AVC MPEG4

Everyone was warned, but no one listened.”

These words — which are about as subtle as a tsunami — are heard in voiceover at the start of Geostorm, the latest effort from master of disaster (films) Dean Devlin. Yes, I realize no one should venture into a big budget flick produced by Dean Devlin (Independence Day, 1998's Godzilla) looking for subtlety. But no matter what side of the climate change issue you fall on, Geostorm is equally offensive to all parties. And it's not because of its politics or its shoddy writing, which gives that opening monologue to a character who ends up being completely inconsequential. It's because this would-be blockbuster is shockingly short on both fun and spectacle.

"The games have begun again, and they will not stop until the sins against the innocent are atoned for."
It has been about seven years since last we heard Tobin Bell ask if we wanted to play a game. From 2004 until 2010 we were treated to seven films in quick succession, with The Final Chapter apparently bringing the popular franchise to an end. But most of us were pretty sure that the end wasn't quite so near. The films brought in billions of dollars and even inspired a new escape room industry around the globe where people could work out puzzles and attempt to beat a ticking clock to get out of a themed room. Of course, no blood gets spilled, but folks pay for the experience, and a lot of that goes back to the Saw film franchise. With all of that money, Lionsgate simply couldn't let the franchise rest for long. But after moving so quickly from film to film, it was a good idea to allow it time to breathe and the producers a chance to recharge the old batteries. Break's over. The franchise gets a bit of a reboot without completely rebooting at all. The result is Jigsaw, and I suspect this is more of a beginning than merely Saw 8.

Jigsaw is the first film in the series to begin with something other than victims awakening to the newest trap. Police are chasing a suspect with a detonator in his hands. He's pleading to talk to a Detective Halloran (Rennie). As the cops descend upon the manic suspect, he warns that the game is about to start. It's what fans are waiting for, and we cut to five people with buckets bolted to their heads attached to chains. A wall of the obligatory saws awaits their hapless forward plunge, and a familiar voice explains their predicament. From this point there are pretty much two stories playing out for the remainder of the film.

Most people that survive a near traumatic experience don’t go back for seconds. Most people that is. For the group in The House October Built 2, I guess they were adhering to the logic that lightning doesn’t strike the same way twice. Or does it? Embarking on what I can only describe as a horror tour, five friends attempt to capitalize on potential fame and fortune by documenting their experience traveling city to city to explore various haunted houses or hay rides. They even managed to convince the most traumatized member of their group to join them, reopening old wounds and provoking things that best left in the past. I wish that was the worst they had to contend with, as evidence that what they faced a year earlier begins to resurface to finish what it started.

So the concept of the film is top-shelf, execution is another matter in entirely. For one, the set-up is entirely too long. The basic idea was apparent early on, this group looking to capitalize on their famed abduction a year earlier resumes the same activities that nearly cost them their lives. I even enjoyed the addition of a holdout, the girl that refused to take part in this after being buried alive in a coffin. I mean, who would want to relieve that trauma. However, once you have the girl on board, I would say that you only need to visit a handful of places to establish tempo before moving to the center stage for the plot. I think a part of it was the fact that the group went to around three venues before they realized that they need the girl. In my opinion, they should have found themselves turned away at the first venue in order to necessitate the need for their holdout and those other two venues could have been focused more on convincing her to jump back into the mix, possibly a flashback to the year prior.

I'm not saying women are better...I'm saying we deserve some respect.”

Battle of the Sexes chronicles a watershed moment for the women's liberation movement. And given the very bad behavior by very powerful men in Hollywood and other high-profile industries that has come to light in recent months, the movie suddenly feels particularly timely despite being set 45 years ago. But even if that weren't the case, this film — which dramatizes the 1973 exhibition match between top-ranked female player Billie Jean King and former male champion Bobby Riggs — would still be a funny, heartfelt winner.

