Posted in: Disc Reviews by Jeremy Butler on November 20th, 2013
The line between hilarious raunchy comedy and over-the-top raunchy comedy is very fine, and We’re the Millers tends to dance on both sides of it. In time such action will be revealed to be both a blessing and a curse, I suspect. With the young crowd, I believe the film will fall right into place with such movies as Horrible Bosses (a comedy which coincidently starred Aniston and Sudeikis) and to be more recent, This is the End. With more mature audiences, the raunchiness may prove to be slightly more than they were expecting to see. With me, I find myself on the side of the young.
David (Jason Sudeikis) is a small town pot dealer in Denver, an occupation he has held since college without moving forward or backward. Hesitant to admit it, he has grown stagnant with the life he’s leading and wants more out of life. Those desires are put on hold after he is robbed, with both his stash and all of his cash including the money intended for his supplier Brad (Ed Helms, The Hangover). Deep in debt with no prospect of paying it back, Brad offers David one opportunity to erase his debt: smuggle a smidge and a half (inside joke, have to see the movie to understand) of marijuana from Mexico across the border back to Denver.
Posted in: Disc Reviews by J C on November 15th, 2013
On paper, the premise of Prince Avalanche sounds about as exciting as watching paint dry. The film follows a pair of squabbling workers whose job it is to paint yellow lines in the middle of a country road in the aftermath of a devastating wildfire. They're basically the only two characters in the movie, and the story never moves away from their desolate surroundings. Although his film is occasionally self-indulgent (by design, I suspect), director David Gordon Green finds the strange beauty in that desolate landscape. He's also armed with stars who bring this meandering character study to life.
Paul Rudd and Emile Hirsch star as Alvin and Lance. Alvin (Rudd) revels in the isolation of his work and appreciates the benefits of outdoor physical labor. Meanwhile, Lance (Hirsch) is the lazy, immature, inexplicably charming brother of Alvin's girlfriend. Alvin hired Lance to work with him on the road project as a favor to Lance's sister (who we never see) and as a way to whip some masculinity into the younger man. The pair experience some emotional ups and downs, and it turns out they both have plenty they can learn from one another.
Posted in: Disc Reviews by Gino Sassani on November 14th, 2013
"What if a child dreamed of becoming something other than what society had intended? What if a child aspired to something greater?"
It's appropriate that exactly 75 years ago this very month Superman was born at the hands of Jerry Siegel and Joe Shuster. He was born to be the patriotic hero symbol for a nation on the brink of a devastating world war. The war came and went as many others would since the hero's inception. Styles would change. Technology would come and go. Superman would find himself invading each and every medium that has come along since. Television shows, cartoons, comics, novels and even previous films have all continued the ongoing adventures of the man from Krypton. In those years styles have changed so much that the symbols of the hero himself have become quite dated. But in any time there will always be a need for larger-than-life heroes. They don't come any larger than Superman, The Man Of Steel. Can he be as relevant today as he was in 1938?
Posted in: Disc Reviews by J C on October 29th, 2013
The world of Bounty Killer is a barren wasteland that has been decimated by the unchecked greed of nefarious corporations. In other words, I can’t believe this movie is only set 20 years in the future! I’m not the kind of guy who uses exclamation points very often, so the fact that I threw one at the end of the previous sentence wasn’t an accident. This silly, stylish, thoroughly enjoyable revenge fantasy/satiric action flick is basically one giant exclamation point in movie form.
“The bounty killers compete for body count, fame, and a fat stack of cash.”
Posted in: Disc Reviews by Brent Lorentson on October 22nd, 2013
James Wan is simply a director who continues to impress me. Ever since Saw was released, I’ve been a fan of his visual style that he brings to every film. Let’s face it, Saw is pretty much the biggest horror franchise of the past decade, and it all started with a simple little indie film that took place mostly inside a dirty bathroom. When Death Sentence came out, I was floored by how well he managed to construct a Death Wish film for a new generation. The parking garage scene was just freaking awesome. Then along came Insidious, which was another massive smash for Wan. Sure, the movie had its creepy moments, but for me the final act just fell apart. Now Wan is set to release The Conjuring upon the masses; is it another smash hit like Saw and Insidious, or will this be destined to fall flat as Dead Silence did?
