Posted in: Disc Reviews by John Delia on October 12th, 2016
If you are looking for action and adventure, then you will not want to miss X-Men: First Class, a top-notch production that thrills. The storyline under the able direction of Matthew Vaughn contains all the explosiveness you would expect from a prequel to Marvel Comics’ famous X-Men. It’s the beginning of the saga, and we find Magneto (Michael Fassbender) being haunted by the death of someone close him. Escaping the clutches of the evil Nazi war criminal Sebastian Shaw (Kevin Bacon), Magneto meets Charles Xavier (James McAvoy).
Posted in: Disc Reviews by Brent Lorentson on October 8th, 2016
After the release of The Editor on Blu-ray last year and with the remake of Susperia in the works, it would seem that there is a slow revival of the Giallo film. For those unaware of the term or style, it’s basically a horror/ mystery film that tended to have slasher elements that emerged out of Italy. These were beautiful and stylish films that directors like Dario Argento, Mario Bava, and Lucio Fulci were the ambassadors of. While The Editor was more of a spoof of the genre, though well done, it is Masks that has really gotten my attention. Though it comes out of Germany, the love and attention to detail in adding so many of the familiar hallmarks of the Giallo film makes Masks more than just a simple homage, but it’s so well executed I could have believed this was a lost Dario Argento film.
Posted in: Disc Reviews by Brent Lorentson on July 29th, 2016
It seems there have been a lot of horror films involving dinner parties that have gone wrong. You’re Next may be the best example to take on this idea, and I have to admit to being a fan of the film. It was a fun hipster horror film that kept the story moving forward and delivered more than a fair share of violence and gore. Then there was last year’s creepy gem The Gift, a film that captured the horror of the past coming back to haunt you. When it comes to The Invitation, it’s a film that seems like a hodgepodge of both You’re Next and The Gift, but also a handful of other films. It’s a film that feels so familiar, but as you watch it manages to avoid many of the stereotypical film tropes viewers have grown used to over the years.
Posted in: Disc Reviews by Gino Sassani on July 9th, 2016
When I was a kid in the 1970's there was a weekend sports show on ABC called The Wide World Of Sports. It was a catch-all for those sports that don't have the kind of national branding of football or baseball. It was the kind of show for boxing, gymnastics, or skiing. I don't remember a single episode that I saw. What I do remember along with anyone who has ever watched it is the opening sequence. We were promised the thrill of victory... and the agony of defeat. With that last line we saw the image of a ski jumper taking a horrible wreck as he comes off the jump. In the 40 years since I still often wonder about the guy whose legacy will always be the very definition of unmitigated failure, and painful failure at that.
Posted in: Disc Reviews by J C on June 29th, 2016
After a tidy, 20-year gap between making 1978’s Days of Heaven and 1998’s The Thin Red Line, director Terrence Malick has morphed into a regular workaholic. Since 2005, the enigmatic filmmaker has cranked out a whopping (for him) four movies, including 2015’s Knight of Cups. Malick’s most recent effort strikes many of the same lyrical, dazzling, and confounding notes as Tree of Life, which is the best-received film from the director’s surprisingly prolific recent run. But while Knight of Cups undeniably has glimmers of grand beauty and ambition, it mostly plays as if someone made a spot-on parody of a Terrence Malick film.
Posted in: Disc Reviews by Gino Sassani on June 22nd, 2016
"Space...the final frontier. These are the continuing voyages of the starship Enterprise. Its ongoing mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no one has gone before!"
Every Star Trek fan has had that phrase beaten into their brain about as many times as Uncle Ben's mantra about great power and great responsibility. Who knew that the tagline was appropriate to filmmaking? When J.J. Abrams signed on to direct the reboot/remake/reimagining/rehash (insert your own word here) of Star Trek, he quickly made it known that he was not really that into the franchise.
Posted in: Disc Reviews by Gino Sassani on June 16th, 2016
“He tasks me. He tasks me, and I shall have him! I'll chase him 'round the moons of Nibia and 'round the Antares Maelstrom and 'round Perdition's flames before I give him up!”
After its shortened three year run, it looked like Star Trek was dead and gone. A very short lived animation series was the first attempt to carry on. Before long it too was a thing of the past. Then something rather amazing happened. Star Trek found a home in syndication. The local television markets aired the shows in a somewhat edited form, and they were rewarded with record-breaking local ratings. It didn’t take long before Paramount saw the possibilities
Posted in: Disc Reviews by Gino Sassani on May 6th, 2016
Shout Factory digs into the archives for this one. It was back in 1988 that French director Jean-Jacques Annaud went into the wilds to bring us The Bear. Of course he's best known for his take on primitive humans in the more successful Quest for Fire. Like that film, The Bear uses almost no dialog. While it appears to be a nature story akin to Disney's recent Bears, these animals are trained and following a carefully-crafted script based on a novel written by fellow Frenchman Gerard Brach. There is also a small use of stop-action bears that were created by Jim Henson out of his Creature Shop.
Posted in: Disc Reviews by J C on March 30th, 2016
“It was as if all the pieces of the puzzle were falling into place since what was being discussed here was a matter of creating something unique: a cuisine based exclusively on raw Nordic ingredients.”
That pull quote, which appears at the start of Noma: My Perfect Storm, accidentally serves as a microcosm for the film as a whole. The excitement that builds at the prospect of witnessing something special quickly gives way to a chilly, undercooked experience.
Posted in: Disc Reviews by J C on March 4th, 2016
Weaponized can't seem to make up its mind about what kind of action flick it wants to be. It appears to be the story of a grief-stricken military contractor who obsessively pursues a dangerous experimental program, but instead the film focuses on a brawny, brooding homicide detective. On top of that, the Blu-ray's cover art prominently features an imposing robot that doesn't even factor into the plot until about 10 minutes before the credits roll. Most importantly, the movie totally ignores the schlockiness of its botched, cliche-ridden plot and plays everything distressingly straight, which makes Weaponized a pretty joyless trip to the near future.
