Posted in: Disc Reviews by Gino Sassani on December 9th, 2013
"Wanted: a nanny for two adorable children. If you want this choice position, have a cheery disposition, Rosy cheeks, no warts. Play games, all sorts. You must be kind, you must be witty, very sweet, and fairly pretty. Take us on outings, give us treats, sing songs, bring sweets. Never be cross or cruel. Never give us castor oil or gruel. Love us as a son and daughter, and never smell of barley water. If you won't scold and dominate us, we will never give you cause to hate us. We won't hide your spectacles so you can't see, put toads in your bed, or pepper in your tea. Hurry, nanny! Many thanks!"
And so the call goes out for Mary Poppins. It was 1964 and Walt Disney had a terrible time convincing writer P.L. Travers that Walt Disney Studios should be the ones to bring her flying nanny to life in a feature film. Those trials and tribulations are the subject of a new film out by Disney called Saving Mr. Banks. And so the Blu-ray release of Mary Poppins has been timed to the box office release of Mr. Banks.
Posted in: Disc Reviews by J C on December 5th, 2013
People have used a lot of different words to describe Michael Bay and his films: “loud”, “blockbusters”, “mindless”, “soulless”, “Hitler” and, of course, “awesome.” One of the words you don’t normally associate with Bay’s undeniably successful output is “clever.” I daresay Pain & Gain is the most interesting movie the action auteur has ever made; the film is both seriously silly and surprisingly smart in how it presents its stupid characters.
“Unfortunately, this is a true story.”
Posted in: Disc Reviews by J C on December 4th, 2013
We’re about 50 years removed from the Beatles taking the entire world by storm, so you’d be forgiven for thinking that everything anyone could possibly say about the Fab Four has already been said. Fortunately, the success of Good Ol’ Freda — a Beatles documentary that doubles as a loving tribute to its subject and the famous band she adored — doesn’t hinge on any heretofore unknown/shocking revelations. In other words, the film’s charm doesn’t so much come from what Freda Kelly says; instead, it comes from the delighted, no-fuss way she recounts her time with, arguably, the most famous band of all time.
“Who would want to hear the secretary’s story?”
Posted in: Disc Reviews by Gino Sassani on December 4th, 2013
Galactic Adventures from Image Entertainment is a nifty little collection of two Solar System IMAX films both running just under a half hour. The two short documentaries off a 3D ride to both the Sun and Mars. The films were produced in 2007 with 3D Sun opening at The Smithsonian's Air & Space Museum. Both films have made the circuit of science museums throughout the country and come to you now through the modern milestone of home 3D for the first time ever.
3D Sun:
Posted in: Disc Reviews by Archive Authors on November 28th, 2013
What makes a bad movie? What makes a good movie? The standards are getting lost in murky waters, because many of the critics have no interest in film history and the clear record of what is great and what is garbage. That goes for many filmmakers too. Their standards are what works in the last 12 months and how to try out the latest technology. Unfortunately they often forget the tried and true basics like good writing and good acting. Ethan Hawke gets a lot of these small movies. Sometimes it's a fantastic independent film like Before Midnight (part of a series of films for director Richard Linklater including Before Sunrise and Before Sunset) and sometimes it a genre picture that costs nothing that makes a fortune like The Purge or Sinister. Hawke knows what he's doing. He wants to make every kind of picture, because he knows that's the only way to stay viable. Sometimes it doesn't work out.
Getaway is a simple genre picture made to make people happy. The goal of this movie is to have as many car crashes possible in under 90 minutes. Is that so terrible? Not really, but the problem is that it does get monotonous. There are too many crashes. One wouldn't expect that to be a problem, but it is. I've sat through six Fast and Furious movies, and I thought they were all crap except for the last one. Why? Fast and Furious 6 gave up any pretense of being taken seriously and just went all the way to make the movie fun. They spent a ton of money, but they finally just made the movie fun.
