Posted in: Disc Reviews by Gino Sassani on October 18th, 2013
"46,000 people died here. Do you think it's haunted?"
It would have been so much better for me if I had seen the first season of American Horror Story. Of course, it isn't necessary. This has to be one of the most clever television ideas I've encountered. You don't have to have seen the first season because, while the actors are pretty much the same, they play completely different parts in a completely different story in the second season. This kind of television takes you back to the early days of sketch television and reparatory theater. The difference is that this stuff has an edge. It has an edge so sharp that you're very liable to hurt yourself if you're not very careful.
Posted in: Disc Reviews by Jeremy Butler on October 17th, 2013
My knowledge of Heavy Metal and Heavy Metal bands can be counted on one hand with a couple fingers to spare. So as you can probably imagine, when this discs found its way to me, my enthusiasm or my confidence in it was not high. So when I say that Black Label Society: Unblackened was not what I expected, it is not an indictment; quite the opposite, in fact. The concert started right as I hit play, I expected to see the band come out, pick up their instruments, and possibly do a little introduction (that came towards the end of the concert) but that was not the case. As soon the banner drops, the group launched into the first song of their set, Losing Your Mind; no muss, no fuss. The song had a catchy and enticing chorus, but other than that, it did not resonate with me, possibly due to the fact that I had trouble understanding what vocalist Zakk Wylde was saying. I don’t attribute this inability to him but rather my ears adjusting to this new experience.
Needless to say, I did not take an immediate liking to the group and their brand of music, but by the third song of the set, Sold My Soul, I had been brought into the fold. There was palpable passion behind the vocals of that song, making it one of the most relatable songs of the set in my opinion. From then on, I was a member of the crowd; if I knew the words I would have been singing along.
Posted in: Disc Reviews by Gino Sassani on October 16th, 2013
"We always thought that alien life would come from the stars, but it came from deep beneath the Pacific."
The only thing we seem to love more than giant monster movies are movies about giant dudes going a few rounds with said giant monsters. It was huge television fare in the 1960's and 1970's. We had Ultraman, Space Giants, and Johnny Socko. All of them were Japanese imports that gave us daily or weekly monsters doing the old "Tokyo Stomp", and just when things appeared at their darkest, the giant hero would arrive and give us a show more akin to the weekend wrestling shows than anything else. We'd get choke-holds and body slams that would make the rubber suits jiggle as they fell. It was all in good fun and appears to have pretty much disappeared from the television and film landscape. That is, until Guillermo del Toro brings us one of the summer's eagerly awaited tentpole films: Pacific Rim.
Posted in: Disc Reviews by Gino Sassani on October 16th, 2013
Direct-to-video sequels of successful animated films are tricky at best. The video release is usually a sign that either the studio is trying to cash in quickly on the franchise or they are just not confident enough in the sequel to put it up on the big screen, usually with good reason. Smaller budgets mean less impressive animation and a lack of A-list voice actors. Every studio has been guilty of one or the other and more often both. But what's the story when the original film made a disappointing $25 million at the domestic box office? That usually signifies that a sequel of any kind is not likely in high demand. Such is the quandary of Alpha & Omega 2: A Howl-iday Adventure.
The original film wasn't near as bad as the box office figures would have you believe. It was pretty much an average computer-animated feature film. It had a very solid voice cast that included such talent as Justin Long, Danny Glover, Dennis Hopper and Christina Ricci. It just didn't have a lot of punch to it, and it fizzled. I'm not sure how anyone thought that this one would have any more heart or punch after you take away the great talent and substitute relatively unknown names. That doesn't mean untalented, by any means. They do pretty much what's expected of them here. I just wish I could say it was entertaining.
Posted in: Disc Reviews by J C on October 15th, 2013
Embrace of the Vampire is a remake of the 1995 erotic bloodsucker thriller of the same name. The original’s only greatest claim to fame is that it starred Who’s the Boss? cutie Alyssa Milano in her first, ahem, “grown up” role. In other words, the bar wasn’t exactly sky high for the remake. (This is not Gus Van Sant doing a shot-for-shot remake of Psycho.) The well-made newer film certainly “embraces” the erotic thriller DNA of the original. Unfortunately, it doesn’t seem overly concerned with the "vampire."
Charlotte Hawthorn (Sharon Hinnendael) is a shy college student who arrives at a co-ed campus after previously attending an all-girls Catholic school. We are quickly introduced to her friendly roommate Nicole (Tiio Horn) and Eliza (C.C. Sheffield), Charlotte’s snarky rival on the fencing team. We also learn Charlotte suffers from violent, vivid dreams — involving sex and buckets of blood — that lead to her waking up in unexpected places.
