Posted in: Disc Reviews by Gino Sassani on February 8th, 2022
"There's a new superhero in town."
The original Starman was created by Gardner Fox and Jack Burnley back in 1941. Since that time there have been quite a few DC characters who have taken on the mantle of Starman. When DC executive and veteran comics writer/creator was asked to do a series on one of Starman's sidekicks, Pat Dugan and his eventual comic Stars And S.T.R.I.P.E., he was given a directive that he could not use the iconic S.T.R.I.P.E. armor, and that just would have made the series so much weaker. Instead he counter-pitched an idea from the same era of the comics. He pitched the idea of a new Stargirl who would be somewhat based and named after his daughter Courtney, who was tragically killed in a plane crash when she was just 18 years old.
Posted in: Disc Reviews by Brent Lorentson on December 24th, 2021
In 1999 when The Sopranos first premiered on HBO, I don’t think anyone was expecting just how much it would change the television landscape. In its run it made cable TV a main contender for the Emmys, but it also changed the way we see TV, as it took the gangster movie dynamic and stretched it out into a series that ran successfully for 86 episodes. Then there was the way the series came to a close that has had fans and critics talking nearly 15 years after it last aired. It’s the show that raised the bar for what television can be and has been the standard since which only a handful of shows have been able to match in quality. Personally (and I know this is a controversial take), I’m only a fan of the first three seasons, but even a bad episode of The Sopranos is better than most television shows out there.
Posted in: Disc Reviews by Brent Lorentson on December 16th, 2021
I was disappointed when it was announced that James Wan wouldn’t be returning to helm the third Conjuring film, but when the reasoning was that he had a new original concept to direct, well, it still made me pretty happy. When it comes to the technical side of filmmaking, I feel James Wan is one of the most exciting directors currently working in the industry. What the guy pulls off is impressive mostly because he relies more heavily on in-camera trickery than depending on CGI. Sure, he did Aquaman and is about to do the sequel, but those films aside, he’s pretty much a master of the practical craft who I’d put up there with Hitchcock. So when I saw the trailers for Malignant, I’ll admit I was a bit excited, especially when Wan had said that this was a nod to the Giallo films of the past. But did he deliver?
Posted in: Disc Reviews by Brent Lorentson on December 10th, 2021
Over the past decade we’ve seen a resurgence in reboots, remakes, and anthologies, so it isn’t much of a surprise that the beloved horror anthology Creepshow would get the reboot treatment. To be fair, this is an extension from what the first films set out to be, though the big difference is that instead of just being a film with a few stories, it is now a TV series, each episode containing two tales to horrify and entertain. When I first heard about the series I was cautiously optimistic. The first two films I consider classics, as do many other fans of the horror genre. Then there was that third Creepshow that I feel we all just want to forget and pretend never really happened.
Posted in: Disc Reviews by Brent Lorentson on December 8th, 2021
When Netflix released The Haunting of Hill House, I fell in love with the series. I have watched it several times since its release, and it continues to hold up. So when it was announced that Mike Flanagan would be returning to do a follow-up series, it was impossible not to get my hopes up. Mike Flanagan is perhaps the best thing to happen to horror in quite a while. He doesn’t depend on gore or crazy special FX, but instead his focus is more on that natural evil that people can do to one another. From Hush to Doctor Sleep to The Haunting of Hill House and his most current work Midnight Mass and all his projects in between, he’s maintained a consistency that I feel ranks him as one of the better visual storytellers of the past decade, and he seems to only get better with each project.
Posted in: Disc Reviews by Gino Sassani on November 25th, 2021
"Strange, isn't it? Each man's life touches so many other lives. When he isn't around he leaves an awful hole, doesn't he?"
Another holiday season and another release of the classic It's A Wonderful Life. This edition looks like a storybook case and has both the restored black & white version as well as the recent colorized versions of the films. If you have one of the UHD 4K collections, you pretty much have the definitive version of the film, and the audio and visual aren't likely to get any better than that. But there are many of you out there who have not made the switch to UHD. This is likely going to be that best ever release for you. You get two versions of the film in an attractive and safe case.
Posted in: Disc Reviews by Jeremy Butler on November 25th, 2021
When we got aboard the Snowpiercer, it would seem like a new world order was going to be happening. Well, that still holds true for Season 2, but not quite the way we were initially imagining. Did you see what I did there, “got aboard,” because it’s a train. OK, OK; that’s my one joke. Last we saw Daveed Diggs’ Layton, he’d finally managed to seize control of the train carrying the last of humanity following an apocalyptic freezing of the planet. His reign is extremely short-lived, however, as he is almost immediately threatened by the return of Mr. Wilford (Sean Bean) and Melanie’s thought-dead daughter, Alexandra (Rowan Blanchard). I can tell you that after this cliffhanger of a season last season, I was on the edge of my seat with anticipation for the next season. And this season doesn’t disappoint, as the power struggle for the train is continued with a new adversaries, as old adversaries become new allies.
Posted in: Disc Reviews by Gino Sassani on November 25th, 2021
"We are the only people who are capable of handling time-traveling aliens."
Of course, that can only mean The D.C. Legends Of Tomorrow. This is the sleeper of the entire Arrowverse. It's never really been one of the higher-rated shows, but it has a strong cult audience and has survived more than one season on the proverbial bubble and has beaten back a pandemic and outlasted such better shows as Arrow and Supergirl. I always enjoy it, but I do find it the hardest show to completely follow. It will delve into the silly and the absolutely crazy, and it's pretty much jumping sharks on a weekly basis. It doesn't help that every year sees a huge shakeup of the cast, and this season was no exception.
Posted in: Disc Reviews by Gino Sassani on November 11th, 2021
"My name is Nicky Shen, and this has been my home for three years. A Shaolin monastery in Yunnan Province, China. My mom sent me on a cultural tour of China. Turned out, it was really a matchmaking tour to land me a Chinese husband. Just one of the many ways my mom tried to control my destiny. I panicked. I ran. That was the first time anyone told me I had a choice in anything. I was only planning to spend the night. But then I saw something that I knew I wanted to be a part of. These women were warriors. And so I stayed. Pei-Ling became my Shifu, my mentor."
The new Kung Fu series at the CW is not really anything like the 1970's show that starred David Carradine. And while the credits claim to be based on that show, they really do not have anything in common. This show is not a period piece but exists in current day San Francisco. The titular character is no longer a middle-aged quiet hero or a guy. Instead we have law school drop-out Nicky Shen, a twenty-something woman who doesn't quite have a handle on who she is.
Posted in: Disc Reviews by Archive Authors on November 11th, 2021
"My name is Harris K. Telemacher. I live in Los Angeles, and I've had seven heart attacks. All imagined. That is to say, I was deeply unhappy, but I didn't know it because I was so happy all of the time."
Steve Martin plays a wacky TV weatherman who develops a close friendship with an electronic freeway sign in the sleeper hit comedy L.A. Story. I found the critically acclaimed film to lack hilarity, but it does get marks for inventiveness. Martin is enjoyable in most anything he’s in, even if the material is not so great. L.A. Story is one such example of an actor rising above said material. Most of the over-the-top silliness misses the mark, and Marilu Henner has little more to do than play the cliché of snobbish socialite. The true love of the Martin character’s life – played by Victoria Tennant – is so bland vanilla I would have much rather seen him end up with his free-spirited squeeze toy (Sarah Jessica Parker), though any such relationship would be doomed to fail. At least there would be some excitement.
