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Did you know The Birdcage is the all-time, highest-grossing movie in the U.S. that features a gay lead character? It’s true! Given the drastically increased pop culture visibility of the LGBT community in the 18 years since its release, it’s a bit of a surprise the film still holds that distinction. On the other hand, I’m not too shocked because I’ve been laughing at this funny farce since it first came out in 1996. So I was delighted to see it finally make its long-overdue Blu-ray debut.

We’ll get to the Blu-ray particulars in a bit, but I really do want to spend a fair amount of time talking about this deeply silly, deeply fascinating project. For starters, how about the fact that Robin Williams’ first “straight man” role in a comedy didn’t come until he was cast as a gay nightclub owner?

“Our planet, our war.”

Those four words neatly summarize the overriding theme for the third season of Falling Skies, TNT’s earnest alien invasion drama. While the show still takes its broad thematic cues from the American Revolutionary War, this batch of episodes directly references some of the uneasy alliances formed during World War II. So in between the numerous instances of human characters shooting at aliens — and at each other — the show explored the question of whether the enemy of my enemy really is my friend.

We first came to know Paul Hogan as the "Shrimp On The Barbie" guy. He was doing television and radio ads for Australian tourism. A smart fellow, he saw that the ad character was popular and rode an enormous wave of an Australian fad that hit America in the 1980's.. Suddenly there were Australian bands like Men At Work teaching us about vegemite sandwiches on the top of the music charts. We got steak, not shrimp, on our barbie with a chain of Australian-themed steakhouses appropriately called Outback "no rules, just right" started up by a Florida group. Pop culture became inundated with catch phrases like "no worries" and "G'Day". Australia was cool, and we even had an "Australian" neighbor we all later found out was faking it for years. No doubt anything Aussie was considered cool. It was in that light that Hogan parlayed his tourism ads into an over-the-top Aussie character named Michael J. "Crocodile” Dundee.

The film was an almost instant hit. It pulled in a rather sweet $175 million at the domestic box office. Remember, this was a 1987 comedy with no real known American stars. Of course there was going to be a sequel. That film pulled in considerably less, but still a respectable $110 million. Those two films have now been brought to Blu-ray as a two-disc set from Paramount. The third film was called Crocodile Dundee In Los Angeles and tanked big time with an embarrassing $25 million box office total. That was 2001, and the Aussie fad has long since passed. It's no surprise that the collection only includes the first two films. These are absolutely worth watching and having.

Following in the footsteps of Taken Gina Carano (Haywire) goes on a revenge rampage in order to discover what has happened to her injured and missing husband in a foreign land.  It’s not the most original jumping off point for a revenge film, but as is the case with most revenge films, the motivation is usually always the same, but it’s the journey to the fulfillment of their blood-lust that keeps us in our seats.  Coming off of the latest installment in the Fast and the Furious series, Carano has started to make a name for herself ever since she emerged in Steven Soderbergh’s action/thriller Haywire.  Many women have tried to step in the role of leading lady and bad-ass fighter, but Gina Carano seems to be the woman who seems right at home in the role of breaking bones and smashing faces, and it doesn’t hurt that she looks good while doing it.

On an island in the Carribean, Ava (Carano) and her new husband Derek (Cam Gigandet) celebrate their honeymoon together.  The beautiful beach locations are offset by the ghettos that house the islanders who call this vacation spot home.  And it would seem as though Manny (Ismael Cruz Cordova), is nothing more than a hospitable islander showing the newlyweds a good time, that is until he takes them on a breathtaking zip line tour.  Unfortunately an accident occurs, causing Derek to be taken immediately to the hospital (all I could think about was the opening sequence of Cliffhanger here), and it is on the way to the ER as Ava tries to follow behind but eventually loses the ambulance in traffic.  Not only does Ava have to suffer through the possibility of her husband dying, but when she finally arrives to the hospital, she is told her husband never was brought in.

Before getting this season to review, my exposure to the show was fairly limited; I had seen a few episodes on Comedy Central, but that was about it.  Now that I’ve had a chance to kick back and take in the shenanigans of Blake (Blake Anderson), Adam (Adam DeVine) and Anders (Anders Holm) I can say it was a disservice to myself to hold out for so long.  For those that are unaware of the show, I see it as a bit of a hybrid between It’s Always Sunny in Philadelphia and Office Space, as it follows three friends who live together and work together at a telemarketing company. Thankfully this is a show that doesn’t require seeing the previous seasons and can be picked up and watched at any point.

