Posted in: Disc Reviews by Brent Lorentson on August 19th, 2018
“Welcome to the future.”
This is how Josephine (Ellen Burstyn) introduces a church group that is touring her geodesic home, which also doubles as a museum dedicated to inventor R. Buckminster Fuller. Josephine and her grandson, Sebastian (Asa Butterfield) have their own way of living in their home, a place where it is assumed Sebastian has never left long enough to experience how the real world functions. His interactions with the public don’t stretch beyond the casual tourists who come by the home, and as a teenager he’s never experienced “junk food” of any kind. But Sebastian’s reality crumbles after his grandmother has a stroke in the middle of a tour and he meets Jared (Alex Wolff).
Posted in: Disc Reviews by Gino Sassani on July 31st, 2018
"Every bridge, every building grows from an engineers imagination."
Dream Big: Engineering Our World is the second of Shout Factory's latest collection of IMAX films to be brought into the capable arms of the UHD/4K format. And while this film doesn't take us so much into the natural beauty of some picturesque place on our planet or deep into the darkness of space, it does deliver a rather grand look at some of the wonders of the man-made world. Both films were directed by Greg MacGillivray, which binds them together in a somewhat nice little bow.
Posted in: Disc Reviews by Gino Sassani on July 27th, 2018
"Wildlife and its habitat cannot speak, so we must, and we will" - Teddy Roosevelt.
Actually they do speak for themselves, and Shout Factory's UHD/4K release of National Parks Adventure gives that wildlife plenty of grand opportunities to speak to us through the grandeur of the American National Park system. Last year Shout Factory showed us what the UHD/4K format could really deliver by releasing a series of IMAX films in the new format. It was a bold move that has really paid off. IMAX cameras utilize 65 and 70mm film, which offers source material that is actually much higher resolution than 4K. Unlike many recent digitally shot films which tend to be done in the neighborhood of 2K, these films have a film element as high as 8K. There's been a gap in the Shout Factory IMAX releases, but I'm happy to report that they're back with two new films.
Posted in: No Huddle Reviews by J C on July 20th, 2018
“I would say I outdid myself, but I'm always this good...so I simply did myself.”
Season 1 of NBC's The Good Place received top marks from me for its inventive, good-hearted, and hilarious approach to comedy. But what really put the show over the top was a game-changing finale twist that rivaled anything we've seen on the big screen in terms of shock value. (There's no way to avoid discussing this swerve going forward, so if you've never seen the show, go binge the first season real quick.) Blowing up everything we thought we knew about an already Good great show was a risky move, but I'm delighted to report that season 2 maintains (and builds upon) the show's excellence.
Posted in: Disc Reviews by J C on June 6th, 2018
“The nail that sticks out gets hammered down.”
Freak Show centers on a flamboyant, fish-out-of-water teen who doesn’t fit in among his fellow high schoolers. The movie — a promising directorial debut from Trudie Styler, aka the wife of legendary musician Sting — works best when it finally lands on the notion that practically every teenager feels like a “freak” at one point or another. It’s a good, worthwhile message; the problem is other aspects of this film are about as subtle as Billy’s wardrobe and makeup choices.
Posted in: Disc Reviews by Michael Durr on June 2nd, 2018
Much to the dismay of probably most of my family and friends, I like to watch lots of weird films. Films directed by David Lynch, Planet of the Apes movies, and Johnny Mnemonic (I freaking love that movie) among many others I have watched over and over again. This is even more true with animation as I love to find clever styles that goes beyond convention and still produce a wonderful and thrilling story. So today, I review Satellite Girl and Milk Cow, a Korean animation film that is sure to test the boundaries of my fondness for weirdness. Is it too much for this critic or is it right in my sweet spot? Let's find out.
Above the Earth, we see various satellites circle the great planet. One of those satellites is named KITSAT-1 who takes pictures of the Korean Peninsula and provides other measurements. But like all things, KITSAT-1 has started to break down and stop working. Instead she uses her time to focus in on various sounds, sounds like a boy playing a wonderful song on a piano at a lonely club. The sound captivates her so much, she decides to speed towards Earth to seek it out.
