Paramount

Steven Spielberg’s very-long-in-gestation adaptation of Hergé’s Tintin finally came into being over Christmas. The story, very much in keeping with the globe-trotting adventures of the comic books (drawing heavily, in fact, upon The Secret of the Unicorn), has Tintin (voiced by Jaime Bell) become embroiled in a treasure quest after buying a model ship that has one third of the secret concealed in its mast. Captured by nefarious evil-doers who will stop at nothing to find the treasure, he encounters Captain Haddock (Andy Serkis), and a legendary friendship is formed.

Spielberg’s affection for the character is present in every frame of the film, and the story hurtles along from location to location, our heroes making one hair’s breadth escape after another. The characters are all very recognizable versions of their 2D comic book incarnations, and the animation is stunning in its meticulous detail.

By 1978 the television detective model had been nearly complete and possibly already a cliché. Dan Tanna might have well been the complete model as far as the formula goes. It was almost as if you could go down a checklist and, like Dr. Frankenstein creating a monster, check off the necessary elements. The scripts could then almost write themselves, and you let the show fly on autopilot for three seasons or so until someone decides to look behind the curtain.

So let’s go down that checklist, shall we?

As one progresses as a reviewer, we come into contact with a wide variety of television shows. Some shows we even come to appreciate season after season. So, after I reviewed season 1 and 2 of Flashpoint, I was a little disappointed that I missed season 3. Later on, I would catch up obviously, but I was more than delighted to take on Season 4 when it came to my door. Thankfully, I was able to pick right up and continue to watch one of my very favorite shows of the last 5 years.

Since this site did not review Season 3, it is only fair that I recap the last few episodes before we break into the most recent string of episodes. The Other Lane saw Ed Lane’s brother Roy get caught up on the wrong side of the law. Jumping at Shadows saw a family under witness protection be exposed by corrupt police officers. Meanwhile, team leader Greg (played by Enrico Colantoni) gets to see his son Dean. Finally, Acceptable Risk puts the team under a microscope for spending too long on a killing spree.

The fourth Mission: Impossible entry exchanges digits for a subtitle, and brings in Brad Bird to direct his first live-action feature. So the man whose The Incredibles made fun of the sort of thing that is the bread-and-butter of the M:I franchise is brought in to revitalize said franchise. Result? Job done.

Gotcha. You thought I was going to say, “Mission accomplished,” didn’t you?

Bob Newhart may not have a ton of range as a comic actor, but the television personalities he created in both The Bob Newhart Show and Newhart were lovable enough to bring great success to both of the shows. One could safely admit that he was really playing the same character in both, and the final episode of Newhart pretty much acknowledged that fact with one of the more clever series finales in television history. So, with two pretty solid hits under his belt, it wasn't a complete surprise to see the comic enter our living rooms once again in 1992 just a couple of years after his last show finished its run. The name could have been just as predictable: Bob.

Bob McKay (Newhart) had once created a comic book hero named Mad Dog. It was about a vet who conducted experiments with the adrenal gland of a Doberman. The result was a new superhero with the enhanced senses of a dog. The comic lasted just 12 issues and quickly faded into obscurity. During that time Bob was putting his artistic talents to use with a greeting card company, a job he hated. Along comes Mr. Terhorst (Cumpsty) whom we never see. He's always just a voice over the speaker phone. He's bought ACE Comics and wants to hire Bob to bring back Mad Dog. It's the chance of a lifetime, except he's teamed with Harlan Stone (Cygan) who grew up a Mad Dog fan but now has some radical ideas for the new book. Bob has to constantly rein him in to save the integrity of the hero. The office also includes Albie (Bilgore) who is the office gofer. He's shy and completely inept in social situations. There's Chad (Fall) the comic's colorist who is a super geek. Iris (Kobart) is the old crotchety woman who letters the book. His daughter Trisha (Stevenson) comes to work for the team as well. At home is faithful wife Kaye (Watkins) and their lively cat Otto.

Roman Polanski's seminal neo-noir finally makes it to Blu-ray. Gino has already handled the previous DVD release, so I'm going to turn the reins over to him for a while, then jump back in.

"Jake Gittes is a Chandler style detective with all of the trappings. From the office to the secretary and the cop friend, Gittes is a cliché. He appears to specialize in tracking down extramarital affairs. When he’s hired to keep an eye on a rich millionaire, the subject turns up dead, and maybe it wasn’t his wife at all who hired him. Gittes now must investigate to save his own hide. His investigation leads him to a corrupt water department taking advantage of a manufactured drought. His client has a dark secret that only complicates Gittes’ efforts.

If you haven't heard of South Park by now there is certainly something wrong with you. You're just not paying attention. More important, you've got a lot of catching up to do. The show is entering its 16th season on Comedy Central, and Paramount is now giving us the 15th season on high definition Blu-ray. And, if you are just hearing about South Park for the first time, what a wonderful journey you have ahead of you. You might need an airline sickness bag on occasion, but you are in for a solid treat.

After 15 years you would think any show might have to start losing steam. It's true that South Park did appear to suffer some during the middle years, and I was one of those critics asking how much longer the show could go on. But the series experienced something of a renaissance in the last couple of years and is better than it has ever been.

In the 1930’s, the orphaned Hugo Cabret (Asa Butterfield) lives in the access tunnels of the Gare Montparnasse in Paris, winding the clocks, making sure that no one knows his guardian uncle has long-since gone AWOL, and filching bits and pieces of mechanisms that will allow him, he hopes, to repair the automaton he keeps in his living quarters. This is his last connection to his deceased father, and his dream is that the repaired machine will grant him a message from the beyond.

But there are obstacles to his quest. Foremost is the tyrannical station inspector (Sacha Baron Cohen), who likes nothing better than rounding up street urchins and packing them off to the orphanage. Hugo also runs afoul of the bitter, disappointed old man (Ben Kingsley) whose toy store has been the source of much of his material. This encounter proves fateful for them both. The old man is none other than Georges Méliès, whose films are the ground zero of all fantasy in cinema, but who has since been forgotten by the industry he helped create. Hugo and Méliès’ granddaughter Isabelle (Chloe Moretz) become allies, determined to give Méliès back the sense of joy and wonder he once gave to so many.

A tragic accident after an uncannily choreographed dance party in the country leaves a carload of teens dead, and their hometown vows to ban all public displays of dancing and loud music. Big City hunk Ren MacCormack arrives in town to challenge this outlawing of music and dance by...mostly dancing to music.

This is a modern update of the 1984 hit film of the same name that starred Kevin Bacon in the role of Ren. Young actor Kenny Wormald steps into these dancing shoes and does a decent job being a youth who charms us through his rebellion. His look is much more James Dean-ish than Bacon's version, but still an acceptable doppelganger of the original Ren.

"Your mission, should you decide to accept it..."

Those words have certainly been a part of the American pop culture for almost 50 years. It all started with the Desilu television series that hit the airwaves in 1966. That first year is probably unfamiliar to most of us. It was in black & white and starred Steven Hill as the leader of the Impossible Mission Force. A year later the show jumped to color and Peter Graves took over the team as the indomitable Jim Phelps. The show lasted a good seven seasons. The Impossible Mission Force was a black-ops team that worked under the "secretary" who would disavow their mission should any of the team be caught or killed. The show had a pretty good run before ending in 1973. Gone, but never forgotten.