Ever since I was a kid, I’ve been fascinated by UFO stories. It’s a big part of what got me into watching The X-Files.  Whether you are a believer or not, there are groups all over the world where people get together and share their experiences about their abductions and how they attempt to cope with the trauma of the event.  Beyond the Sky is a film that is sort of a mockumentry about Chris Norton (Ryan Carnes) who has been attempting to find out what happened to his mother after she went missing on his seventh birthday.  Now years later, he takes his “documentary” to a UFO convention to meet with abductees and in the process comes across Emily (Jordan Hinson), who may help him on his journey to find the truth.

My first attempt at watching Mandy wasn’t a successful one. After fifteen minutes I was nodding off, so I stopped it and held off viewing it for another night.  This isn’t a movie you want to throw on too late at night. The first half is definitely a slow burn, but once this film picks up steam, you are in for one crazy, psychedelic, violent experience that will leave an impression on you.  It’s no surprise that Mandy has already developed a buzz through the internet and is well on its way to becoming a cult classic.  Is the hype for this film real?  Can Nicolas Cage still deliver a memorable performance as his career has seemed to have dissolved into constant direct-to-DVD content?  Well, the short answer to both these questions is yes, but this film is not for everyone, and to a degree I may be on the fence on the first half of this film.

By John Delia Jr.

The fabled story of the Nutcracker has many experiences, from plays, to musicals, to theater, and to operas; it has entertained us all for a century. What if these stories are real, and these Christmas toys really do have a world of their own? That would be a tale we all would love to hear. Enter Disney's The Nutcracker and the Four Realms. After the death of their mother, Clara (Mackenzie Foy), Fritz (Tom Sweet), Louise (Ellie Bamber), and their father, Mr. Stahbaum (Matthew Macfadyen), must endure the Christmas holidays without her. Struggling to move on with the events of the season, Mr. Stahbaum pushes them all to attend the annual event at Drosselmeyer’s house.

This week’s Round Up can best be summed up with one word: incredible. Disney has released its superpowered smash hit Incredibles 2 on Blu-ray, so keep an eye on the site for our review a little later this week. The Mouse House also returns to the Hundred Acre Wood to re-connect with Christopher Robin. Elsewhere, CBS fights The Good Fight: Season 2 and revisits a pair of TV hits from the past by casting a spell with Charmed: Season 1 and getting resourceful with MacGyver: Season 1. RLJE Films travels Beyond the Sky and pours its Blood, Sweat and Terrors into an action-packed anthology. Finally, Shout! Studios shares a few of its favorite things with a 60th anniversary edition of Rodgers & Hammerstein’s The Sound of Music Live to commemorate the Broadway classic.

On the big screen, Fox Searchlight asks Can You Ever Forgive Me, while Universal gets green and mean with Dr. Seuss’s The Grinch. And now it's time for your customary reminder: if you’re shopping for anything on Amazon and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!

“We had a job to do.”

When The Americans received a two-season renewal back in 2016, the news was met with unanimous enthusiasm. Fans of FX’s acclaimed (but low-rated) spy drama were guaranteed two more years’ worth of stories, while TV critics applauded the fact that creator Joe Weisberg and Co. could carefully plot out their show’s endgame. Sadly, the first half of that deal resulted in a penultimate fifth season that frustratingly punted a lot of the show’s more pressing plotlines. The sixth and final season of The Americans offers a thrilling and heartbreaking conclusion, even though it also kind of comes off as the brilliant kid who waited until the very end to cram before a big test.  

When I think of buddy cop movies, two movies spring to mind as favorites. No, not Lethal Weapon and Beverly Hills Cop. Not Bad Boys 2 and Rush Hour, either. While all of those are good films, the best for me are Hot Fuzz and 48 Hours. 48 Hours was a classic match-up of Eddie Murphy and Nick Nolte, while Hot Fuzz lampooned every single cliche they could think of and then some. Also, if you said The Heat or Ride Along as your two favorite buddy cop movies, I'm going to need you to move along. Move along to reading my Blu-ray review for Dragnet, because seriously, you need better taste.

"Is this the real life or is this just fantasy?"

I think even Queen's biggest fans might have trouble distinguishing between the two in the Freddie Mercury/Queen biopic Bohemian Rhapsody. And that's absolutely okay. If you look at the film's trailers, the movie looks less like a bio-film and more like a celebration, and that's exactly the kind of experience you're going to have from beginning to end. I'm sure that a lot of film and Queen fans shared more than a little skepticism over the project. I know that I certainly did. But all of that magically disappeared when the first trailer hit the internet and we all watched in amazement as actor Rami Malek appears to be channeling the manic spirit of Queen front man Freddie Mercury down to the smallest of detail.

"It's alive!"

After nearly 90 years the Universal Horror cycle stands as one of the most enduring collection of horror movies today. Their influence on modern horror is unmistakable. There have been literally thousands of incarnations of Dracula, The Wolf Man and Frankenstein's Monster, but the first image that comes to your mind will always be the nightmare creations of those Universal films. Studio head Carl Laemmle, Jr. was trying to break away from his father's control and create a studio culture of his own. The results would start in 1931 when an unknown Hungarian actor named Bela Lugosi jumped from the stage to the screen in Dracula directed by Tod Browning. Laemmle's niece, Carla Laemmle, is the girl in the coach headed for Borgo Pass as the film opens to the musical strains from Swan Lake.

The Matrix (1999) was a landmark film in the Sci-Fi genre. While its box office intake was dwarfed by Episode 1, it was The Matrix that had people talking. Andy and Larry Wachowski’s story of a post-apocalyptic world where humans serve as biological generators of energy for the machines that rule the planet challenged people’s perceptions of what reality was. Computer hacker extraordinaire Neo (Reeves) has this gut feeling that life isn’t all that it seems to be. Turns out he’s right in a big way. A group of revolutionaries led by the thought-to-be-mythical Morpheus (Fishburne) open his eyes to the Matrix.

So the director had my undivided attention until he went completely sideways. I mean, I was engaged; I was feeling the message behind the film. I found the characters to be original, and the things that they had to say were unlike anything I had seen in recent years. Not to mention that opening scene was the perfect way to bring the audience into this world; and then it all came crashing down. Despite this disappointment, Sorry to Bother You remains among one of the most creative cinematic experiences that I had this year. I wanted very much to love the film, but sadly I can’t say that. I liked it a lot, especially the first half. It is the kind of film that was likely the gem of the film festival circuit. The number one slot at the box office will be out of reach for it, though.