Posted in: Disc Reviews by Gino Sassani on September 19th, 2013
"After a half century of space exploration we're now being faced with what's long been a staple of science fiction: an orbiting junkyard of space debris."
There's an old saying that what goes up must come down. For most of human history that has been a pretty steadfast axiom. Of course any kid who has ever had a kite or a football stuck in a tree knows there are exceptions to every rule. But in the 1950's we began to place objects in orbit about the Earth. In recent decades the practice has almost become a frenzy. We have all of those cell phones, television networks and GPS devices that require more and more satellite support. It appears that the rule itself has changed. The fact is there are hundreds of thousands of "whats" that have gone up and will not come down at all, at least in our lifetimes. Space Junk 3D examines the ramifications of all of this floating space debris.
Posted in: Disc Reviews by Gino Sassani on September 17th, 2013
"Mystic Falls. I was born here. This is my home. For centuries, supernatural creatures have lived among us. There are vampires, werewolves, doppelgangers, witches and even hybrids. There are those who protect them. And those who want them dead. They're our friends. Our enemies. The ones we love. And the ones we've lost. And then there is me. I'm human... at least I was."
And, of course, that was the big news as season 3 of The Vampire Diaries ended and season 4 begins. To save her life Elena was turned into a vampire by Damon's blood. She died in a crash while the blood was still in her system, and as Damon reminds us, we all know either you feed or you die. Those are the choices. What will she decide?
Posted in: Disc Reviews by Gino Sassani on September 17th, 2013
Rick Castle (Fillion) is a very successful mystery pulp-fiction writer with over 26 books hitting the best seller list. He’s rich, and he’s spoiled. He lives with his mother (Sullivan) who is pretty much a has-been actress who thinks she’s just one part away from stardom. He has a young teen daughter (Quinn) who is more responsible than he is. After having so much fun and inspiration tracking down his fiction copycat killer, he decides to pull strings and become an unpaid consultant for the team. At first that wasn't so good for team leader Detective Kate Beckett (Katic). Of course, now the whole sexual tension thing has been discarded, and they are an official couple these days. The team is also filled by a pair of detectives. Detective Javier Esposito is played by Jon Huertas and is the macho member of the team. Detective Kevin Ryan is played by Seamus Dever and is the more reserved member of the team, now trying to start a family. The team is led by the rough Captain Victoria Gates, played by Penny Johnson. She likes to think she's in charge, but she's not.
Nathan Fillion is one of those actors that are hard to pin down. He reminds me a lot of Bruce Campbell. He has a sudden disarming quality to him, even if he is not always the most likable guy in the show. Most fans will remember him as the fearless and cocky captain of the Serenity in Joss Whedon’s short-lived but critically loved Firefly series. He has that kind of charming smile and way about him that gets him out of a lot of trouble and makes you want to love him even as you hate him.
Posted in: Disc Reviews by J C on September 16th, 2013
I have a prediction about reality shows: with a new one seemingly sprouting up like a weed every few minutes, the number of people on television will eventually be greater than the number of people watching at home. Granted, some of these shows are amusing, educational and even inspirational. But too many of them reward negative, repulsive behavior with fleeting fame. Speaking of rewarding negative, repulsive behavior with fleeting fame, The Morton Downey Jr. Show was on the air for less than two years, yet that was long enough to earn its host the title of “Father of Trash Television.”
Evocateur chronicles the meteoric rise and spectacular fall of Downey’s controversial, wildly successful talk show in the late 1980s. Documentary filmmakers Seth Kramer, Daniel A. Miller and Jeremy Newberger frame their subject’s life story as an outrageous psychological drama. As a result, the film also delves into Downey’s past, including his childhood as the son of neglectful showbiz legend Morton Downey and an alcoholic mother, as well as his surprising ties to the Kennedy family in the 1960s. In fact, the film dedicates so much time to the past, the final act of Evocateur — and the final act of Downey's life — feels rushed. (He died of lung cancer in 2001.)
Posted in: Disc Reviews by William O'Donnell on September 12th, 2013
Modernizing Sherlock Holmes has been a popular trend in film and television lately. We have seen two slick action film adaptations courtesy of Guy Ritchie (Sherlock Holmes and its sequel), a contemporary BBC adaptation (Sherlock) and now there is Elementary, which transplants Sherlock Holmes and his loyal companion Watson from Victorian Era England to modern USA (New York, more specifically).