Posted in: Disc Reviews by William O'Donnell on November 25th, 2013
This is a film that has become a significant contribution to the very the timeline it depicts, which is that of US President Nixon being forced into resignation after the Watergate scandal. This film is an engrossing depiction of the actual reporters who used anonymous tips to help uncover a scandal so big that it rocked the entire US nation. This film was released only four years after the infamous attempt to bug the Democratic offices in Watergate, which spurred the entire course of events in this film. This was a bit of a passion piece for Robert Redford, as he began production while its main characters Bob Woodward and Carl Bernstein (who would be played by Robert Redford and Dustin Hoffman, respectively) were still reporting on related elements. Redford spent tireless hours, acting officially as the producer and star, researching the stories and the characters in order to deliver a compelling but painfully accurate adaptation.
By making these two reporters the main characters, the film became more of a detective story instead of merely a dramatization for what could easily have been a documentary. By seeing the actual methods these two men apply to uncover the details of Watergate, and “follow the money,” makes the audience all the more engaged in their findings. This, despite the fact that most everyone knows exactly how the film ends well before it begins.
Posted in: Disc Reviews by Archive Authors on November 25th, 2013
It's nice to see two Spielberg veterans in the same movie. It's been a long time since American Graffiti when Harrison Ford and Richard Dreyfuss last appeared together. It's been a long time since Hooper in Jaws and Roy Neary in Close Encounters of the Third Kind, but Dreyfuss and Ford don't appear together in this movie either. It's like they are in two different movies. Paranoia is a corporate espionage thriller with two CEO's played by Harrison Ford and Gary Oldman, who have strong ties and stronger hates. There is lots to like about the movie, but many, many missed opportunities too.
The story is fairly tangled and revolves around a young genius (Liam Hemsworth, the brother of Chris who plays Thor in some other movies) who suffers from immaturity and bad judgment. Richard Dreyfuss is his lovable loser of a father who needs his medical insurance. But he loses his medical insurance because he's not important enough to his big boss Oldman, who fires him. It turns out that was a bit of a ruse. It's actually much more convoluted and confusing than that, but that's the essence of it. Oldman's rivalry with his former mentor and now fierce competitor played by Ford is all-consuming, so much logic is lost in his zeal. Oldman uses threat of death and promises of riches to entice Hemsworth to infiltrate Ford's inner circle.
Posted in: Disc Reviews by Gino Sassani on November 22nd, 2013
"Space... the final frontier. These are the voyages of the starship Enterprise. Its continuing mission, to explore strange new worlds. To seek out new life and new civilizations. To boldly go where no one has gone before."
Quality shows only get better with time, and by the time Star Trek: The Next Generation entered its 5th season it was already beating out most network shows in the ratings. First-run syndication was still quite new, and it was almost unheard of to expect to go up against the networks and survive...let alone win. The Next Generation went where no series had gone before, and it was just getting better all the time.
Posted in: Disc Reviews by William O'Donnell on November 21st, 2013
Nickelodeon has released a Holiday compilation DVD before(https://upcomingdiscs.com/2011/11/15/nickelodeon-favorites-merry-christmas/ which makes this particular release a sort of sequel to that. This time around only two shows are featured, and there is half the episodes featured than in the previous release.
The Bubble Guppies episode “Happy Holidays, Mr. Grumpfish” is the main features advertised on this release. The episode is all about making the grumpiest citizen of their underwater community feel the Christmas spirit. There are moments where the characters do lessons aimed at pre-schoolers (things like counting to 10 and such) and there is a ton of pop style songs. The latter of which I find 100x more grating on my nerves than the former. This may be an acceptable episode of the show, but it doesn't stand out as a memorable holiday special.
Posted in: Disc Reviews by William O'Donnell on November 21st, 2013
It was inevitable. Spongebob Squarepants gets its own Christmas Special. Usually television shows take the lazy route and inject their own characters into a familiar Christmas story and make a parody or adaptation (how many times have we seen Charles Dickens A Christmas Carol redone?). Thankfully this special offers a unique tale of the malevolent Plankton creating a special fruitcake that turns any eater into a totally jerk. Will Spongebob's demeanour make him immune? Of course...but what of the rest of Bikini Bottom?
This episode/special takes up a full half hour time slot, which separates it from many of the other Spongebob stories that range closer to 10 or 15 minutes in length. That is not its most notable characteristic though. This episode adopts the Rankin/Bass style stop-motion of animation that has become synonymous with Christmas specials. Though the movements are far smoother and more frantic than the classics it is honouring, the animation is well coordinated and looks very nice.
