Posted in: Disc Reviews by Michael Durr on October 22nd, 2019
As a kid growing up in the 70's and 80's, I quickly grasped the concept of a good short. Whether it was a tiny piece before the movie started at my local cinema or a Looney Tunes cartoon on my 13-inch television, I saw how hard it was to capture the audience in the span of such a small frame of time. However, when those directors are able to capture that lightening in a bottle, it can produce some amazing results. Today, we are taking a look at Genius Party and Genius Party Beyond and see if a few of these fantastic directors can create a memorable slice of anime.
Genius Party and Genius Party Beyond are two collections of shorts released in 2007 and 2008 respectively. It is twelve pieces by twelve different directors with different animation styles. In the following bylines, I'll try to piece together what each of these takes are about and then have some broad comments after.
Posted in: Disc Reviews by Gino Sassani on October 22nd, 2019
"Is that where a blind cop kidnaps an Uber driver?"
That pretty much tells the story of Stuber. The title is a combination of the lead character's name, Stuart and Uber. With the advent of Uber, the entire concept of hiring a ride has changed significantly. Taxi drivers are swiftly becoming a thing of the past, and ride-sharing aps like Uber and Lyft are taking over the market to the point that taxi companies do not even exist in some cities any longer. I have to admit, I'm not so sure I'm completely on board with the idea of regular unregulated folks out there picking up complete strangers who happen to have hailed them via their cell phones on an anonymous app. It's a bit dangerous for both parties, and it's not surprising that the horror stories have been appearing in the news about these ride experiences going horribly astray. That's the fear or reality that serves as the central theme for Stuber. While I'm sure the first Uber horror film is either in production or at least being written as I type these words, Stuber opts for the more comedic and action-oriented version of the idea. But make no mistake. More is coming.
Posted in: No Huddle Reviews by Gino Sassani on October 22nd, 2019
Lucille Ball was originally a radio personality starring in a popular comedy, My Favorite Husband. It was here that she began to develop the character she would continue to play for decades in television through several shows, all bearing her name in one form or another: I Love Lucy, The Lucy Show, Here's Lucy, and Life With Lucy. See the pattern? Anyone who was a fan of the radio show would instantly recognize the red-haired actress even though they had never actually seen her on the radio. That exaggerated cry was already a staple of her physical comedy, even when she couldn't be seen. She had also toured for many years with her real-life husband Desi Arnaz. When they could not convince a network to film a pilot of a show featuring both of them, they made it on their own dime. CBS was so impressed with the pilot they reimbursed the couple, and in 1951 I Love Lucy hit the airwaves.
Lucy played the character she had already perfected on radio and on the stage. Desi played her husband, a Cuban bandleader who headlined at the Tropicana. Lucy was always trying to find a way to get into Ricky's act. She had no talent, but that never stopped her, usually embarrassing Ricky along the way. The couple lived in an apartment owned by the Mertzes, Fred (Frawley) and Ethel (Vance). They were not only the Ricardos’ landlords but also their closest friends. Ethel would often find herself talked into one of Lucy's crazy schemes. The show also found comedy fodder in Ricky's thick Cuban accent. Sometimes his mispronunciations caused hilarious misunderstandings. William Frawley as Fred had the job of playing straight man most of the time. It was a thankless job, to be sure, but he was perfect at it. He didn't talk as much as the others, but he had some golden moments over the show's very successful six-year run. During that time the series never once fell below number three for the entire year in ratings.
Posted in: Random Fun by Gino Sassani on October 22nd, 2019
Hey Gang! Upcomingdiscs is on Youtube
For all of you classic horror fans, this is a song I wrote about my love for the old Universal greats. I was fortunate enough to have Sara Karloff (daughter to Boris), Ron Chaney (Grandson to Lon, Jr.) and Bela Lugosi, Jr. present when I debuted the song. Now I'd like to share it with all of you.
Posted in: The Reel World by Jeremy Butler on October 20th, 2019
Here comes the second addition to this sequel weekend, as well as another welcome addition to the 31 Nights of Terror. Welcome back, ladies and gentlemen, to Zombieland, and it’s like we never left. True, ten years have passed since we last saw Tallahassee, Columbus, Wichita, and Little Rock, and I was beginning to believe that the likelihood of a sequel was low given the rising profiles of each of the actors involved, but I can happily say that it is here, and it was worth the wait. When last we saw this makeshift family, they were leaving Pacific Playland amusement park after annihilating a zombie horde; romance was brewing between Columbus and Wichita, and Tallahassee finally got their hands on his beloved Twinkie. Had this been the last time we saw the group, I would have been content, but the unwritten law of Hollywood is to never let go of a profitable franchise. Now, this unwritten law can be both good and bad, as it could result in a film that is on par or better than its predecessor, or the result could be a product of the law of diminishing returns. Lucky for us, Zombieland: Double Tap is the former instead of the latter.
Double Tap picks up ten years after the events of the first film. The merry band is still together and has taken up residence in the White House of all places. Keeping their distances from other survivors, they have fallen into familiar patterns. This appears to sit well with everyone but Little Rock, who has now become a teenager and seeks a connection with people of her own age. Around the same time, Wichita begins to feel pressure in her relationship with Columbus, leading to the sister deciding to go off on their own. Both Tallahassee and Columbus are devasted by the lost of the two and handle it in their own fashion: Columbus pines, while Tallahassee provides no real comfort, deciding that it may be time to hit the road himself. It then they come across a distraction in the form of Madison (Zoey Deutch), a gorgeous albeit ditzy young woman who proves it does not take brains to survive the zombie apocalypse. She quickly annoys Tallahassee, but you can guess who is looking for a rebound.