Jonny Lee Miller's portrayal of Holmes makes me want to start drawing comparisons to the title character in the medical drama House. Both shows surround an eccentric, drug-addict savant who blazes beyond socially acceptable behavior to a series of “aha!” moments. Granted, said “aha!” moments are much less contrived and formulaic than they are in House. It takes a little while for the show to get it's legs, but it does. The creators are clearly hoping the eccentric charm of Holmes can shoulder the burden of maintaining audience interest. Said eccentricity can come off a bit aimless at first. Sherlock has the ability examine people almost perfectly, yet the writers do not seem to have the character fully figured out, and there are too many moments where Holmes' odd behavior seems a bit tacked on, such as when he hypnotizes himself to get through an addiction support group meeting.
Posted in: Disc Reviews by J C on September 10th, 2013
Supergroups are hot right now: witness the astonishing box office dominance of The Avengers, as well as Warner Bros./D.C. Comics’ frantic attempts to replicate Marvel’s success. But the idea of a supergroup — a collective whose members have previously achieved individual success — has been around for a very long time, and is most commonly found in the world of music. The members of PSMS (Mike Portnoy, Billy Sheehan, Tony MacAlpine and Derek Sherinian) certainly fit the supergroup bill. Late last year, they united to rock the faces off their fans in Europe and Asia.
Live in Tokyo captures their Nov. 14 show at Zepp Tokyo last year. PSMS — Portnoy (drums/vocals), Sheehan (bass/vocals), MacAlpine (guitar), Sherinian (keyboards) — was formed in January 2012. Although they weren’t exactly strangers, the group experienced some understandable growing pains when they first got together. (Portnoy expands on this in the Behind the Scenes featurette on this Blu-ray.) By the time this concert was filmed, however, PSMS had been together for nearly a year and they sounded like a totally cohesive unit.
Posted in: Disc Reviews by Gino Sassani on September 5th, 2013
"I believe man will fly. And I base this assumption on the fact that God has blessed us with minds that are capable of imagining it. Anything that can be dreamt of will eventually be built. Anyone who says otherwise is a fool."
The term “Renaissance man” is often used to describe a person who has a very wide range of interests in which they have become quite skilled. It's taken from the traits of the many artists, innovators and writers of the 15th century. And while the term might well apply to any number of such historical figures, there is none for whom it is more apt than Leonardo Da. Vinci.
Posted in: Disc Reviews by Gino Sassani on September 4th, 2013
"Something happens at around 92 miles an hour -- thunder-headers drown out all sound, engine vibrations travels at a heart's rate, field of vision funnels into the immediate, and suddenly you're not on the road, you're in it. A part of it. Traffic, scenery, cops - just cardboard cutouts blowing over as you past. Sometimes I forget the rush of that. That's why I love these long runs. All your problems, all the noise, gone. Nothing else to worry about except what's right in front of you. Maybe that's the lesson for me today, to hold on to these simple moments."
There's nothing simple about Sons Of Anarchy. But there are some moments that will cause you to hold on... for dear life.
Posted in: Disc Reviews by Gino Sassani on September 4th, 2013
"When the world goes to Hell How will you survive?"
The first thing you should know about The Walking Dead is that it's unlike any television series you have ever seen before. The images here are intense, and the crew has been given a blank check to create this vision without the burden of censors looking over their shoulders. There are plenty of blood-and-gore effects that rival any of the Hollywood zombie films you've seen in the last few years. The makeup effects are handled by the very capable hands of KNB and supervised personally by Greg Nicotero (the N from KNB). KNB isn't treating this like a television production, and while I personally get tired of the cliché about making a movie each week, this one lives up to the hype. They aren't doing anything different here than they would do for a big-budget film. The zombies look incredible, and the effects are completely first-rate.
Posted in: No Huddle Reviews by BABY on August 30th, 2013
"You don't have to have super powers to be a superhero."
I know that's right. Hi. I'm Baby, and I'm the German Shepherd / Chow mix that runs security here at Upcomingdiscs. We call it Baby On Board Security, and if you want to know what my superpower is, just try and deliver one of your Fed Ex or UPS packages when I'm on duty, which is all the time. And that spells F A N G S.