Posted in: Disc Reviews by Michael Durr on June 2nd, 2018
Much to the dismay of probably most of my family and friends, I like to watch lots of weird films. Films directed by David Lynch, Planet of the Apes movies, and Johnny Mnemonic (I freaking love that movie) among many others I have watched over and over again. This is even more true with animation as I love to find clever styles that goes beyond convention and still produce a wonderful and thrilling story. So today, I review Satellite Girl and Milk Cow, a Korean animation film that is sure to test the boundaries of my fondness for weirdness. Is it too much for this critic or is it right in my sweet spot? Let's find out.
Above the Earth, we see various satellites circle the great planet. One of those satellites is named KITSAT-1 who takes pictures of the Korean Peninsula and provides other measurements. But like all things, KITSAT-1 has started to break down and stop working. Instead she uses her time to focus in on various sounds, sounds like a boy playing a wonderful song on a piano at a lonely club. The sound captivates her so much, she decides to speed towards Earth to seek it out.
Posted in: Disc Reviews by Jeremy Butler on May 14th, 2018
As a general practice, I usually try to avoid watching a sequel without first having seen the first film. However, with Maya the Bee 2: The Honey Games, that was hardly necessary, as it functioned as more of a standalone than a continuation. The story continues to follow the titular character, Maya, as she continues to try to aid her hive in any way she can, this time, participating in the Honey Games in order to prevent her hive from losing half of their honey. Sadly, this movie did not get Nalyce’s stamp of approval, as her attention started to wain pretty much as soon as we started watching it. That said, we soldiered on, and eventually she did manage to find a couple things that she did like about it. Despite this, Maya the Bee 2 won’t be becoming a permanent fixture in her entertainment rolodex.
In this sequel, the survival of the hive is threatened following a slow harvest season, when an emissary of the Empress Bee decrees that the hive is to donate half of their honey supply for the upcoming Honey Games. Realizing that such a donation will leave a lot of hungry mouths, Maya and her sidekick Willy, go to Buzztropolis to try to convince the Empress to let them keep their honey. Their plan goes sideways when the Empress decrees that they can keep their honey if they win the Honey Games. However, if they lose, the hive must give up their entire honey supply.
Posted in: Disc Reviews by Michael Durr on April 23rd, 2018
As I was working on this review, I came across a term that might just turn out to be a new pet-peeve. I am referring to the term or phrase, "Dated". This term is often used with movies that could have only existed and made in that time period. It gets used even more when it involves a comedy, especially one with jokes or concepts that could only occur in a certain decade. What's worse is that it is almost never used in a positive light, it solely exists to be negative and demeaning. Well, perhaps I can slowly change the connotation of that reference as I explore Doctor Detroit on Blu-Ray. Is it dated? Perhaps, but unlike other dated comedies of the 80's, it is wonderfully so.
A little Devo hits our speakers, hey it's the theme from Doctor Detroit. Except we are in Chicago. Professor Clifford Skridlow (played by Dan Aykroyd) is power walking down the street through everything in his path. It doesn't matter if it is a kissing couple, children playing or even speeding cars. He stops (and power walks in place) next to a swanky car driven by Diavolo (played by T.K. Carter). In the back is Smooth Walker (played by Howard Hesseman) and his four ladies of the night.
Posted in: Disc Reviews by Brent Lorentson on April 6th, 2018
Ever since Jon Bernthal left The Walking Dead, he has managed to create quite the impressive resume over the years. From having some standout performances in Fury, Baby Driver and recently taking on the role of Frank Castle in The Punisher, he is easily making a name for himself. Now we get to see him take on the role of Sam in the new small town indie thriller, Sweet Virginia. In a film that is filled with well-crafted characters matched with some terrific performances by the cast, it’s a shame the film didn’t reach Blu-ray with more of a buzz around it. From the film’s violent opening, the film percolates with menace and unease to the final climax.
When we first meet Elwood (Christopher Abbott), it’s obvious there is something a little off about this guy, and it doesn’t take long before we see what the man is capable of. To put it simply, this may be the most intimidating hitman we’ve seen on screen since the Coen Brothers gave us Anton Chigurh in No Country for Old Men. A bold statement, but as we see Elwood unravel on screen, we see a man who is desperately wanting to be accepted, whether it’s being a son or simply a friend, but the guy is a pillar of rage and violence. And it’s when we see him show up to the motel as a guest and he’s trying to befriend Sam, you just know this will only end badly.
