Posted in: Disc Reviews by Brent Lorentson on December 19th, 2013
“Think of it as a hall pass, a permission slip to just let go of your fear and embrace the world…”
These are the words of advice a reiki master, played by Allison Janney (The West Wing) says to her patient, Abby (Rosemarie DeWitt) as she is handing her a bag filled with MDNA. Touchy Feely is definitely an offbeat comedy from writer/director Lynn Shelton who may be best known for her indie hit Humpday. At first glance the film may come across to some as some New Age, hippy, nonsense journey about self-discovery, and to a point you’d be right, but really, the themes of self-discovery are universal with everyone, and it’s in these types of films I feel everyone can at least attain a nugget of introspective wisdom after watching.
Posted in: Disc Reviews by J C on December 16th, 2013
“People always work from the assumption that children are telling the truth.”
Kids really do say the darndest things! Popular kindergarten teacher Lucas finds this out the hard way after his life is shattered in The Hunt, an outstanding and indelible Danish drama that will almost surely pick up a Best Foreign Language Film Oscar nomination when the nods are announced in about a month. The film tackles a touchy (no pun intended) subject with great care. It also raises a number of provocative points about perception versus reality.
Posted in: Disc Reviews by J C on December 11th, 2013
Before Billy Bob Thornton became best known for icky PDA and wearing his wife’s blood around his neck, he burst onto the moviemaking scene as an Academy Award-winning triple-threat with Sling Blade, which he directed, wrote and starred in. (I feel like it’s finally safe to bring up Billy Bob’s acting career again.) Despite working steadily as an actor — and even directing a few other films — the Thornton who won an Oscar for writing Sling Blade has been largely absent from moviegoers’ lives. That’s why it was such a delight to see him return to southern-fried form as a filmmaker with the terrific ensemble drama Jayne Mansfield’s Car.
The film is set in Morrison, Alabama in 1969, during the height of protests against the Vietnam War. We meet the well-to-do Caldwell clan, led by the cantankerous Jim Caldwell (Robert Duvall). His four adult children (played by Billy Bob Thornton, Kevin Bacon, Robert Patrick and Katherine LaNasa) all live in town, along with their own assorted spouses and children. The Caldwells gets a jolt when they find out their mom (and Jim’s former wife) Naomi has died. (Tippi Hedren filmed scenes as Naomi, but was cut out of the movie. Unfortunately, those scenes don’t appear on this disc.)
Posted in: Disc Reviews by Brent Lorentson on December 11th, 2013
Posted in: Disc Reviews by Gino Sassani on December 10th, 2013
"Homer Simpson, it's time you got what's coming to you."
What's been a long time coming is bringing television’s longest ongoing scripted series to high definition and Blu-ray. There's so many seasons that it's going to take some time to get there. While the recent years are now coming out on Blu-ray, Fox has been working hard to get some of the older seasons up to speed. It's time for season 16.
Posted in: Disc Reviews by J C on December 9th, 2013
“There she is boys…Mandy Lane. Untouched. Pure. Since the dawn of junior year, men have tried to possess her and, to date, all have failed.
With its deep-red title card and the blood-curdling scream that opens the film, All the Boys Love Mandy Lane is very clearly a horror flick from its first frame. However, the movie displayed its greatest potential — a lot of which it squandered — when it seemed less preoccupied with who was going to kill Mandy Lane, and more interested in who was going to deflower her. The result is a promising, pitch black high school satire that eventually gets invaded by a run-of-the-mill horror film.
Posted in: Disc Reviews by Gino Sassani on December 9th, 2013
"Wanted: a nanny for two adorable children. If you want this choice position, have a cheery disposition, Rosy cheeks, no warts. Play games, all sorts. You must be kind, you must be witty, very sweet, and fairly pretty. Take us on outings, give us treats, sing songs, bring sweets. Never be cross or cruel. Never give us castor oil or gruel. Love us as a son and daughter, and never smell of barley water. If you won't scold and dominate us, we will never give you cause to hate us. We won't hide your spectacles so you can't see, put toads in your bed, or pepper in your tea. Hurry, nanny! Many thanks!"
And so the call goes out for Mary Poppins. It was 1964 and Walt Disney had a terrible time convincing writer P.L. Travers that Walt Disney Studios should be the ones to bring her flying nanny to life in a feature film. Those trials and tribulations are the subject of a new film out by Disney called Saving Mr. Banks. And so the Blu-ray release of Mary Poppins has been timed to the box office release of Mr. Banks.
Posted in: Disc Reviews by J C on December 5th, 2013
People have used a lot of different words to describe Michael Bay and his films: “loud”, “blockbusters”, “mindless”, “soulless”, “Hitler” and, of course, “awesome.” One of the words you don’t normally associate with Bay’s undeniably successful output is “clever.” I daresay Pain & Gain is the most interesting movie the action auteur has ever made; the film is both seriously silly and surprisingly smart in how it presents its stupid characters.
“Unfortunately, this is a true story.”
Posted in: Disc Reviews by J C on December 4th, 2013
We’re about 50 years removed from the Beatles taking the entire world by storm, so you’d be forgiven for thinking that everything anyone could possibly say about the Fab Four has already been said. Fortunately, the success of Good Ol’ Freda — a Beatles documentary that doubles as a loving tribute to its subject and the famous band she adored — doesn’t hinge on any heretofore unknown/shocking revelations. In other words, the film’s charm doesn’t so much come from what Freda Kelly says; instead, it comes from the delighted, no-fuss way she recounts her time with, arguably, the most famous band of all time.
“Who would want to hear the secretary’s story?”
Posted in: Disc Reviews by Archive Authors on November 28th, 2013
What makes a bad movie? What makes a good movie? The standards are getting lost in murky waters, because many of the critics have no interest in film history and the clear record of what is great and what is garbage. That goes for many filmmakers too. Their standards are what works in the last 12 months and how to try out the latest technology. Unfortunately they often forget the tried and true basics like good writing and good acting. Ethan Hawke gets a lot of these small movies. Sometimes it's a fantastic independent film like Before Midnight (part of a series of films for director Richard Linklater including Before Sunrise and Before Sunset) and sometimes it a genre picture that costs nothing that makes a fortune like The Purge or Sinister. Hawke knows what he's doing. He wants to make every kind of picture, because he knows that's the only way to stay viable. Sometimes it doesn't work out.
Getaway is a simple genre picture made to make people happy. The goal of this movie is to have as many car crashes possible in under 90 minutes. Is that so terrible? Not really, but the problem is that it does get monotonous. There are too many crashes. One wouldn't expect that to be a problem, but it is. I've sat through six Fast and Furious movies, and I thought they were all crap except for the last one. Why? Fast and Furious 6 gave up any pretense of being taken seriously and just went all the way to make the movie fun. They spent a ton of money, but they finally just made the movie fun.
