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Clint Eastwood has been at the top of the game both as an actor and a director, often both at the same time. There's no question that he still has the skills. Unfortunately, 15:17 To Paris isn't a great example of his direction skills. Don't get me wrong. There is a nice intense film in here, but it only lasts for about 10 minutes and hungrily screams out for more of the same. Eastwood's problem is much the same that he had in Sully. He doesn't really have enough material for a truly great feature film, so he is forced to fill the screen time with something he hopes will entertain us long enough to stay with him for the good stuff. But as Clint said once as Dirty Harry, "A man's got to know his limitations."

I think it’s a fair assumption to say the DTV market for film is pretty much the best it has ever been in regards to securing talent to star in the films.  When you look at a film like Bent and its cast of Karl Urban (Dredd), Sofia Vergara (Modern Family) and the great Andy Garcia (The Godfather 3, and my personal favorite Things to do in Denver When You’re Dead), it’s difficult to not get excited over its potential.  To sweeten the pot, the film’s director, Bobby Moresco, has produced two films that have best picture Oscar nominations, so one has to wonder, what went wrong?  I’m not saying the film is bad, but instead you’d just expect this film to be in another tier and not simply settling with a soft release in the new release section at Wal-Mart.

"Tell me a story."

Stan Lee and Jack Kirby created the comic book character of Black Panther in 1966 for an issue of The Fantastic Four. He became the first black superhero in the comic world. He starred in Marvel's Jungle Action title before getting his own comic. The character was popular, but through an unfortunate set of circumstances he was at times thought to be related to the militant group of the same name that popped up that same year. For a short time he went by the name Black Leopard, but the original name rose above the unintended connection and continued to enjoy on and off success over the decades. Black Panther was introduced to the MCU (Marvel Cinematic Universe) with Captain America: Civil War. He's finally getting his own film

As a general practice, I usually try to avoid watching a sequel without first having seen the first film. However, with Maya the Bee 2: The Honey Games, that was hardly necessary, as it functioned as more of a standalone than a continuation. The story continues to follow the titular character, Maya, as she continues to try to aid her hive in any way she can, this time, participating in the Honey Games in order to prevent her hive from losing half of their honey. Sadly, this movie did not get Nalyce’s stamp of approval, as her attention started to wain pretty much as soon as we started watching it. That said, we soldiered on, and eventually she did manage to find a couple things that she did like about it. Despite this, Maya the Bee 2 won’t be becoming a permanent fixture in her entertainment rolodex.

This has got to be the largest AA meeting in the Western Hemisphere.”

That one-liner from 2015 Rock & Roll Hall of Fame inductee Bill Withers is one of the funnier nods to the, ahem, well-traveled club he just joined. It's also featured in Rock & Roll Hall of Fame: In Concert, a wonderfully comprehensive collection of the four induction ceremonies between 2014 and 2017. This 2-disc Blu-ray set features over 10 hours of content, including full induction speeches, 53 musical performances, and reunions that will have classic rock fans drooling. (Not to mention some notable snubs.)

"We just shoot you. Less paperwork."

Most of us like a good heist film. It's fun to watch clever crooks work out complicated plans and then execute them. It's not hard to root for the crooks if they're likable enough characters. With me I almost have a kind of reluctant respect for criminals who are able to outsmart sophisticated systems. There's something about the perfect crime that fascinates a film lover like me. Logan Lucky was one of the better heist films I've seen in years, and I was ready to spend an hour and a half being impressed by ingenious crooked plan that runs like clockwork once again. What I ended up with was a horribly overlong 2 hours and 20 minutes.

Like probably most folk out there in the real world, I learned everything I know about foreign diplomats from television and film. They dress in expensive suits, usually have a drinking or smoking problem, and harbor some immense secret that could bring about the fall of a whole country or even the world. They don't have friends or associates, instead they have pawns that they move around a theoretical chess board for influence and money. Finally, they would sell out their own grandmother if it meant a little more information at the bargaining table. Today, I review Backstabbing for Beginners, a movie that deals with UN Diplomats and the country of Iraq. Somehow, I don't think my opinion is going to change.

As I was working on this review, I came across a term that might just turn out to be a new pet-peeve. I am referring to the term or phrase, "Dated". This term is often used with movies that could have only existed and made in that time period. It gets used even more when it involves a comedy, especially one with jokes or concepts that could only occur in a certain decade. What's worse is that it is almost never used in a positive light, it solely exists to be negative and demeaning. Well, perhaps I can slowly change the connotation of that reference as I explore Doctor Detroit on Blu-Ray. Is it dated? Perhaps, but unlike other dated comedies of the 80's, it is wonderfully so.

Wonder what he's been smoking.”

When it comes to Cheech and Chong, you hardly have to wonder. What better way to celebrate 420 today than by revisiting Cheech and Chong's Up in Smoke, the OG stoner comedy? The film is celebrating its 40th anniversary this year, which Paramount has commemorated with this new edition. But how well does this high-larious comedy classic hold up in 2018?

Lin Oeding has been involved with stunt work in film and TV for nearly two decades; it should come as no surprise that his first feature film would showcase some excellent stunt work throughout.  Before Braven, I knew Jason Momoa had done work on Game of Thrones and had his bit as Aquaman in Justice League, but I had never gotten the chance to see him genuinely flex those acting muscles of his till now.  I’m not about to say Momoa delivers a tour-de-force performance here, but it’s nice to see that he’s attempting to show a little range while beating up on the bad guys in the process. One would think the pairing of Oeding and Momoa would equal a surefire action hit, but instead we get an action film that unfortunately lacks any substance beyond some of its unique kills.