Posted in: Disc Reviews by William O'Donnell on October 12th, 2013
Jenna Hamiton (played by Ashley Rickards) is looking to make a great impression in high school but things get off to a dreadful start. After breaking her arm in a bathroom accident (sounds less gross than it is), rumors spread throughout her new school that she attempted to commit suicide. She has plenty of attention but not the sort she wanted. Now her quest is to take the misunderstanding and turn into an opportunity to shine. Cris-attunity! (as Simpsons fans would say).
This shows sets itself up to resemble a teenage Sex and the City, with the main character's narration coming from her writing. Jenna has a blog whose name was “Invisible Girl” until she took an optimistic turn and renamed it “That Girl Daily” (by Season 2 she reveals her true name in the blog's name and continues to post with total exposure). This is the thesis for the show and the method in which it tries to be relatable. Teenagers do not want to be invisible, but they don't want to be an embarrassment either. Jenna is this statement in a nutshell. She lost her virginity at summer camp, but the boy she lost it to ignores her until she takes a stand (or a stage, more accurately) and owns her own awkwardness. From that point on she hurdles over and around the odd machinations of her friends, family and oddball guidance councillor.
Posted in: Disc Reviews by William O'Donnell on October 12th, 2013
A New York city homicide detective is haunted by the night where her mother was murdered by two gunmen, who themselves were killed by a mysterious being. A decade after that night she finds out that the mysterious being is still around. As this “Beauty” and her “Beast” finally meet, they start investigating the truth behind their secret ties to each other.
The similarities between this adaptation of Beauty and the Beast and any others begins and ends at the title. Originally slated as a reboot of the 1987 series that starred Ron Perlman and Linda Hamilton, this series trades the romance and battle of misfits for crime investigations and military conspiracies.
Posted in: Disc Reviews by J C on October 12th, 2013
“When people are desperate, they’ll do horrible things to survive.”
Sci-fi and horror have been exploring the dark side of human nature for as long as those genres have been around. Throw a group of people together in a high-stress situation — whether they’re running from The Walking Dead or hiding from whatever is in The Mist — and the base instinct to survive will eventually lead them to commit unspeakable atrocities. The Colony starts off as the sort of movie that explores the monstrous things people do to each other…and then the actual monsters show up.
Posted in: Disc Reviews by Gino Sassani on October 11th, 2013
What a great time it was to be a teen in the late 1970’s. No, I’m not referring to disco music. It was a great time to go to the movies. It was the culmination of the perfect date, and Hollywood was riding the beginning of a trend that remains alive and healthy today. I’m talking, of course, about the slasher film. You could argue that Hitchcock started the ball rolling in 1961 with Psycho, but it would be decades before that film would find its true audience and plethora of imitators. Although The Texas Chainsaw Massacre and Halloween came before Friday The 13th, can it be argued that any horror film franchise is as widely known? The truth is that even the man behind the film, Sean Cunningham, never really knew what it was that he had. It was never his intent to follow the film with a barrage of sequels. He also scoffed at the idea that Jason could become the centerpiece for future films. By now Jason has become such an iconic character that there is an entire generation out there that doesn’t know that Jason wasn’t the culprit in the first film. Jason’s stature has reached the heights of the classic monsters of the Universal days. While some of us hesitate to put his name and hockey mask up there with the likes of Frankenstein, The Wolf Man, Dracula, and The Mummy, the recognition and sheer dollars generated make it difficult not to. By the beginning of the 1980’s names like Jason, Freddy, and Michael Myers would be scaring audiences around the world, rendering the classics somewhat silly in the eyes of a more visceral generation of teens.
Here we are almost 25 years removed from that first Friday The 13th film and the franchise has racked up nine sequels, one remake, a television series and a team-up film with Freddy Krueger...oh my. Of course, not all Friday The 13th projects are created equal, and the debate rages on as to what constitutes official canon for the franchise. Certainly, the television series can be discounted, because it had really nothing to do with the films at all. The title was merely used to cash in on the fans. Still, it managed to last three years and has developed a somewhat cult following of its own. But whatever you consider part of the "true" franchise, it's all found in one place.
Posted in: Disc Reviews by William O'Donnell on October 10th, 2013
This latest incarnation of “90210” ending in its fifth season means it ran for half the length of the original series (which ran for ten). Like the original, the stories of these sexy Beverley Hills residents began in high school. Now we see the sorts of adults they've become and the absolutely ridiculous success they've had. They all started on the top, and somehow manage to claw their way...to the top. Yup...real growth here.
What is this “ridiculous Success” I speak of? Oh, how about the fact that amongst the main characters is a successful club owner (which would warrants even more bragging rights since it's located in California), a software guru (yes, the word “guru” is actually used) and a freaking movie star whose film is #1 at the box office. Incredibly relatable stuff, no?
