1.85:1 Widescreen

The fabled story of the Nutcracker has many experiences, from plays, to musicals, to theater, and to operas; it has entertained us all for a century. What if these stories are real, and these Christmas toys really do have a world of their own? That would be a tale we all would love to hear. Enter Disney's The Nutcracker and the Four Realms. After the death of their mother, Clara (Mackenzie Foy), Fritz (Tom Sweet), Louise (Ellie Bamber), and their father, Mr. Stahbaum (Matthew Macfadyen), must endure the Christmas holidays without her. Struggling to move on with the events of the season, Mr. Stahbaum pushes them all to attend the annual event at Drosselmeyer’s house.

Drosselmeyer (Morgan Freeman) is a wealthy inventor of toys and many useful things. He loves all children and teaches them how to use their potential in whatever they are inspired to be.

“Extremely rich, very married, eminently corruptible, and a willing infidel.”

That description is used to describe the unwitting marks targeted by the titular con men in Dirty Rotten Scoundrels. But except for the “very married” part, it’s also a pretty accurate depiction of the Scoundrels themselves, played here by Steve Martin and Michael Caine in a pair of very different but equally winning performances. The movie was released a little more than 30 years ago — Christmastime 1988 — which makes this a fine time to revisit the breezy, sleazy con men comedy thanks to this Collector’s Edition from Shout Select.

“You know, the first time we met, I really didn’t like you that much.”

I didn’t become acquainted with When Harry Met Sally… until well after the Billy Crystal/Meg Ryan flick had established itself as a bona fide romantic comedy classic. (I was 7 when the film came out in 1989.) So when I finally got around to watching it in my late teens, the “I’ll have what she’s having”  punchlines and general set-up involving an unlikely romantic pairing felt overly familiar. I enjoyed it just fine, I definitely appreciated it, but I wouldn’t quite call what we had love. Shout Select, an imprint of Shout! Factory, has released a 30th anniversary Blu-ray of When Harry Met Sally… And after revisiting this film years later, I’m asking myself the same question that Harry and Sally ponder after being friendly for years: is this love?

"The list is an absolute good. The list is life."

It had been nearly 20 years since I had seen Schindler's List. I believe this was only the second time I've watched it since seeing it in the theaters back in 1993. It's one of those films that doesn't lend itself to repeated viewings. It clocks in at over three hours, and the material is emotionally draining. That doesn't mean the film shouldn't be on everyone's shelf. It should. It should, because it tells a brutal story that civilization must never forget. It's clear that while the event remains in our collective memories, the reality of the Holocaust has been lost on too many people. Watch this film, and you will be completely amazed that anyone could throw words like Hitler or Nazi to describe anything that could be happening in American politics today. I'm convinced that the people who use those descriptions need to sit down for three hours and watch Schindler's List, maybe for the first time. It belittles this horrific moment in history to throw it about as a political hit or hate speech. There is nothing in our current American landscape that comes close to the reality of what happened to the Jews in World War II. Saying that there is shows amazing ignorance, an ignorance that this film goes a long way in dispelling.

The Jerk, released in 1979, is a rags-to-riches-to-rags comedy film of belated self-discovery. This was Steve Martin’s first starring role in a feature film and was also written by him. It's hard to watch the film and quite picture Martin as the unknown he really was at the time. Since then Steve Martin has come and pretty much gone from our collective experience. When this film was released, much of this kind of humor was somewhat unique and clever. Today that is not so much the case, and it looks and feels quite a bit dated.

Carl Reiner directs Steve Martin (who co-wrote the script with Carl Gottlieb) in this gag-laden comedy about an idiotic white man, raised by a poor family of black sharecroppers, who doesn’t realize he’s not black. Navin R. Johnson (Steve Martin) is told the horrible truth when he finds himself instinctively tapping his f…et to an easy listening tune on the radio, instead of a low-down blues. His mother (Mabel King) tells him he’s white and Navin takes to the road (in a World War II bomber helmet and goggles) to start a new life in St. Louis. A filling station owner, Harry Hartounian (Jackie Mason), give Navin his first break, hiring him to pump gas. One day at the station, Navin has a brainstorm, concocting an invention called “The Opti-grab,” a combination handle and nose-brace for eyeglasses. But Navin runs into trouble when a crazed killer (M. Emmet Walsh) picks out his name at random from the telephone book and tries to kill him. Navin escapes to a traveling carnival, where he wrangles a job as the “guess-your-weight” man. At the carnival, he discovers his sexual nature, thanks to stunt rider and S&M enthusiast Patty Bernstein (Catlin Adams). But Navin meets the beautiful Marie (Bernadette Peters) and he quickly falls in love. In the meantime, the “Opti-grab” has taken off, and soon Navin is a millionaire.

