I was quite reluctant to attend the screening for The Oath. My reluctance wasn't based on my willingness to see the film. People like us will go to any kind of a movie. I love films. My issue was the impression I received from the trailer. The film appears to be ripped from today's political climate and quite possibly to be a close parody of the actual present political situation. No matter on what side of that issue I might personally happen to fall, we here at Upcomingdiscs try our best to keep our politics out of our work. It's not fair to fellow writers for them to be brushed with any other writer's ideals, and it's simply unnecessary to create a hostile environment here for any of our readers or staff. So I approached the screening with the caveat that I might not actually review the film. When the studio agreed to those terms, I set out to experience The Oath. I'll give you a little "inside baseball" into the movie review business. When a critic is invited to a press screening of a film, there is a bit of a contract strongly implied in that invitation. Attendance is an agreement to write and publish a review of the film that is reported back to the studio. No studio has ever even commented on the review's content. Rest assured we are completely free to write whatever we want with the exception of revealing important spoiler information and agreeing to a specific embargo date (as sometimes we see a film weeks before they street). So that freedom to decide not to review was an important and rather unusual agreement to have, because I was not sure I was going to be willing to follow through. Fortunately, the trailer is a bit revealing, and The Oath isn't a one-sided spoof at all. It can easily be enjoyed no matter what your individual politics happen to be.

This film certainly touches on the political divide; however, it quite smartly removes itself a full step away from the current participants or personalities. The story pretty much focuses on one family that has gathered together for a holiday meal. Like most families, there are the usual tensions, and that includes differing ideas about the political situation. That landscape was impossible for them to avoid, because the President of the United States had just announced that he was issuing a "voluntary" Loyalty Oath, and the deadline for people to sign was fast approaching. And so our family naturally begins to discuss what they plan to do about it. Writer and director Ike Barinholtz stars as Chris. He has refused to sign the oath of loyalty to the President and has a pretty hostile opinion of anyone who has signed or is planning to sign it. Unfortunately for Chris, his parents and siblings who have all gathered at his home for the Thanksgiving dinner are more inclined to sign the oath, and some family members already have. The promise is that the oath is completely on a volunteer basis, but we soon learns what happens when you don't sign and someone rats you out.

Painless is out on DVD from Indican Pictures. 31 Nights Of Terror takes you behind the scenes with writer/director Jordan Horowitz. Joey Klein stars as a man who can't feel pain and Painless covers his desperate search for a cure. I had a nice talk with Jordan Horowitz about the film. he let me in on some nice inside stories. Now you can eavesdrop on the call and you won't even need any help from the NSA. Bang it here to listen to my chat with Jordan Horowitz.

Catch the film at Amazon Painless

This past summer, the Marvel Cinematic Universe was turned upside down in a snapAvengers: Infinity War was the culmination of 10 years worth of origin stories and world-building. That blockbuster featured (almost) every MCU hero in the galaxy, universe-spanning stakes, and an unforgettable cliffhanger. So you can excuse Marvel for scaling things back (waaaaay back) with its next entry. Of course, any superhero flick that came immediately after Infinity War was going to feel small by comparison, so who better to take on that task than the tiniest hero of them all?

So...how long have you been Ant-Man again?”

3rd Night is one of those films that sneaks up on you.  It’s shot on a low budget, there are no big named actors involved, and it doesn’t have a big studio backing.  It’s the kind of film that seems to be released hoping that by word of mouth or sheer luck, people will stumble upon this film.  You go to your random Wal-Mart or Target and you see these small, independent titles all the time, and I’ve always wondered how many of these are picked up as a cold buy, simply from the customer looking at the cover and reading the box. 3rd Night is a film that is going to have to go through this struggle, but for those who do decide to pick this up or find it on some other platform, it’ll be a delightful little surprise.  It’s a 71-minute horror fest that is better than you’d expect despite having some strange flaws that left me questioning some of the film’s choices; despite that it still works.

This is Adam Gravely’s first time directing a feature film, and for the film he also serves as a writer, producer, and an editor, so obviously this is a project that meant a lot to him.  It’s a good thing he has stuck with this film through the whole process, because there is a lot going on in this film when it comes to what kind of horror it is, and for some filmmakers the struggle with the numerous sub-genres would usually cause the filmmaker to just stick with one direction, and that would have severely hurt the uniqueness of this picture.

“I’m sorry…I’m a really good person.”

I absolutely loved The Big Short, which managed to extract smart, insightful comedy from one of the gloomiest chapters in recent American history. But if there’s one minor critique I had, it’s that the 2015 Adam McKay film sort of glossed over the human cost of the nationwide financial collapse. On the other hand, Arizona — a violent, over-the-top black comedy that’s billed as being “from the producers of Eastbound & Down and Brooklyn Nine-Nine” — is set in 2009 and focuses almost exclusively on a handful of hard-luck losers trying to survive the housing crisis.

