Shout Factory

My wife has been a part-time travel agent for roughly the last year or so.  In that time, I have learned much about airlines, cruise ships, and of course hotels.  I have also thanks to her guidance and knowledge been able to stay at a few nice hotels in the past year which were much more comfortable than I could have ever expected.  However, despite my travels with my lovely better half, I seriously doubt I will ever come upon a hotel quite like the one depicted in Okko's Inn anytime soon.  Let us spend the next few minutes looking at an anime where your lodging is the best part of your trip.

We open to a festival of sorts, called a spa by the locals.  Music is playing; it is time for a show.  We see a couple of people perform traditional dance numbers, while Okko, our main character, watches.  Her father and mother are also on hand to explain the traditions to our young heroine and how they wish they could be part of the show.  The show speaks to the theme and the spirit of "Welcoming Everyone".

Short stories and films are often great ways to focus in on a singular theme. Whether you get yourself down to a few pages or fifteen minutes, you really get your message across instead of being misinterpreted across a longer medium. Disney and Pixar have done this for a number of years, and even though many have dismissed them as simple shorts or cartoons, it's often the part of the movie that holds the viewer in the strongest way. Japanese studios such as Studio Ghibli have done this as well. Studio Ponoc, founded in 2015 and fronted by Yoshiaki Nishimura, released the smash film, Mary & the Witch's Flower in 2017. Then last year, they came out with a trio of shorts for all of us to enjoy. Let's take a look.

Kanini & Kanino by Hiromasa Yonebayashi
There are birds singing and fairies flying. Streams are bubbling, and we are introduced to a family of crabs (who are depicted as tiny humans who can swim and breathe on land and in sea). There is the brother, Kanini, and the sister, Kanino. The mother is very pregnant and has gone away to the surface to give birth. Their father has stayed with the brother and sister to help them get food and protect them from threats of the sea. However, one day something sinister takes away the father, and it's up to the two kids to find and save him.

Did you ever wonder what it would be like if on the many journeys Forrest Gump took, one of them involved him trying to solve a young boy’s disappearance and eventual murder?  I didn’t think so.  I’m not trying to be funny, but for the most part that is basically the gist of A Dark Place, where we see a young man who is on the spectrum become obsessed with solving a murder.  It’s not that people who are on the spectrum can’t be highly intelligent and problem solvers, but this film takes things to another level, to where disability or not, no one could get away with what occurs in this film.  Sure, there are movies that are about escaping reality, and one shouldn’t judge it for its realism, but when a film is attempting to be a slice of life in this small town that is devastated by the loss of a missing child, well, there comes a point where the audience should be allowed to call BS.

When we first meet Donny (Andrew Scott), he’s a trash collector in a small town.  He’s a likeable guy, but we see early on that he’s on the spectrum and most likely has OCD amongst other things.  The way Scott plays this character makes him very likeable from the start, and that’s important, because as the film plays out he does some questionable things, and it’s important to see that they are done with the best intentions.  Along for the ride is his partner, Donna (Bronagh Waugh) who is doing her best to break through some of Donny’s emotional walls and quirks.  The moments between Donny and Donna are some of the best moments in the film, and it doesn’t take long to see the potential relationship between the two. Unfortunately, Donny is still carrying a torch for the mother of his child. To be fair, this side story of Donny attempting to pursue a relationship with his ex really brings down the story and serves to do nothing but attempt to make us feel sorry for the guy when that’s not even necessary.  The movie is 89 minutes; time is simply wasted as though it were padding.

Hayao Miyazaki is an amazing Japanese animator and filmmaker.  His films include Kiki's Delivery Service, My Neighbor Totoro, and Howl's Moving Castle among other legendary pictures.  I can safely say I have enjoyed most of his films but unfortunately only owned a couple at the time of writing this review.  That's why I was quite astonished when this collector's edition of Princess Mononoke came across my desk.  I was ready to dive in with both feet and re-visit this movie that I had not seen since, well, almost twenty years ago.

In ancient times, the Land lay covered in forest.  Here dwelt the spirits of nature from time immemorial.  

As one might guess from my film reviewing resume, I watch a lot of Asian movies.  Unfortunately, judging by the same resume, it would appear that most of that is anime and drama.  But in my spare time, I do watch a lot of popular Asian cinema, especially with the likes of Donnie Yen or Jing Wu. In addition to contemporary favorites, I certainly have not forgotten the roots of martial art cinema in the likes of Bruce Lee and others.  Well, today I received a box set featuring one of the legends of Asian cinema: Shin'ichi Chiba, better known to most American audiences as the one and only Sonny Chiba.  That set of films would be of course, The Street Fighter Collection.  Let us take a look.