So this was not one of Nalyce’s favorite films to watch, but she was a trooper and watched it till the end. Benji Off the Leash is a digitally remastered telling of the 2004 film. To its credit, the story surprising holds up. Even more to its credit, my daughter was actually able to follow the story. I mean, I had to explain certain parts, like who was Benji? And explain the profession of dog breeding, a profession she automatically decided was a bad job given that to her eyes it broke up puppy families. However, once we cleared that hurdle, we were able to continue the movie. Full disclosure, my knowledge of Benji beforehand was nonexistent. I mean, I knew the name, but not the significance. Fortunately for me, there is a decent opener so that I could catch up.

The story opens up with a news announcement that makers of the Benji films are going across the U.S. looking for the next dog to play the character. We then settle into a Mississippi town and into the lives of a family of dog breeders, headed by Hatchett, who is abusive to both his family as well as the animals under his care as he continues to breed new puppies in order to gain more money, not allowing adequate time between pregnancies.

“I get it. You’re taking me back in time to show me my mother and father, and I’m supposed to get all goosey and blubbery. Well, forget it, pal…you got the wrong guy!”

Bill Murray was the absolute best at being a jerk on screen during the 1980s, which made him the right guy to step into the role of a modern-day Scrooge. Charles Dickens’ “A Christmas Carol” had been adapted countless times before Scrooged and there have been dozens of versions since the movie’s 1988 release. But while this sarcastic, intentionally gaudy update isn’t exactly the most faithful version of Dickens’ classic tale, it remains a personal childhood favorite.

"Loyalty is tricky. It's a moving target."

As the summer wound down from the season's requisite anchor film blockbusters, there was increasing room for a few independent films that will make their way from the festival circuit to fill the newly vacated screens at your local multiplex. For some it was to attain eligibility for the year-end award season. For others it was a short window to turn a profit from what was conceived more as a work of art. For others it was a chance to become a sleeper hit. And for others yet, an opportunity to deliver a social message on the larger soapbox of the big screens. Blindspotting appears to be on the cusp of all of these things. But perhaps it came a little early for any awards consideration, and at a time where it was still competing with the mega-films of the summer. There's no doubt that the film attempts to hit us with a message, but it falls just short of that accomplishment. Blindspotting works best as a character study, and it's in that mode that the film almost approaches compelling.

Pixar’s animated films have a staggeringly-high approval rating among both fans and critics. Much of that goodwill extends to the short films that play before each theatrical release (or can be found on subsequent Blu-ray versions). The shorts often compress the warmth, humor, and creativity of the Pixar brand into a neat six- or seven-minute package. For the third time, Disney and Pixar have helpfully packaged a group of short films into a collection that will alternately have you laughing out loud and reaching for a box of tissues.

Pixar Short Films Collection — Volume 3 features 11 previously released Pixar shorts and two all-new mini movies. (These go all the way back to 2012’s Partysaurus Rex.) There is no Play All option, so you have to use the “Short Selection” option from the Main Menu to select the film you want to watch each time. Each short includes an optional introduction with the director talking about his or her inspiration for the film you’re about to see. (I highly recommend you watch the intros before each short film.)

I was raised on the mean streets of Charlotte, North Carolina. Yes, that's meant to be a joke, since I was raised in the suburbs primarily. My Aunt Donna on my father's side was working in California (San Diego) most of my life, and that's where she lives to this day. I would always wonder what life in California was like and how my aunt did it. Like most non-California residents in that time period (80's), I dreamed that everybody was from the Valley and talked about being "So Sure". Fast forward 35 years later ,and we have a collector's edition of the movie simply known as Valley Girl. Let us take a look.

As we open the movie, we listen to a radio station playing in Hollywood, CA. They are promoting tickets to the next concert, and it's 75 degrees. The voice changes and the scene shifts. It's 83 degrees in the valley. "Girls Like Me" by Bonnie Hayes plays on the radio, and we see a bunch of girls try on clothes and use their Mastercard quite liberally.