Posted in: Disc Reviews by Gino Sassani on June 22nd, 2014
"A mouse can only be friends with a bear in a fairy tale."
And that's exactly what we have here. Ernest And Celestine is a charming little tale told through a wonderful watercolor world of animation. It certainly looks very much like the storybooks I remember reading from as a small child. Indeed, the film is based on a series of book from Belgian artist Gabrielle Vincent. The first book appeared in 1981 and continued for 20 years, delighting children the world over. As an artist it makes some sense that the books had a very unique visual style. The stories were brought to life as much if not more by the images than the words of the stories themselves. It's a world that is captured perfectly by the feature film.
Posted in: Disc Reviews by Gino Sassani on June 19th, 2014
"You're either gettin' or gettin' got".
It's very tricky to make an historical drama. Writers and directors have to carefully balance the needs of entertainment over facts and authenticity. There comes the inevitable moment when they will be in conflict, and a decision must be made as to which direction will have priority in the telling of the tale. It might have been an unfair expectation on my part, but when an historical drama mini-series comes to a place like The Discovery Channel I tend to look for any conflict to be resolved in the favor of historical accuracy. If you were hoping for the same from The Discovery Channel's first scripted production Klondike...well...you'd be, shall we say, inaccurate. We got "gotten".
Posted in: Disc Reviews by Brent Lorentson on June 17th, 2014
First I just have to say that the cover art design for this film is one of the best looking covers I’ve seen in a long time. The fact that they actually took the effort to get an artist to design their cover is simply the first step in sucking the viewer into this 80’s sci-fi/ horror realm. Looking at this cover simply reminded me of the days working in a mom-and-pop video store when most of the horror titles were not just a collage of pictures thrown together in Photoshop, but instead an artist would be assigned and create these beautiful and amazing covers.
When it comes to Almost Human, writer/ director Joe Begos seems to know exactly what it means to make an 80’s throwback film, and he welcomes the viewer to come along for the ride. It seems to be a trend with the new up and coming guys in horror to look to the 80’s horror genre, Ti West (House of the Devil) and Adam Green (Hatchet) are just a few of these throwback directors who seem to have a love and appreciation of the time period in horror and embrace it. Almost Human is a film that belongs on VHS, back in the era when practical effects still ruled the genre.
Posted in: Disc Reviews by J C on June 17th, 2014
“You are the most talented, most interesting, and most extraordinary person in the universe. And you are capable of amazing things.”
There’s a worthwhile message in The LEGO Movie about the importance of deviating from life’s instruction book and indulging your imagination. But for me, the biggest thrill came from the way it became the first film without Toy Story in its title to tap into the anarchic (and anachronistic) spirit of playing with toys.
Posted in: Disc Reviews by J C on June 16th, 2014
I hope everyone had a fantastic Father's Day! I've actually been lucky enough to have two strong paternal figures in my life (my dad and stepdad), which is much more than I can say for the young protagonist in Joe. The latest Southern Gothic drama from director David Gordon Green — adapted from the Larry Brown novel of the same name — features one of the very worst dads you'll ever see. To balance things out, the title character is one of the unlikeliest father figures in recent memory.
The movie's opening scene drops us right into the toxic relationship between 15-year-old Gary (Tye Sheridan) and his no-good alcoholic father Wade (Gary Poulter). Gary has been forced to become the provider for his family, which also includes his mom and sister. He goes looking for a job with a crew of workers tasked with deadening trees. (Poisoning weak trees so they die and can be cut down.) The crew is run by Joe (Nicolas Cage), a personable, authoritative ex-convict. Gary convinces Joe to give him a job, and the teenager proves to be a relentlessly hard worker. The same can't be said for Wade, and Joe gets a first-hand look at the abusive relationship between father and son. As Joe's bond with Gary continues to grow, the ex-convict — who struggles with his violent nature on a moment-by-moment basis — finds it increasingly difficult to resist getting involved in the young man's family drama.
Posted in: Disc Reviews by Gino Sassani on June 13th, 2014
"It's a different world out there."
You can say that again. The television landscape is changing, at least on cable. Ray Donovan is the latest in the string of new shows that are attracting talent once thought out of reach for television. A show starring Liev Schreiber and Jon Voight, this Showtime series looked to be something very special... and it almost is.
Posted in: Disc Reviews by Gino Sassani on June 12th, 2014
"You got a chapter in one of those books on jumping to conclusions?"
It's easy to jump to conclusions with a name like True Detective. The moniker conjures up images of the true crime pulp magazines of the 40's and 50's. You might get a sense that this is one of those "based on a true story" type of shows. There was even a second when I expected we might have our first "found footage" television shows. Whatever ideas you have going in, expect your perceptions to change. Whatever else it is or is not, True Detective is one of the most unique and atmospheric shows I've had the pleasure to watch. And that's just the opening credits.
Posted in: Disc Reviews by Brent Lorentson on June 12th, 2014
There have been more than a few films that have revolved around radio DJ’s. Good Morning Vietnam, Talk Radio, and Private Parts: these are just a few films that explore the world of the character behind the microphone, who speaks through our radios through the day-to-day grind. Now, following in the success of the Oscar nominated film Philomena, Steve Coogan steps into the radio DJ world as Alan Partridge. Most of us are used to listening to our local DJ’s who come on between songs and blast us with their obnoxious personalities, silly games and pop culture news of the day on our morning drive to work. But as the radio market seems to be phased out as listeners have options like Serius XM and personal listening devices loaded with music, the need for DJ’s is simply becoming a thing of the past. And that is where Alan Partridge starts off.
The local radio station is being bought out, and the radio talent is being phased out for newer and more polished voices to bring in the younger listeners. With his job on the line, Alan Partridge (Coogan) makes a feeble attempt to save his job by throwing another DJ, Pat Farrell (Colm Meaney) under the bus.
Posted in: Disc Reviews by J C on June 12th, 2014
“People believe money is a tool. Money is the master; the better you serve it, the better it treats you.”
That mantra — spouted by a ruthless hedge fund manager in Capital — may not be as succinct or as elegant in its simplicity as “Greed is good,” but the message remains the same. Most people see money as a means to an end, but to the financial masters of the universe in this French financial thriller, money is the end.
