2.40:1 Widescreen (16:9)

For those who don't know, I have been married twice in my life. I am currently going through my second divorce. At nearly thirty eight years old, I have lived the relationship life of arguably several lifetimes but something usually keeps me coming back. Am I done with love? Only time will tell. Today's blu-ray review is about a six year old girl who sees life through the divorce of her mother and father. Something tells me we are in for a very long and bumpy ride.

“You give me a uniform, you give me a number on my back — and I’ll give you the guts.”

More than any sport, baseball is all about numbers. Unfortunately, some of those numbers — like 73 (home runs in a single season) and 500 (career homers) — mean a little less in light of the steroid era. Others, like 56 (Joe DiMaggio’s legendary hitting streak), seem destined to live on forever. The most significant number on that shortlist might be 42, worn by Jackie Robinson when he broke major league baseball’s color line on April 15, 1947. 42 — the film, not the number — is significant for a somewhat surprising reason

A fish has to swim, a bird has to fly, and a film has to entertain; those are the defining attributes for each of the  listed subjects, and in my opinion The Rambler didn’t meet its obligation as a film. The Dermot Mulroney-led film is a series of happenings, each of which are unconnected and wide open for interpretation, only tied together by one monosyllabic character. It seems that the story is whatever you want to make it, but therein lies the rub: many people don’t go to films that require them to form their own interpretation. They are looking to have a story told to them, not tell it to themselves.

"My ears hear what others cannot hear; small faraway things people cannot normally see are visible to me. These senses are the fruits of a lifetime of longing, longing to be rescued, to be completed. Just as the skirt needs the wind to billow, I'm not formed by things that are of myself alone. I wear my father's belt tied around my mother's blouse, and shoes which are from my uncle. This is me. Just as a flower does not choose its color, we are not responsible for what we have come to be. Only once you realize this do you become free, and to become adult is to become free."

If you are a fan of director Chan-wook Park, you are used to the kinds of bizarre images and somewhat enigmatic story elements

"Welcome to the wonderful world of magic."

They say that the hand is quicker than the eye. Through the art of misdirection and skillful manipulation we have been awed by magicians ever since Glog made Ooof's club disappear somewhere in Mesopotamia circa 20,000 BC. It's not all skill, really. The truth is we've always wanted to be fooled. We're begging for "magicians" to tamper with our sense of reality. I don't know how fast the hand happens to be, but today we're fooled at the speed of 24 frames per second (unless you happen to be Peter Jackson)

“Fee, Fi, Fo, Fum, ask not whence the thunder come. For between heaven and earth it’s a perilous place, home to a fearsome giant race. Who hunger to conquer the mortals below, waiting for the seeds of revenge to grow…”

Jack the Giant Slayer is the mash-up adaptation of two classic fairy tales; Jack and the Beanstalk and Jack the Giant Killer. Now adaptations are big business in today’s industry, but is combining two different source materials wise, or a recipe for disaster?

"You're capable of more than you know."

Walt Disney was always fascinated with the world of Oz. After his Snow White experiment proved that fantasy films were economically possible, he was planning to journey to Oz next. Unfortunately, he was a victim of his own success. It was the very box office magic that Snow White brought in that inspired MGM to purchase the rights to The Wizard Of Oz and create their iconic film. Because of that turn of events, the rights were not available for Walt and his magic studio.

When someone tries to break in and take something from the building you’re in, what do you do? Well, according to “The Official Good Guy Handbook”, you must immediately lock down the building, retreat to a secure room, and try to get help from the outside. Of course, you must do all this while repelling the bad guys, ignoring their threats and bribes, and (of course) watching out for the double cross.

“Two possibilities exist: either we are alone in the universe or we are not. Both are equally terrifying.”

Just in case the film’s title wasn’t a big enough clue, this opening quote from famed science fiction writer Arthur C. Clarke makes it abundantly clear the domestic disturbance in Dark Skies won’t be caused by grumpy ghosts or a dastardly demon. This effective little sci-fi/horror movie follows the low-budget template established by recent hits like Insidious, Sinister and the Paranormal Activity franchise, but looks to the not-so-friendly skies for its source of terror.

Forget about all of the sequels, remakes and copycats. At least that's what original Texas Chainsaw Massacre writer/director Tobe Hooper wants you to do. As far as he's concerned, Texas Chainsaw 3D is the official follow-up to the groundbreaking, flesh-tearing 1974 cult classic film. To bring the point home, Hooper has signed on as a producer and brought along the original Leatherface Gunnar Hansen and Marilyn Burns who played Sally, the girl who got away in the original film. Both have cameos here.