drama in its own right.

You are not to leave this building. America is closed.”

That's certainly a far cry from “give me your tired, your poor...your huddled masses yearning to breathe free.” It's also the predicament faced by Viktor Navorski, an accidental refugee who falls through a proverbial crack in the system and winds up trapped at JFK International Airport. The harsh, sobering command comes early on in The Terminal, a large-scale, feel-good parable. Even 10 years ago, a tonally-tricky studio movie like this one could only find its way to multiplexes if someone with the clout of a Steven Spielberg or Tom Hanks decided to make it.

If anything, the third part of the Godfather series of films is symbolic of when too many sequels are greenlighted, and consequently, the film is doomed to fail. More often than not, the reason why these films crash and burn is because of major studios acting like Adelphia executives and wanting more money, and in using the previous films’ successes as leverage, they lose sight of things like quality. It’s happened to other trilogies. And if you put together previous films with the reputation that the first two Godfather films have, the only question left to answer is whether or not the third film would be a minor or major letdown.

There have been complaints that there are not enough films that have decent lead roles for women. There are those that say that Hollywood does not make enough movies for women. Then when they do, critics tend to dismiss them as “Lifetime” movies (a term that is dismissive because of the cable channel that churns out generic movies for women). It seems far easier to accept excessive violence or male-oriented films with sexual content. If a movie tries to legitimately capture real situations from a woman's point of view, it can be patronizingly categorized as pap and schmaltz.

Besides the fact that it stars Leonardo DiCaprio and that it’s essentially a white collar gloss on Goodfellas, you’d be forgiven for thinking somebody other than Martin Scorsese directed The Wolf of Wall Street. I don’t mean to suggest Scorsese has lost his masterful touch or his passion for filmmaking, both of which were on display as recently as two years ago in the wonderful Hugo. It’s more that after spending the better part of the 21st century making strong, serious dramas, I didn’t necessarily expect Scorsese to make his funniest, loosest and most audacious picture in decades.

Jeff Dunham has always had a talent for making people laugh. His style of ventriloquism has found its way into millions of homes and probably a billion YouTube views. Of course these standup specials have translated into tons of merchandising potential such as lunchboxes, t-shirts, and even the puppets turned into cute and sometimes furry stuffed dolls. Well, with one of the most beloved characters, Achmed, they decided to do an animated special. Let us see how well it turned out.

It is true what they say, every time you think you are done, you get pulled back in. I had been working on cleaning up my house and trying by any means necessary to get it on the market (42 gallon trash bags are your friend). But the big boss of Upcomingdiscs.com asked if I would like to review the final season of Flashpoint. I looked at my movie spinner and saw nestled between the Flash (the short lived TV series) and Freakazoid Season 1(okay, I'm odd, I get it), the first 5 volumes of Flashpoint. At that point, it was pretty much a done deal.