Posted in: Disc Reviews by Gino Sassani on August 14th, 2012
"Rituals are important. Not just for a serial killer."
One of my favorite rituals happens about this time every year. That's when Paramount releases the latest season of Dexter on Blu-ray and DVD. I don't get Showtime, so it's the only chance I get to get caught up with everyone's favorite serial killer. Dexter's back for more bloody murder and mayhem, and his world is just as dark and creepy as ever.
Posted in: Disc Reviews by William O'Donnell on August 10th, 2012
A group of teenage faeries are graduating from their Faerie academy, and set off on a grand adventure to stop an evil force from...doing evil in general. Meanwhile, one of the faeries is searching for her birth parents, while the rest are giggling about boy faeries and various colouful, giggle-inducing cute items.
The plot wavers between flighty (pun sort of intended) teen romance, where the faeries focus their magical powers on obtaining cute-boys and cute-animal companions, and a action-fantasy filled with large scale battles with nightmarish monsters, complete with mass destruction of buildings, swordplay and vicious exchanges of energy blasts.
Posted in: Disc Reviews by William O'Donnell on August 2nd, 2012
I'll say this about a program that has remained consistant in quality for twenty seasons...it makes for challenging reviews. Talking about each season of Gunsmoke is difficult in that you either write briefly to try to avoid redundancies, but might seem too hasty, or you have to labour over each episode, in which case, you're only going to have hardcore fans paying attention. Since this website has touched on previous seasons: ( https://upcomingdiscs.com/?s=gunsmoke ) I shall opt for the former option, and hope y'all out there catch that I'm not being hasty...but respect a show that warrants no fresh complaints after 6 years a-runnin' thus far.
James Arness’ Marshall Matt Dillon is still the imposing, yet warm, lawman of Dodge. The tales in season 6 are frequntly violent, more violent than I recall in reviewing the previous seasons. This might not be saying a whole lot about a show whose opening credits are entirely comprised of a scene where the star of the show kills1 a man, but there just seemed to be that much more gun play in this season.
Posted in: Disc Reviews by William O'Donnell on August 1st, 2012
Who killed Mr. Boddy? Col. Mustard in the Library with the Wrench? Mrs. White in the Study with the Revolver? Maybe even the butler did it? A talented comedy cast bring the famous board game to life in a slapstick whodunnit where the chuckles mean more than solving the actual mystery.
The fun that is had in this film is created by the great ensemble cast, which includes Martin Mull, Madeline Kahn, Christopher Lloyd, Michael McKean and Tim Curry as the frantic butler. Each character-actor plays off the others superbly well. There is a plethora of performances that vary from the straight-man persona to outright goofball, being employed as the body count rises and the suspicions reach a fever pitch.
Posted in: Disc Reviews by Gino Sassani on July 26th, 2012
"Space... The final frontier. These are the voyages of the starship Enterprise. Its continuing mission, to explore strange new worlds. To seek out new life and new civilizations. To boldly go where no one has gone before."
Nearly 20 years after the original Star Trek left the network airwaves, Gene Roddenberry set out to discover if he could catch lightening in a bottle once again. Some say he did an even better job with Star Trek: The Next Generation. There are times I tend to agree. The Star Trek sequel series had a lot more advantages from the moment it was conceived. Star Trek, a series that barely registered on the ratings during its three-year primetime voyage, became a huge sensation in syndication. By the time Next Generation came on the scene, the original show had been syndicated in over 20 different languages all over the world. It had launched an animated series, and a fifth feature film was already in the early stages of consideration. So it isn't quite fair to judge the success or quality of The Next Generation over the original series. One thing is inarguable. The second would never have existed if not for the first.
Posted in: Disc Reviews by William O'Donnell on July 13th, 2012
Taking place in the 41st century, an astronaut named Barbarella (played by Jane Fonda) has been ordered to search out a missing Earth scientist named Durand Durand. On this mission, she is forced to land on a Planet called Lythion where she must overcome various erotic obstacles in this psychedelic camp classic.
