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“Zombies…killer robots…nice town you got here.”

If nothing else, filmmaker Christopher Hatton definitely thought outside the box in his attempt to spice up the lumbering zombie genre. The random appearance of killer robots about halfway through the film is such an out-of-leftfield move — assuming you started watching this movie without looking at its Blu-ray cover (and, no…Dolph Lundgren is *not* one of the robots) — that I actually found it to be inspired. It’s a good thing too because the rest of Battle of the Damned is essentially a low-budget, paint splatter-by-numbers survival flick.

“…Super secret spies living next door. They look like us. They speak better English than we do. I mean, come on. Someone’s been reading too many spy novels.”

And now someone has expertly taken the cloak-and-dagger intrigue of a great spy novel, transplanted it onto our television screens, and called it The Americans. While the show is very clearly set during the Reagan era, its complex, multi-layered portrayal of the human beings on both sides of the Cold War makes it feel thrillingly alive today.

Paula Patton has managed to stand out on the big screen alongside Hollywood heavyweights like Denzel Washington (Déjà Vu, 2 Guns) and Tom Cruise (Mission Impossible: Ghost Protocol), but she’s still probably best known for being married to Beetle-douche. That’s why I was hoping Baggage Claim, her first big solo starring vehicle, would be so much better than it turned out to be. It’s tempting to dismiss it as just another corny, clichéd romantic comedy, and forget about it until it pops up on TBS two years from now. But the film squanders too much appealing talent and insults the audiences intelligence too often to let it off the hook quite so easily.

There are two very distinctive schools of thought about Walt Disney’s The Jungle Book. There are the Kipling fanatics who have never forgiven Disney for taking a story considered sacred in literary circles and creating something that honestly bears (pardon the pun) little resemblance to the original work. These folks rightfully point out that the story contains almost nothing recognizable about the story and characters from Kipling’s beloved classic. I have often condemned projects that take names like The Night Stalker and Battlestar Galactica and create a vision incompatible with the traditions I associate with them.

You have to interfere in what is wrong to make it right.”

When a movie is described as a “timeless classic,” the implication is the film contains a level of artistic merit and cross-generational appeal that has made it relevant decades after its release, and will make it watchable decades from now. The flip side is the type of film that is very much of the time it was created. Despite what ought to be a universal message about caring for one another, The Inn of the Sixth Happiness — making a welcome debut on Blu-ray as part of the Fox Studio Classics series — belongs in the latter category.

“A successful breakout depends on three things: Layout, Routine, and Outside Help.”

You know, there was a time when the public could only dream of an Arnold Schwarzenegger and Sylvester Stallone team-up. Now thanks to a little film called The Expendables, when it comes to the realm of action star team-ups, anything is possible. Case in point: Escape Plan. When this film was first announced, I figure it would be devoid of any real substance and just another attempt to capitalize on the success of  Expendables

Don't try to figure this out...I'm just a crazy, horny bitch.”

This column strongly opposes cheating on your significant other. But if you absolutely can't help yourself, you've got to be smarter about it than the numbskull played by Billy Zane in this film. In Scorned — a junky, over-the-top cross between Fatal Attraction and Misery — his girlfriend is an admitted manic-depressive who regularly takes as much medication as she can stuff in her purse. So what exactly did this dolt think would happen when she found out that he was sleeping with her best friend?

"Sometimes I like to think that fever of an unexpected origin, that I never came out of the other side. And that the rest of my life, none of it ever happened, especially that part where I got shot 37 times, giving my Bonnie Parker her big ending."

When you're telling the story of Bonnie and Clyde, it's very hard to say anything new. The exploits of the pair were followed closely by the entire nation. Newspaper accounts and silver screen newsreels took advantage of every turn of events in the case

“I’m match for any man.”

The idea that “behind every great man, there’s a great woman rolling her eyes” far predates its adoption as a feminist slogan in the middle of the previous century. The White Queen — a sumptuous, rushed combination of Game of Thrones-style high-stakes scheming and Tudors-style regal bodice ripping — uses Britain’s late medieval history as a jumping off point for pushing a number of notable women to the forefront.

How did the stripper get in the maid's room?”

That question sounds like the set up for some juvenile, profane joke, but it also tidily encapsulates the plot of Afternoon Delight. The film is about the plight of an affluent, quietly desperate housewife who takes it upon herself to “rescue” a young, down-on-her-luck stripper. What the quote doesn't quite capture is how this funny and frank outing from first-time feature filmmaker Jill Soloway is really about the universal quest for intimacy.