The classic American Westerns of the 1940s and '50s directed by the likes of John Ford and Howard Hawks famously inspired filmmakers like Sergio Leone to put their own stylish and revisionist spin on the genre. But while Spaghetti Westerns — genre films produced and written by Italians — are the most famous foreign example, plenty of other countries started making their own horse operas in the 1960s. That includes Mexico and filmmaker Arturo Ripstein, who made an outstanding feature film debut with 1966's Time to Die/Tiempo de Morir.

It's no good getting out of jail only to enter a cemetery.”

Detroit is a period crime drama focusing primarily on the Algiers Motel incident during the 12th Street riots in obviously, the city of Detroit. The night of July 25, law enforcement, including the local department, Michigan State Police, and Michigan Army National Guard responded to the hotel to investigate reports of a sniper. During the confrontation, three men were killed and another nine, including two white females, were allegedly beaten and humiliated by the first responders. A trial was held for three of the officers involved and a private security guard, with the deaths being declared justifiable homicide. To many, it is considered one of the biggest miscarriages of justice. Coming off her successful depiction of the manhunt for Osama Bin Laden (Zero Dark Thirty), Kathryn Bigelow reteams with writer Mark Boal to bring this story to life.

Granted, although I had heard about this incident during my history class, I will confess a significant ignorance regarding the specific details. With the knowledge that some liberties were taken in regard to how the circumstances came about, I have to classify this film as a real eye-opener. The events of that evening are told from the multiple perspectives of a cast of established actors and rising stars, which includes John Boyega (Star Wars: The Last Jedi), Anthony Mackie (Avengers), Will Poulter (Maze Runner), Algee Smith (Saints and Sinners), Jason Mitchell (Mudblood), John Krasinski, and Jack Reynor (Transformers: Age of Extinction).

Have you ever heard the legend behind the legend of Ninjago?”

Even though I loved the first two Lego movies, I was completely unfamiliar with the toy company's Ninjago line before I sat down to watch this latest entry in the madcap cartoon franchise. (I wasn't even sure how to pronounce “Ninjago”...and the answer isn't as simple as it seems.) But my unfamiliarity with the source material isn't the reason why I feel The Lego Ninjago movie is the weakest entry in the series so far.

Based on real events...mostly.”

Queen Victoria sure knew how to create a frenzy in court. The monarch's close relationship with Scottish servant John Brown following her husband's death caused an uproar in the royal household and inspired the 1997 film Mrs. Brown, starring Judi Dench. Turns out, Victoria and Dench were just getting warmed up! Twenty years later, the actress reprises her regal role in Victoria & Abdul, which chronicles another unique, unconventional, and even more scandalous relationship between royal and commoner.

There is only one war that matters. The Great War...and it is here.”

Ever since Game of Thrones premiered in 2011, viewers have been tantalized by the notion that “winter is coming.” (And it's been a *much* longer wait for book readers who fell in love with the first installment in George R.R. Martin's “A Song of Ice and Fire” saga more than 20 years ago.) Ned Stark's famous words have launched a thousand memes, and this shortened seventh season of HBO's spectacular fantasy drama — 7 episodes instead of the customary 10 — seemed poised to begin delivering on their promise. While the show is still able to thrill audiences like nothing else on TV, the strain of wrapping up such an epic story finally started to show.

"Art is a lie. Art gives the chaos of the world an order that doesn't exist." 

The X-Files will soon return for a second revival season with 10 episodes that will likely finish the franchise. But if you're a Gillian Anderson fan, you won't have to wait until next year to get your Anderson fix. Acorn has a release that you really have to discover. Gillian Anderson has served three seasons (or series, as the Brits call them) in Belfast for the BBC series The Fall. With the broadcast of that third and final season, Acorn is releasing a nice complete set of all three seasons on both DVD and Blu-ray. If you want to win a copy of the DVD set, you have to stay tuned here and be sure to check out our 12 Days of Christmas Giveaways. In the meantime, I'm going to tell you about the Blu-ray set that I've just had the pleasure to consume for review.