2.35:1 Widescreen

“History of man is defined by war. And war is defined by the men who fight it.”

Well, it is definitely more high-tech than the 2007 version, but is that necessarily a good thing? That’s what you are here to find out in this reboot of the popular video game of the same name (minus the Agent 47 part, that is). Rupert Friend is Agent 47 in this updated version, and I will say that despite my initial upset feelings about the recasting of the character, he does an excellent job as the highly motivated and proficient assassin. As far as reinvention goes, I was pleased with this despite it being theoretically ridiculous in some areas, but hey, isn’t that what fantasy is anyway?

"Different, entirely." 

I have been a fan of Sherlock Holmes since I was a kid. Mixed amidst those Universal horror films I watched with my Pop on weekend chiller shows was an occasional Universal Holmes film with Basil Rathbone as the master of deduction. Soon followed the Doyle books, and a new world was opened for me forever. Since those days we have seen every kind of incarnation of the character possible, or so I thought. I've seen Holmes as a child in Spielberg's Young Sherlock Holmes. There have been several comedies and even a musical or two. Robert Downey Jr. has turned him into an action hero, and Benedict Cumberbatch has brought him into the modern world. I even remember Larry Hackman's television version of a motorcycle cop who has a head injury and believes he's the famous detective, gaining the requisite deductive skills in the process. It was called The Return Of The World's Greatest Detective. Star Trek fans reveled in Data's immersion in the detective's world, even bringing back his infamous nemesis as one of The Next Generation's more sympathetic bad guys. But in all of these incarnations I have never seen anything as truly remarkable as Mr. Holmes. It is most decidedly something different entirely.

There are no tigers — or any other large cats — to be found in Tiger House. The closest we get is a rather hefty guard dog whose screen time is tragically cut short. (Figured I’d give the animal lovers out there a fair warning.) Instead, the only prowling we see in this low-budget home invasion thriller comes from the violent gang of thieves who bust into a suburban home and hold the unsuspecting family inside hostage. Unfortunately for the crooks, there’s already an uninvited visitor in the house.

That visitor is Kelly (Kaya Scodelario), who has snuck over to see her grounded boyfriend Mark (Daniel Boyd). The movie opens with a flashback to the crossbow-related accident between the young couple that ruined Kelly’s aspirations of becoming a gymnast. Now Mark’s mom Lynn (Julie Summers) considers down-on-her-luck Kelly to be a bad influence on her straight-arrow son, which explains all the sneaking around. Meanwhile, Mark’s stepdad Doug (Andrew Brent) is some sort of financial bigwig, which makes him an attractive target for the group of crooks looking to rob a bank.

Un, deux, trois! Cohen Media Group has given us an engrossing triple dose of French director Benoit Jacquot. The films —The Disenchanted, A Single Girl, and Keep It Quiet — span a decade and coincide with the moment when the post-New Wave filmmaker started gaining international acclaim. Each of the titles makes its HD debut with this release, and they all offer an intriguing look at Parisian life. The movies also feature some enchanting performances from their leading ladies.

I used to believe in all manner of enchantments.”

Who is that masked man?”

That's actually a loaded question when it comes the famously troubled 1981 film The Legend of the Lone Ranger. It obviously refers to the masked former Texas Ranger who battles outlaws in the Old West, but it also applies to star Klinton Spilsbury, who never made a movie after this one. The question could also be a nod to the producers of this film suing actor Clayton Moore — who famously played the Lone Ranger on TV and film in the 1950s — to prevent him from appearing as his signature character in public. Unfortunately, none of that fascinating information is included (or even hinted at) on this bare bones Blu-ray.

“Jihadists are people too!” That’s probably the big, blinking takeaway from Timbuktu, director Abderrahmane Sissako’s Oscar-nominated drama about the occupation of the titular city by extreme Islamists. But it’s also the most reductive possible interpretation of a film that doesn’t shy away from portraying some of the beauty in thoroughly ugly circumstances. More importantly, Timbuktu tells a volatile story with tremendous grace.

“Here, in Timbuktu, he who dedicates himself to religion uses his head and not his weapons.”

“That’s your job as The DUFF…Designated Ugly Fat Friend.”

Let’s just get this out of the way right at the top. The idea that Mae Whitman — or any other actress cast as the lead in a mainstream Hollywood movie — is “Ugly” and “Fat” is absurd. (Not to mention entirely subjective.) So it’s tempting to dismiss The DUFF as the latest bit of evidence that there’s no truth in advertising. But then you’d be missing out on a charming teen comedy that grabs the snarky underdog baton previously held by the likes of Mean Girls and Easy A.

If nothing else, The Pyramid has an intriguing premise. A father-daughter archaeologist team discovers an unusual, three-sided pyramid buried 600 feet underground that might even predate the ancient Egyptians. Essentially, this is Ancient Aliens as a found-footage horror film. Yes…unfortunately, I said “found footage,” a cinematic device that now feels even more decrepit than your garden variety mummy. So while the film’s opening act probably got people like this guy extremely excited, the movie falls apart the deeper the characters descend into the titular pyramid.

Miles Holden (Denis O’Hare) is a patient, old-school archaeologist, while his daughter Nora (Ashley Hinshaw) is more excitable and has been quicker to embrace new tools like satellite technology in her work. Together, they have made what is potentially the find of the century: an ancient pyramid buried deep beneath the desert in Egypt. A documentary film crew — journalist Sunni (Crista Nicola) and camera guy Fitzie (James Buckley) — arrives to capture the Holdens’ discovery.

"It's the guy next door, guy who sits too close in the theater, maybe even at church. Plain, ordinary, the everyday man. That's the guy they should be afraid of. 'Cause they never see him coming." 

Or maybe the friendly neighborhood barber. Max Enscoe's screenplay for The Barber appears to touch on those fears. We've all seen those interviews with neighbors and friends after a particularly heinous killer is finally caught. He was quiet. Always went to church.

“I need to know what you are worth when I leave you nothing.”

These are the parting words that Jim Bennett (Mark Wahlberg) is left with from his dying grandfather.  At first these words may seem a bit harsh, but the more time we spend with Bennett we start to understand the grandfather’s intentions.  The Gambler, a remake of the 1974 film with same title, follows Bennett along his downward spiral as his gambling addiction drags him down to the point where death is imminent, yet death seems to be the escape Bennett so desperately craves.  In other words, this is not exactly the film you watch to get into the holly jolly spirit of the holidays.