31 Nights Of Terror delivers yet another giveaway. Indican Pictures has given us a copy of their new horror film Painless. I'll be talking soon to the film's director and writer Jordan Horowitz. Please be sure to give it a listen when we post it. What would you do to end your own pain? That's the question this new horror film puts to the test. Enter to win a copy and find out the answer.

To win a copy of this prize, follow these instructions.

This week’s Round Up can be summed up in one word: Groovy. Lionsgate takes up arms (and chainsaw) for an epic battle in Ash vs. Evil Dead: The Complete Series, while also seeking retribution in Reprisal. Elsewhere, RLJE faces the dry heat of Arizona (4K), Indican Pictures doesn’t feel much with Painless, and Showtime stays unfaithful with The Affair: Season 4. Finally, Shout! Factory saddles up to revisit the Billy Crystal comedy favorite City Slickers: Collector's Edition.

Meanwhile on the big screen, Fox Searchlight is locked and loaded for The Old Man and The Gun, Roadside Attractions takes The Oath, and Michael Myers comes home (again) in Halloween. Keep checking back each day for our "31 Nights of Terror" and enter to win a free prize in our many contests. Also, if you’re shopping for anything on Amazon and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!

Over the years there have been attempts to adapt Shirley Jackson’s novel The Haunting at Hill House, but each attempt seemed to fall short of what the book accomplished. So when Netflix announced that they were going to be attempting to turn the novel into a ten-episode TV series, well, to be honest, it didn’t exactly get me excited. Helming the show is Mike Flanagan, who had some success with Netflix before when directing Gerald’s Game and is currently directing Doctor Sleep, a sequel to Stephen King’s The Shining.  It wasn’t till a couple weeks ago when a came across a trailer for The Haunting of Hill House that I was convinced that perhaps I should give this show a shot.  Once it hit the streaming service and I watched the first episode “Steven Sees a Ghost”, well, I was hooked, and what unfolded over the course of the season resulted in an exceptional television experience.

Part of what makes the show works is that the story unfolds in two separate timelines as it follows the Crain family through the early 90’s and today. In the modern day the story follows the five Crain siblings though each episode and at the start seems to focus on one sibling at a time while flashing back to their time as kids growing up at the Hill House.  Steven (Michiel Huisman) is the oldest and has made a career for himself after writing about his families experiences at the Hill House, though the book resulted in plenty of turmoil that the show takes its time getting into. There is Shirley (Elizabeth Reaser), who runs a funeral home and is raising a family of her own along with her sister Theodora (Kate Siegel) who lives in a home on the property.  Then there are the twins Luke (Oliver Jackson-Cohen) and Nell (Victoria Pedretti) who seem to be the most troubled from their experiences growing up. To a degree this does have a This is Us feel to it, but there isn’t much cheer to be found here; there isn’t much one can call heartwarming in this family. Instead these are all siblings who are coming to terms with some very dark experiences from their childhood.

"All things change. This world is impermanent and deceiving. Many things are not what they seem. You will have many adventures here. And if we live, many stories to tell at the Great Hall. If we live."

When Vikings started five years ago, I found it to be quite an ambitious task for a network that usually featured documentaries and reality shows about odd jobs. I approached this one with some caution. Now I've thrown caution to the wind for these compelling characters. I was particularly drawn into the lead. Travis Fimmel was outstanding as the Viking leader Ragnor Lothbrook. When his character was killed off after three years, I suspected things would be winding down for this experiment. I could not have been more wrong. Alex Hogh Andersen plays Ivar, his crippled son, who rises to be more powerful and more brutal that Ragnor ever was. The actor shares many of Fimmel's characteristics, both in his physical look and the way he carries himself. It's one of the most perfect father-and-son casting pairs I've ever encountered. Because of Andersen, the show has been reborn, and there's still a lot of life in this series. The release of the first half of Season 5 is another strong contribution to your home entertainment library.

"That's one small step for (a) man. One giant leap for mankind."

July 20th, 1969. If you were alive and even somewhat old enough to be aware of your surroundings, you likely still remember that date. There are many such dates in history; unfortunately so many of them revolve around tragic events like 9-ll or the attack on Pearl Harbor. But on that night I was eight years old, and I know exactly where I was. I was watching Walter Cronkite on television as he brought us the first landing on the surface of the moon. Today that's a bittersweet memory. For an 8-year old boy it was a promise that has remained unfulfilled. If you had told that 8-year old who just saw humans walking on the moon that 50 years later we would have gone no further, he would have been dumbfounded. If you told him that not only would we go no further, but that we would stop going to the moon in just a few short years, he would have been devastated. I can only imagine what that first man on the moon thought about it all so many years later. The truth is that Neil Armstrong never traded on his celebrity. He kept mostly to himself for the rest of his life, and perhaps the only tragedy larger than our abandonment of the pursuit he risked his life for is that we know so little about the man whose name lives with the likes of Columbus. He's almost a forgotten hero. That's why First Man is such an important film that almost lives up to that legacy.