Posted in: Disc Reviews by Gino Sassani on May 11th, 2014
If anything, the third part of the Godfather series of films is symbolic of when too many sequels are greenlighted, and consequently, the film is doomed to fail. More often than not, the reason why these films crash and burn is because of major studios acting like Adelphia executives and wanting more money, and in using the previous films’ successes as leverage, they lose sight of things like quality. It’s happened to other trilogies. And if you put together previous films with the reputation that the first two Godfather films have, the only question left to answer is whether or not the third film would be a minor or major letdown. Most of the essential players returned, with the exception of Robert Duvall. (Duvall said Francis Ford Coppola never really negotiated with him, while Coppola says that Duvall asked for more money, so who knows?) Mario Puzo helped out with another part of the story, so why did this film not live up to the hype?
Well, this is by no means a slap to Coppola and Puzo, but the story was too nostalgic. A good portion of the film was told with clips from the other movies. While understandable, it didn’t address some of the performances from the cast. Pacino’s performance was pretty good and more subtle than I first remembered, and Andy Garcia’s role as Vincent (Sonny’s bastard child) still stands up after these years too. But Talia Shire as Connie clearly is the evil mastermind behind a lot of the Corleones’ present activities in an underappreciated performance. And in considering the evolution of her character from Part 1 to Part 3, her transformation was a little more gradual, but on par with Michael’s. Shire definitely deserves more praise than she got in this series. On to the bigger question: did Sofia Coppola as Michael’s daughter Mary REALLY stink up the joint in this film? Well, I think that she’s gotten some unfair slams through the years, considering she had little experience on a movie set aside from watching her Dad direct. I mean, imagine how good you would be when you’re sharing scenes with Al Pacino. Exactly! For her to be a scapegoat as to why Part III wasn’t a good film is a little unfair.
Posted in: Disc Reviews by Archive Authors on May 8th, 2014
Well, considering that there were so many different strange film ideas in the 1980s, it was only a matter of time before someone would write and produce a film about a dead guy, right? Well, you’re in luck, as two names from the period (Andrew McCarthy, St. Elmo’s Fire, and Jonathan Silverman, Brighton Beach Memoirs) fulfill your wish as Weekend at Bernie’s returns to Blu-ray.
McCarthy and Silverman play insurance reps with bigger aspirations in a company owned by Bernie Lomax (Manimal), who discover a glitch which may have resulted in $2 million of the company’s money being stolen. As a reward, Bernie invites them to his beach house, but we find out the money was stolen by Bernie himself, and he asks some members of the mob to kill the two. However, in a twist, the mob boss decides to have Bernie killed, in part because of an affair Bernie is having with the boss’ girlfriend. Bernie is killed before McCarthy and Silverman get to the beach house, and once they realize Bernie is dead, the wacky hijinks commence.
Posted in: Disc Reviews by Archive Authors on May 8th, 2014
Revenge of the Nerds is an 80's cult classic making its way to Blu-ray. Basically you get a standard catalog release and a handful of features thrown at you. I remember seeing this movie about ten years back. I found it amusing then, so I was looking forward to being able to watch it again; maybe this time I'd get more of the jokes.
The movie takes place where two nerds played by Robert Carradine and Anthony Edwards are off to attend the fictional Adams College. They have both enrolled in the acclaimed computer studies department. The two dress like typical nerds with tucked-in shirts, thick black-rimmed glasses, buck teeth, and pens in their shirt pockets. This is of course noticed by some of the frat members the minute they set foot into the quad and are already labeled as nerds. The Alpha Beta frat house are the apparent bullies of the school and also happen to all be star players on the football team, coached by the arrogant John Goodman. While partying the group accidentally burn down their frat house and take over the freshman dorm, forcing them all to sleep in the gymnasium. Of course while some of the freshman are recruited for frats and sororities a group of them are left out, the nerds. Sick of living in the gym they set out to find a house, which they turn, into a frat house, Lambda Lambda Lambda. Gaining some respect around the school the jocks of Alpha Beta set out to make their lives hell, while the nerds get a little revenge for themselves.
Posted in: Disc Reviews by Archive Authors on May 8th, 2014
Anyone who is a parent of a teenage boy is very familiar with the film Napoleon Dynamite. Released in theaters in 2004, this film rapidly developed a cult following and continues to be popular among the high school and middle school crowd. Napoleon Dynamite is a very charming and witty film about a tall and lanky teenage nerd (played by Jon Herder) who lives with his older brother and grandmother in Preston, Idaho. His brother Kip (Aaron Ruell) is 32 and unemployed and how spends most of the day at home on the internet on chat rooms trolling for women. Napoleon, on the other hand, is a bit more industrious, as he at least does attend high school. However, he spends most of his time daydreaming. When he is not daydreaming, he is being bullied at school.
To say that Napoleon is quirky would be an understatement. He has a very deadpan and monotone delivery except when he is asked a question, which more often than not results in a loud, short and abrupt answer which is a trait my kids seem to have adopted! Napoleon also has a very tough time being able to communicate with the other kids in the school, being somewhat of an outcast. However, he meets two students who share some of the same personality quirks as he does, Pedro and Deb, and decides to try to help Pedro, a recent immigrant from Mexico, in his bid to get elected as class president. (Remember those Vote for Pedro t-shirts?)
