Posted in: Disc Reviews by J C on March 1st, 2016
Even though I like to think I've seen more movies than the average bear, I'll admit to having somewhat of a blind spot when it comes to world cinema. So I'm a little ashamed to say I hadn't even heard of Paolo and Vittorio Taviani — the Italian filmmaking brothers who have worked together all their lives and started making movies in the 1950s — before I picked up this handy three-pack from the Cohen Media Group. The Taviani Brothers Collection features three of the siblings' most acclaimed work: Padre Padrone, The Night of the Shooting Stars, and Kaos.
“Obedience is the air you breathe.”
Posted in: Disc Reviews by Brent Lorentson on February 28th, 2016
Life on the road as a comic always seemed like it would be the bachelors dream lifestyle: a new town every other night, getting to meet new people and see new sites while getting paid to tell jokes. Well, for the most part I still think it’s a pretty sweet deal, but in the new existential comedy Entertainment, we get a glimpse into what the road life would be if you just happened to be one of the worst comedians to take the stage. This slow, depressing look at The (unnamed) Comedian (Gregg Turkington) as he attempts to mend his relationship with his daughter doesn’t go for laughs but instead attempts to take an introspective look at its star, and just seems to go nowhere.
As we watch The Comedian in his life offstage, he’s your average guy who seems to be disappointed with his lot in life but seems to embrace the “art” of his craft. When we see The Comedian take the stage, we see a shift in demeanor as the quiet and meek man turns into crude and obnoxious comedian who stumbles his way through jokes and insults. It’s a very Andy-Kaufman-esque performance, only lacking the showmanship of his lounge lizard persona, and most importantly, the humor. What makes the character so frustrating is that it is obvious he’s no good, but yet he does nothing to attempt to improve upon his act, but instead he points the finger at the audience.
Posted in: Disc Reviews by J C on February 25th, 2016
“Don’t ever threaten my family again.”
In Extraction, a government analyst embarks on an unsanctioned rescue mission after his father — an over-the-hill CIA field operative — is kidnapped by a shadowy group of bad guys. In a related story, I think I got my dad a CD for Father’s Day last year. But while the hero of Extraction might edge me out in the Son of the Year race, the rest of this crummy actioner is basically a harmless debacle.
Posted in: Disc Reviews by J C on February 24th, 2016
“Taking the next step in a series of random steps.”
Those words are part of a toast near the start of this season, as chronically neurotic and self-absorbed writer Hannah Horvath prepares to embark on a mini-adventure that will temporarily take her away from her natural habitat of New York City. They also double as a tidy summary of the entertaining (and appropriately messy) fourth season of HBO's Girls, while simultaneously capturing what it's like to progress through your 20's.
Posted in: Disc Reviews by Jeremy Butler on February 22nd, 2016
My, my, my, it is always interesting to watch established actor leave their comfortable circumstances and explore other areas. I imagine it is easy to be complacent with your work and very difficult to find roles that continuously challenge you, so why not seek out new titles? In the case of Criminal Activities, the actor I am referring to is Jackie Earle Haley (Watchmen), who makes his director debut with this tale about four men who end up way over their heads. In my experience, actors either hit or miss when they step into the big chair; you can either end up with soul-crushing reviews or an Academy Award. Although this film is unlikely to reach such meteoric heights, I would still call it a success by a large margin.
Four high school friends (Michael Pitt, Rob Brown, Chris Abbott, and Dan Stevens) reunite at a funeral following the tragic death of another one. It is clear that these four have not spoken for some time and are at different junctures in their lives but decide to spend some time together to relive old memories and catch up. In the midst of their reminiscing, one of them mentions some inside information overheard regarding a breakthrough a company has made that is about to quadruple the value of their stock. Eager to invest and reap the benefits, however short on the parcel, the group unknowingly borrows the money from let’s call it a less than accredited source (i.e. the mob).
Posted in: Disc Reviews by J C on February 19th, 2016
“...Be like we were when we were 28. I think that would be awesome, right?”
It certainly seems awesome to the four main characters in Togetherness, who are each dealing with their own set of anxieties as they hover around 40. If that previous sentence doesn't exactly sound like a recipe for laugh-out-loud comedy, then you're on the same wavelength as this impressive HBO dramedy. Togetherness takes a bittersweet, refreshingly humane approach to portraying marriage and friendship.
Posted in: Disc Reviews by Brent Lorentson on February 18th, 2016
I was a little hesitant with picking up this film. I wasn’t sure if a film about a grandmother spending the day raising money to pay for her granddaughter’s abortion was a film I could find the humor in. Well, I’m glad I took a chance on this film; not only does this film have so many layers beneath its overall plot, but it never once attempts to have an agenda towards its audience. Considering the potentially heavy subject matter, the film instead keeps its attention on what matters most, the people who come in and out of our lives whether they are friends or family; in the end it’s how we treat them that make us who we are.
Elle (Lily Tomlin) is about as feminist as they come; she’s a proud lesbian who is independent and at one time was a successful poet who wrote about feminist themes. When we first meet her, it is in the middle of her and her girlfriend calling it quits. Like any breakup, it’s ugly and filled with emotion. Despite the tough exterior we see Elle trying to hold up, we know it is all an act, and we understand she is still hurt after the loss of her true love of 30-plus years.
Posted in: Disc Reviews by Gino Sassani on February 17th, 2016
"Will you follow me, one last time?"
It's time to say goodbye to Middle Earth, at least from a cinematic perspective. The Hobbit: The Battle Of The Five Armies marks the last time we shall see Peter Jackson's version of Middle Earth. Sure, Ian McKellen has told us he wouldn't be surprised to see some kind of a return. I would. There is certainly enough work from Tolkien to support future adventures, but the rights to anything beyond these books belongs to the Tolkien estate. To say they are not very fond of Jackson, New Line, Warner, or the six films themselves would be an understatement. There is great animosity there, and no amount of money is going to change that.
Posted in: Disc Reviews by J C on February 17th, 2016
“Before we start, I want you to know something...I'm not a rat.”
I could get into *a lot* of trouble if anybody found out I was talking to you. After all, there is absolutely, positively nothing worse than a rat, a point that is made crystal clear in Black Mass. But I'm putting my neck on the line here because I figured you'd want to know this fact-based crime drama marks the welcome return of Johnny Depp, who has spent the better part of the past decade in the Magic Kingdom loony wilderness.
Posted in: Disc Reviews by Gino Sassani on February 17th, 2016
On the surface MI-5 looks to be a mundane direct-to-video film attempting to cash in on a couple of things. Mission Impossible: Rogue Nation is the fifth in the series and often referred to as MI:5. The new James Bond film has a plot involving the head of MI-5 attempting to take down the MI-6 department and our beloved 007. None of these would contribute to the fortuitous name. Rather it’s the difference in racial sensitivity between Britain and the United States. MI-5 is actually a feature-film version of the long-running British series Spooks. The film’s original title happens to be Spooks: The Greater Good. It seems that even foreign nations have noticed we can be offended by words that have completely innocent meanings so long as someone out there can find an offensive albeit completely unintended meaning. Don’t believe me? Just check in with how many sports media refer to the Washington Redskins these days. It’s unfortunate, because I like the original title. It’s more original. MI-5 is so generic these days.
If you’re up on the show, you already know the Intelligence Chief of MI-5, Harry Pearce, still played by Peter Firth. After 10 years he’s now a disgraced agent and on the run after terrorist Adam Qasim (Gabel) escapes from a prisoner transport that Pearce was in charge of conducting. Some inside the agency think that Pearce was a part of the escape plan.