The Conjuring is based on a true story about famed paranormal investigators Ed and Lorraine Warren who are staples of the paranormal investigation history and made famous for their “findings” with the Amityville investigation in Long Island. With ghost-hunting shows saturating the cable channels, it was inevitable that we would finally get a tale about the investigators who somewhat started it all. But this isn’t so much just about the Warrens, but instead about the most terrifying case of their lives.
Posted in: Disc Reviews by J C on September 17th, 2013
Is the idea of a “low-budget epic” an oxymoron? I realize an ingenious filmmaker like Neill Blomkamp was able to make the $30 million District 9 look like it cost about five times that much, but I’m talking about really working with scraps. Heck, for $30 million, the filmmakers behind Viking drama Hammer of the Gods could’ve probably made this film 10 times. The Blu-ray case makes it seem like a SyFy-level production, but director Farren Blackburn admirably had his sights set considerably higher.
Viking ruler Bagsecg (James Cosmo) has been mortally wounded during his war against the growing Saxon resistance. From his deathbed, the king orders his son Steinar (Charlie Bewley) to locate banished oldest brother Hakan (Elliot Cowan) so that Hakan can take his rightful place on the throne. (Steinar has another older brother named Harald, played by Finlay Robertson, who also appears to have his sights set on the crown.) Steinar embarks on this mission flanked by his loyal crew: right-hand man Hagen (Clive Standen), superstitious Jokul (Guy Flanagan), and crass savage Grim (Michael Jibson). The foursome, along with a few unexpected allies, soon find themselves venturing into the heart of darkness.
Posted in: Disc Reviews by Gino Sassani on September 10th, 2013
"The needs of the many outweigh the needs of the few."
Every Star Trek fan has had that phrase beaten into their brain about as many times as Uncle Ben's mantra about great power and great responsibility. Who knew that the tagline was appropriate to filmmaking? When J.J. Abrams signed on to direct the reboot/remake/reimagining/rehash (insert your own word here) of Star Trek he quickly made it known that he was not really that into the franchise. He considered himself a Star Wars man, and a chill went through the spine of every Trek fan on the planet. I approached the 2009 effort with dread.
Posted in: Disc Reviews by Brent Lorentson on August 30th, 2013
Seeing the words ‘Uwe Boll Presents’ was enough to have me a little worried about this one. For the most part any time I’ve seen the name connected to a film, it resulted in a disaster most would rather have gone without seeing. But then I think about the films Rampage and Postal, two films that are really quite fun if you give them a fair chance. In the case of Zombie Massacre, Boll’s presence is in the form of producer (as well as a fun cheeseball appearance playing the President), and the talent put in charge of the production are a duo that show some promise. Written and directed by Marco Ristori and Luca Boni (Eaters) are a pair of young, passionate guys who seem to love zombie films, but in a time where zombies have saturated the market, is average enough to garner any attention?
In this incarnation of the zombie film, it is a bacteria created by the US government that causes the zombie epidemic. The small Romanian town is infected, and before the bacteria spreads any further the government hires a team of mercenaries to go into the town and set off an atomic bomb at the local power plant. But things don’t go as planned once the mercenary team discovers this was meant to be a one-way trip for them.
Posted in: Disc Reviews by J C on August 28th, 2013
People have used a lot of different words to describe Michael Bay and his films: “loud”, “blockbusters”, “mindless”, “soulless”, “Hitler” and, of course, “awesome.” One of the words you don’t normally associate with Bay’s undeniably successful output is “clever.” I daresay Pain & Gain is the most interesting movie the action auteur has ever made; the film is both seriously silly and surprisingly smart in how it presents its stupid characters.
“Unfortunately, this is a true story.”
Posted in: Disc Reviews by J C on August 26th, 2013
Any story about a hidden world that exists just outside the view of human eyes is bound to fire up your imagination. It helps explain why the Toy Story movies and Monsters Inc. are some of the most beloved family films of the last 20 years. Epic — the latest offering from Blue Sky Studios — seeks to capture some of the inventive magic of those Pixar films, but too much of the movie winds up playing out like a generic hero’s journey. Thankfully, there are still plenty of things to like in this animated hit, which suggests there’s a big world of little people out there.
“Many leaves, one tree. We’re all individuals, but we’re still connected.”