Posted in: Disc Reviews by J C on May 8th, 2014
“A week from this Saturday, I turn in my amateur standing and go pro.”
Tom Hanks has been starring in movies for exactly 30 years. He burst onto the big screen with 1984's Splash, the romantic-comedy hit that also marked the start of a fruitful creative relationship with Ron Howard. A few months later, Hanks headlined Bachelor Party, which probably just seemed like the latest in a long line of silly, raunchy, sex comedies that were extremely popular at the box office. Of course, that was before anyone could possibly realize the movie would eventually serve as the spiritual godfather to comedic blockbusters like Wedding Crashers and The Hangover.
Posted in: Disc Reviews by Gino Sassani on May 7th, 2014
"In our findings on Gamera, we've ascertained that: Firstly, it is attracted to and consumes fire. Secondly, it also seems to possess an internal power plant, of sorts. This emits a signal frequency that can jam radio communications. In order to store up energy reserves, Gamera consumes inorganic resources. Not only does it consume petroleum as well as other mineral and fossil fuels, but Gamera may also seek out atomic bombs."
Ask anyone about Japanese monster movies and Gamera usually won't be the first name that comes into their minds. Godzilla would likely dominate the conversation, and for most of the last 60 years the folks at Toho have been synonymous with large monsters. But they didn't exactly hold a monopoly on the big beasts. Kadokawa Pictures had their own little monster franchise going on. It all started in 1954 with Gamera: The Giant Monster. From 1965 through the 1970's the studio would produce eight Gamera films in all. Now Mill Creek has gathered all eight films into two four-movie Blu-ray collections.
Posted in: Disc Reviews by Brent Lorentson on May 7th, 2014
It was 2007 when Veronica Mars concluded its three-season run on the CW. The door was left open for more seasons, and the season three set came with a bonus that showed us the direction things could have gone. But after one of the most successful Kickstarter campaigns and seven years later, fans of the show will finally get to see their favorite little marshmallow, Veronica Mars, on one last investigation. I’m going to come out and say it; I was a big fan of the show. The high school noir series was more than just your standard teen melodrama. Veronica Mars seemed to always evoke the hard-boiled spirit of Raymond Chandler detective yarns, only it boasted a good-looking cast that spit witty dialog and pop culture references.
The film introduces us to a more mature and refined Veronica (Kristen Bell) who has moved on from being the teenage private eye and is now applying to law firms. She’s come a long way, (literally across country) and has tried to make a life for herself in New York with her boyfriend Piz (Chris Lowell). Everything was going as planned until Veronica sees on the news that her old flame, Logan Echolls (Jason Dohring) is under investigation for murdering his girlfriend. The heart strings are tugged for Veronica, and she hops a plane to travel back home to Neptune and help him out.
Posted in: Disc Reviews by J C on May 7th, 2014
Craig Morrison was in his late 80’s the first time he got in trouble with the law. Still Mine tells the real-life story of the Canadian octogenarian who found himself in court facing the prospect of jail time. In case you’re wondering, Morrison didn’t rob a bank or cheat on his taxes. He merely wanted to build a modest house on his own property that could better accommodate his ailing wife. And he insisted on doing it himself.
The film opens with a tired-looking Craig (James Cromwell) preparing himself to make a statement in court. The action flashes back two years, and we see Craig on the expansive 2,000-acre New Brunswick property he shares with his wife Irene (Genevieve Bujold). We eventually learn the couple has been married for 61 years, but the playful, tender rapport between Cromwell and Bujold conveys that connection within minutes. Just as surely as we get glimpses into their loving relationship, we also get hints at some of the problems beneath the surface. Craig’s cattle and strawberry businesses begin to falter, while Irene absentmindedly leaves an oven mitt laying across a hot stove and forgets that some misplaced actually belongs to her.
Posted in: Disc Reviews by Brent Lorentson on May 5th, 2014
When it comes to the feud between Marvel and DC film adaptions, I think we can all agree Marvel at this point may be winning the battles on the big screen, but when it comes to the animated films DC has been delivering hit after hit. Perhaps it’s because the landscape in animation is virtually unlimited and comes with a significantly smaller price tag to deliver. With the new animated release from Warner Brothers we get a new Batman film that goes where we haven’t seen the caped crusader go, and that is into the shoes of fatherhood. Before you get to thrown by the idea, this isn’t a costume hero version of Three Men and a Baby, but instead something much darker and well deserving of its PG-13 rating.
The League of Assassins are in the middle of training when we first meet Damien (voiced by Stuart Allen); he’s the grandchild of the leader of the league as well as a long standing foe to Batman Ra’s al Ghul. Damien hasn’t simply lived the life of luxury, but instead has lived a life training to be a deadly assassin. I’d love to see this kid in public school dealing with school yard bullies, but this isn’t that story. His mother, Talia al Ghul (voiced by Morena Baccarin) is firm but loving, and her true nature comes through as the temple is attacked by an army of armed ninjas. The battle is intense, and despite all the training by the League of Assassins, they are simply no match for the firepower that is unleashed. Damien isn’t one to run and hide; he doesn’t hesitate to pick up a weapon and fight. Leading this hostile takeover is Deathstroke (voiced by Thomas Gibson); he’s filled with rage and wants to rule the league and kills Ra’s al Ghul in the process.
Posted in: Disc Reviews by J C on May 5th, 2014
“I do wish I could be content, but...”
“You cannot.”