When it comes to campy productions like this, one does not sniff around for Oscar worthy performances...no...we come to see Jane Fonda stiptease in zero gravity. In fact, throughout this tale, Fonda's Barbarella uses her sexuality as her weapon of choice in the fight against robots, mad scientists, and other extra-terrestrial baddies whom wish nothing more than to see intergalactic angels slaughtered (I swear to you, that was not just me cobbling together random words...all of those things actually happen in this film).
Posted in: Disc Reviews by William O'Donnell on July 7th, 2012
An aimless slacker named Jeff shambles out of his mother's basement (where he lives, hence the movie title), tasked with a chore, but is sidetracked by a theory that he is being given signs. What are these “signs” meant to mean? Not even Jeff knows as he runs into his brother and mother along his seemingly random path. The films asks, is said path truly random? Or is he finally on a journey to find true meaning in his life?
This film is essentially about people who are dissatisfied about their placement in life and are in need of something drastic to shake them out of it. Jeff, played by Jason Segal, seems to focused on fruitless theories and journeys to ever make something of himself. His brother, played by Ed Helms, suspects his wife of infidelity after she blows up at him over buying a new Porsche without consulting her. Their mother, played by Susan Sarandon, is a widow who has not had excitement in her life since her husband passed on. When an anonymous love note arrives, she takes the chance of discovery who her “admirer” is.
Posted in: Disc Reviews by William O'Donnell on June 18th, 2012
Take the supernatural comedy of Groundhog Day, merge it with the in-your-face ultra awkwardness of HBO's comedy Extras, then shave away all that stuff I said about “comedy” and you have this film. Oh yes, this film follows the formula of a Comedy, but has none of the fun implied in such a label.
Eddie Murphy plays a successful Book agent named Jack McCall, who makes his living by the way he can spin his words. There is a running gag that he represents authors and yet does not take the time to actually read books for he's too busy talking...but it's about as humorous and the sentence I wrote describing it just now. When McCall tries to reel in a religious guru to sign with his agency, he is soon cursed (or blessed, depending on whether you've guessed there's a happy ending by now or not) with a tree that holds a thousand leaves (mind you, this is not the actual amount but a random guess made at one point), which represent a thousand words McCall speaks. Each time he says a word, a leaf falls off of the tree. What happens to a tree after it loses it's leaves? To a Californian, it is dead...to me (as a Canadian) it simply means it is winter....but here I am trying to be funny when I've got a gosh darn Eddie Murphy film to talk about!
Posted in: Disc Reviews by William O'Donnell on June 18th, 2012
There are countless John Wayne Westerns in existence, but a hearty handful stand out above the rest. Hondo is a part of said handful. The story is a somewhat familiar one; that of a lone gunman seeking redemption by helping out a young woman fight off Indians...it just howls “John Wayne Western.” That being said, there are some standout performances and the portrayal of Native Americans is tad more progressive than what was within Westerns of the previous decade.
This film was created at the tail end of the first wave of 3D films, in the 1950s, and it only seems to be utilized during the opening credits and the climactic battle scene (mostly via arrows being shot almost towards the camera). 3D is a term that seems to imply a certain level of campiness, but Hondo avoids that pitfall by developing its characters and enriching the story with some (non-corny) twists and subplots that help move past the larger, cowboys vs. Indians story.
Posted in: Disc Reviews by William O'Donnell on June 5th, 2012
A successful writing team, who also happen to be a married couple, are the creators of an award-winning show in the UK that has just completed after four seasons. An American network wishes to create a US version of the show. The couple are flown to LA, put up in a lavish mansion and are introduced to the Hollywood method of creating television...and it nearly destroys them.
Even before they arrive in LA, this pair begins sinking in a quagmire of big-time Hollywood lies and bluffs that drive them to losing their lead actor, a respected, elderly British man, in exchange for Matt LeBlanc, converting their program from the story of a headmaster at a boarding school to that of a handsome hockey coach who is chasing after a sexy librarian, and generally sacrificing all they hold dear (both creative and personally) in order to survive the shoot of a single pilot episode (which, by the way, seems to be the most arduous and lengthy studio shoot I have ever witnessed...it lasts the entire season of Episodes!).