Posted in: The Reel World by Jeremy Butler on October 19th, 2019
Well, well ... it would appear that this weekend is the weekend of sequels with two movies worthy of 31 Nights of Terror. First is the return of Angelina Jolie as Maleficent. When we last saw the Mistress of Evil (which also happens to be the title for the sequel) she was more of a hero rather than villain. However, the sequel sees her return to her previous status as the feared fairy that ruled the Moors. How quickly people forget her contributions. Though not traditionally scary, the film features plenty of magic and carnage courtesy of Jolie. Additionally, the film features the return of Elle Fanning, Sam Riley, and Harris Dickson as Aurora, Diaval, and Prince Philip. With the addition of Chiwetel Ejofor and Ed Skrein, as well as Michelle Pfeiffer as Queen Ingrith, Philip’s mother, who gives Maleficent a run for her money for the title of Mistress of Evil.
In the five years that have passed since then the original film, Aurora has continued to reign as Queen of the Moors and is beloved by her subjects, and especially by Prince Phillip who works up the courage to propose marriage. Aurora accepts, but then comes the hard part: telling their parents. For Phillip the difficulty comes from her mother, who feels that their people have a right to pillage the Moors and worries about losing her son to Aurora, who rules the land she would like to acquire. For Aurora, the difficulty is much more challenging, as she has the unfortunate task of telling her Godmother, the protector of the Moors, Maleficent. Though initially apprehensive about the idea, Maleficent grants her permission. However, this is only the beginning of their troubles.
Posted in: Random Fun by Gino Sassani on October 18th, 2019
One of the best parts of this job is that I get to talk to some great people in the movie business. Sometimes a legend will reach out and want to say hi to us. Some of those come from the horror movie world. I thought it would be fun to share some of those classic interviews with you guys.
I had the honor to speak to the great Joe Dante. A graduate of the Roger Corman movie machine, Dante has established his place in film history with such films as The Howling, Gremlins 1 & 2, Matinee, and the original Piranha. Find out why he’s one of the best. Bang it here to listen to my chat with Joe Dante.
Posted in: Disc Reviews by Brent Lorentson on October 17th, 2019
The novel The Haunting of Hill House by Shirley Jackson is certainly a literary classic, but for the sake of this review you’ll need to ignore the book and the previous film adaptations…I think it’ll be easy to forget the 1999 film The Haunting. I say this mostly because if you go into this series expecting that story, you will be disappointed. Instead, what creator and director Mike Flanagan has delivered is a masterpiece of horror that is so good that as the season plays out it manages to outdo itself again and again up to its final episode. When it first aired on Netflix I binged it and instantly fell in love, and when the opportunity arose to return to the series and see extended cuts of the episodes, I was more than happy to oblige.
First off, only three episodes are given the extended treatment. Steven Sees a Ghost, The Bent-Neck Lady and the last episode, Silence Lay Steadily. Honestly, it had been a year since I last watched the show, and I didn’t recognize what was added till listening to the commentary tracks that were attached. Does it hurt the series any by having these added scenes? Not at all; if anything, I enjoyed it more this time around.
Posted in: Disc Reviews by Gino Sassani on October 17th, 2019
"You know me, always saving the day."
After the disappointment that was the recent Suicide Squad animated feature, Warner and DC needed to save the day with the release of The Death of Superman, and that's exactly what they did. The Death Of Superman was a major milestone in the history of the Man of Steel in the comics. It all started in December of 1992. DC announced they were killing off their most iconic hero and ending the Superman run of comics. Of course, that was only partially true. Once Supes was "killed off" the comic split into four new branches, as the vacuum created by his death needed to be filled both in the fictional universe as well as the commercial side of ours. Eventually the lines were reunited, and Superman has been alive and well ever since. But this was a huge event in the world of comics. The Justice League and Batman vs. Superman films used aspects of the story in the recent film, but this animated feature goes back to its comic roots and more faithfully brings that comic series to life. The Reign of the Supermen would follow and would tie up the story started in the first film. Now things would drift away from the comics somewhat, but it's an epic story when viewed together, and that's what Warner Brothers does with this release. It's called The Death and Return of Superman and it combines both animated features into one near-three-hour event, and it's out in 4K.
Posted in: Disc Reviews by Jeremy Butler on October 16th, 2019
“It’s easy to fool people when they are already fooling themselves.”
There was a lot of pressure on this film to be great, it being the first MCU film following the epic known as Endgame. This film needed to be the statement that the MCU was finished after the events of Endgame, which completely and irrevocably changed the landscape of the franchise going forward. By the way, if you have not seen Endgame yet, two things. First, what is wrong with you? You are the reason that the film hasn’t taken the all-time box office record away from Avatar yet. The film has just been re-released with additional footage, so there is even more to enjoy. So get to a theater ASAP! We need to beat Avatar! Secondly, you should probably stop reading this review immediately, as I will be discussing events that will likely leave you lost. Let the previous declaration serve as your warning disclaimer. Iron Man is gone, Captain America has laid down his shield in favor for a lifetime with the love of his life. A little selfish, but I’d say he’s earned it after his many sacrifices. The Avengers are essentially disbanded, but the world still needs heroes. Enter your friendly neighborhood Spiderman.
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