Picking a favorite episode is an easy one for me; not that the other episodes are not funny, but “Beer Heist” is a solid standalone episode that brings a smile to my face just thinking about it.  The guys run into a group of sorority girls who are on a beer run. The guys concoct a plan to impress them, and it involves hopping in the back of a semi-truck to steal beer.  Their plan quickly unravels as the truck takes off with Blake and Adam still in the truck.  As their troubles escalate, the rationale a character uses to explain why his friend doesn’t understand their actions because he’s simply not horny enough is just the right kind of explanation for this show.

I don't know why death still surprises me.”

As someone who's seen every single episode of True Blood, I suppose nothing should surprise me by now. HBO's vampire drama has given us more than its share of head-turning sex scenes and a hearty helping of over-the-top violence. However, the further the series ventured from Bon Temps and its core group of characters, the more it seemed to lose its way, even as a satisfying guilty pleasure. This penultimate season still relied on an overly-crowded cast of supernaturals. But it was ultimately an encouraging sign that the show might get back to basics as it prepares to end its run this summer.

What makes us human? That is the primary theme of Robocop, the remake of the 1987 film of the same name. The 1987 film was a huge blockbuster success, spawning two sequels, and no doubt that is the hope for the remake at the very least. Joel Kinnaman steps into the suit made famous by Peter Weller, and he is not the only big name to grace the film: Michael Keaton, Samuel L. Jackson, Abbie Cornish, and Jackie Earle Haley, as well as the great Gary Oldman playing the doctor who made Robocop possible: with such a top-notch cast, how could the project fail?

Deviating from the original plot a bit, Omnicorp is the largest manufacturer of cybernetic organisms and has made billions supplying their devices to the government, which has used the machines to reduce our human military presence overseas, believing that the use of machines makes the process more efficient and prevents the loss of life due to human error. Omnicorp CEO Raymond Sellars (Michael Keaton) aspires to have his product used domestically, taking over for humans as the guardians on the police force.

When Stephen Chow came out with Shaolin Soccer and Kung Fu Hustle he delivered martial arts in a way like we never had seen before.  It’s not just that he blended humor with his action but it was that he was able to manage to make his characters function as you would imagine cartoon characters would in the real world.  The road runneresque chase scenes from Kung Fu Hustle are the first visuals that come to mind any time I think of the name Stephen Chow.  Now that he has Journey to the West making its way to Blu-ray, does he still have what it takes to make a hit or has he simply returned to the well already?

The film starts off strong as a father is attacked by some unseen monster while his daughter looks on from a dock.  As panic strikes the village a “demon hunter” captures a giant sting ray that he believes is the culprit behind the fisherman’s death.  Sanzang (Zhang Wen) seems to believe that there is yet another demon responsible for the death, yet to the village refuses to take Sanzangs advice and it is a mistake that will result in the loss of more lives and destruction.  This opening goes on perhaps a bit long but it sure is fun and is filled with some beautifully choreographed stunt work as well as some inventive camera work.

On the surface, The Color of Lies resembles many other murder mysteries set in a close-knit community. The 1999 film, however, is a late-career effort from Claude Chabrol, the French New Wave director who first gained acclaim alongside contemporaries like Jean-Luc Godard and Francois Truffaut in the late 1950s. So it’s not surprising to learn The Color of Lies is really a subtle, stylish exploration of the various ways people deceive each other.

The body of a 10-year-old girl is found near the home of struggling artist Rene Sterne (Jacques Gamblin) and his wife Vivianne (Sandrine Bonnaire). Rene was the girl’s art teacher and quickly becomes the prime suspect in an investigation conducted by Inspector Lesage (Valeria Bruni Tedeschi), the town’s new police chief. Despite the fact that Inspector Lesage has zero hard evidence connecting Rene to the crime, he becomes a pariah in his small Breton village and gradually loses the rest of his art students. And if things weren’t bad enough for Rene, he also has to contend with vain local celebrity Germain-Roland Desmot (Antoine de Caunes), who is aggressively pursuing Rene’s wife. (It doesn’t help that Vivianne isn’t exactly rebuffing Desmot’s advances.)

by Eric Mitchell

G.W. McLintock (John Wayne, True Grit, Rooster Cogburn) made most of his money by being a cattle baron. He made so much money, in fact, that the film’s fictional town was named after him. How cool is that? But all is not milk and honey in McLintock’s life. He has an estranged wife who does not live with him (Quiet Man co star Maureen O’Hara), and now wants a divorce.