The Street Fighter begins with Tateki Shikenbaru (played by Masashi Ishibashi) in a jail cell, a murderer about to be executed for his crimes.  He is visited by a Buddhist monk who is presumably there to give him his last rites.  That's no monk, but he might be there to give him his last rites.  His name is Takuma Tsurugi (played by Sonny Chiba), karate man for hire, and he takes out Shikenbaru with a special punch that throws him into a coma.  As the convict is rushed to the hospital, Tsurugi and his faithful sidekick Rakuda (played by Goichi Yamada) free him and send him off to Hong Kong.

"They have assembled here from the four corners of the earth. Fifty-five warships, among them the newest and most sophisticated ever produced. The United States is here. Great Britain, India, Japan, Canada, Australia, Germany. Twenty-six nations together; each will introduce the latest in naval technology in their arsenals."

And this is actually the true subject and focus of the latest IMAX/4K release from Shout Factory. If you came strictly to spend 45 minutes on an aircraft carrier, you went away a little disappointed. But now that you can have it at home to watch in UHD whenever the mood strikes you, there's less to be disappointed in here.

It is interesting to see two or more of a director's works in a short period of time.  One sees similarities, differences, and how the filmmaker hones his craft as they improve with every production.  Masaaki Yuasa is certainly one of those directors, and if you enjoyed my review on Night is Short, Walk on Girl,  then you will want to go ahead and read my review today on Lu Over the Wall.  While there are similarities, I can safely say that is quite the departure from the previous film.  Let us take a look in the animated world of merfolk and the people who live around them.

A boy taps his fingers next to a microphone for an Internet streaming session as we read the comments below his video.  There seems to be a lot of interest below his post including the potential for some band-mates should he ever want to expand his horizons.  We soon meet the boy named Kai as he shuffles downstairs to have breakfast with his grandpa and father.

As with probably most people in this business, I am indeed addicted to the concept of collecting movies.  It should probably come as no surprise that I have well over 1,000 movies in all disc-based formats.  Anybody with a rational mind should question why I have to own all the movies in a given series.  Yes, I own Darkman 3, Hollow Man 2, and Bloodsport 4, among other strange and utterly awful movies.  But somehow despite that completion-ist mindset, my addictions and OCDs pale in comparison to a deadly drug such as alcohol, a drug that can overtake your life and kill you in an instant.  Our review today takes us to a TV movie from the 70's named Sarah T: Portrait of a Teenage Alcoholic.

We start with an upbeat commercial showing a bunch of teenagers having fun with a Courey's Beer.  Then we get some cold hard facts from the time period.  There are 500,000 pre-teen and teenage alcoholics.  Three in four teenagers have had a drink, 1 in 20 have a serious problem with alcohol, 1 in 10 of those people will become an alcoholic.  But it certainly makes you popular and easygoing with your friends, or at least that's what they say, anyway.

I have had many story ideas in my head for quite sometime.  Putting them on paper is indeed another thing.  One such story is a road trip between some friends that starts out normally, but little by little it becomes unraveled until it represents a tremendous and crazy affair.  Unfortunately, I only got through nine chapters, and it hasn't seen a word since.  Today's review is focused on an anime that is named The Night is Short, Walk On Girl.  It involves the story of a girl who starts a normal night drinking through town.  However, little by little the people and events around her become more extraordinary and bizarre as the night carries on.  Hopefully this one makes it well past the ninth chapter.

We visit a restaurant. A girl with black hair is drinking with her friends.  She stares endlessly into a bowl of soup until it turns into a bunch of eyeballs, and then we hear a train whistle.  The girl wishes to be out on the town instead of watching time pass.  The scene moves to another table where we meet Senpai, a teenager obsessed with the girl with black hair.  The School Executive Festival Head (who also apparently cross-dresses when the mood suits him) confronts Senpai with this accusation, but he denies it.

“Extremely rich, very married, eminently corruptible, and a willing infidel.”

That description is used to describe the unwitting marks targeted by the titular con men in Dirty Rotten Scoundrels. But except for the “very married” part, it’s also a pretty accurate depiction of the Scoundrels themselves, played here by Steve Martin and Michael Caine in a pair of very different but equally winning performances. The movie was released a little more than 30 years ago — Christmastime 1988 — which makes this a fine time to revisit the breezy, sleazy con men comedy thanks to this Collector’s Edition from Shout Select.