Black Sails fans rejoice. 31 Nights Of Terror takes you on-board a pirate ship with the infamous Captain Flint. I had an opportunity to chat with Toby Stephens who plays Captain Flint on the show. He had some insightful things to say.  Bang it here to listen in on my chat with Toby Stephens. It's all to celebrate the release of Black Sails: The Complete Series on Blu-ray from Lionsgate.

“Why make things simple when they can be painful and difficult?”

The current TV landscape is overflowing with “limited series” and anthologies that reboot themselves each year with new characters and storylines. The Affair, which premiered in 2014, seemed ready-made for that formula: each season could’ve followed different adulterous encounters in a wide variety of settings. Instead, the perspective-shifting Showtime drama has followed the same group of sad sacks through multiple years as they deal with the fallout of a single Long Island dalliance. The good news is this fourth season serves as both a soft reboot for the series and a swan song for a couple of major characters. 

I’m going to say from the start that Slice isn’t for everyone, but those who come across this film and give it a chance will come away having a good time with this film.  It’s a new release from A 24, which quickly got my attention considering the numerous films the company has been releasing that I’ve enjoyed.  While it’s a horror-comedy, there is more going on in this little film, as it injects a sociopolitical message in it.  I like a film that can function on several levels, but I never expected to find it in a film about pizza delivery guys being killed by monsters.

The film opens up with a fun little PSA that introduces us to the town of Kingfisher and the story about how all the ghosts were uprooted from their homes and placed into a town of their own, conveniently called Ghost Town.  But ghosts are not the only monsters lurking in this world, as we are also introduced to werewolves as well.  The film wastes no time getting started as we see a delivery guy get killed while making a delivery inside Ghost Town. Perfect Pizza is also under attack by a group of women who believe the pizza shop should be closed since it was built on top of where an asylum once was, where many of the ghosts are rumored to be from.

Here we go again, indeed! It’s time for another Tuesday Round Up, and Universal takes it all with Mamma Mia: Here We Go Again (4K), the sequel to the blockbuster ABBA musical. Meanwhile, Shout! Factory heads out west for Valley Girl and goes Hollywood with Get Shorty. Finally, Lionsgate plunders Black Sails: The Complete Series and slithers into the hood with Snake Outta Compton.

Keep checking back each day for our "31 Nights of Terror" and enter to win a free prize in our many contests. Also, if you’re shopping for anything on Amazon and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!

It seems there isn’t an action film Bruce Willis can say no to.  It feels as though every couple of months there is an action film that has an appearance from Willis, and frankly it’s a little disappointing.  He’s a guy who can bring in the major box office dollars, but it seems more and more of the action stars are settling for the direct-to-video route for the simple paycheck and moving on to the next.  With the number of films being churned out for the cinemas, DVD and Blu-ray, and the streaming services, it seems the film industry is simply becoming a business of quantity rather than quality due to the amount of demand needed.  Reprisal is the latest example of this demand for quantity rather than quality as we get a pedestrian action film that plays by the numbers and will be forgotten by the year’s end, and that’s a shame considering its two leads.

Frank Grillo takes the lead as Jacob, a bank manager who is living the ideal life with a wife and daughter, until his bank falls victim to a calculating bank robber.  Jacob is traumatized by the event that left a security guard dead and no suspects to be held responsible for the crime. This is where his neighbor, James (Bruce Willis) steps in to lend some comforting support and eventually is a sounding board for Jacob to work out how the robber pulled off this violent heist. It works out that James used to be an ex-cop, but for some of the logic this film uses, it wouldn’t have mattered if James was a celebrity chef; these guys play by their own set of rules.

This will be our last giveaway for 31 Nights Of Terror.  We’re giving away Abbott & Costello Meet Frankenstein on Blu-ray. Bela Lugosi returned to the role of Dracula for the 2nd and last time for this farce. It was also the final appearance of Lon Chaney, Jr. as The Wolf Man. It marked the end of an era and it’s going out to one lucky winner.

To win a copy of this prize, follow these instructions.

When Robert Redford first announced that The Old Man and the Gun was going to be the last film he was going to be acting in, it became a film that shot to the top of my must-see list.  Since that announcement he’s backed off on his comment, but if this were his last film, this would be one heck of a way to close out an amazing career. What writer and director David Lowery has delivered here is sort of a love letter to all of Redford’s greatest hits, and by the time the credits end, well, you simply know you’ve watched something special.  It’s a film from another era, when special FX didn’t come out of a camera, and cinema just was different.  Most of all this film reminded me why Redford will always remain a cinematic icon, but what was missing here is the void Paul Newman left behind.  This would have been a perfect film for them to both be in and ride off into the sunset together, and it’s a reminder of how many greats we have lost and those other greats who may not have passed, but it seems Hollywood just doesn’t seem to have a place for anymore.

The film is mostly a true story based on the criminal Forrest Tucker (Redford), who has spent his life in and out of prison. He’s been incarcerated 18 times, and each of those times he’s managed to find a way to escape.  The film isn’t about his entire life, but instead about when his criminal life may be coming to an end.  When he meets Jewel (Sissy Spacek), he’s actually on the run after a bank heist, and he pulls over on the highway to help her when he sees her car is broken down.  Of course, it seems this is just a tactic to throw the cops off his tail, but the more he talks with Jewel, you can’t be sure if that twinkle in his eye is part of the con, or if he is sweet on the woman.

“You came out here city slickers, you’re gonna go home cowboys.”

I still remember pretty clearly my dad suggesting we go check out a matinee of City Slickers. I was visiting him in New York City during the summer of 1991, and my 8-year-old self had no idea what a “city slicker” (or even what a Billy Crystal) was. That being said, I was completely delighted by the movie and have re-watched it many times throughout the years. (The calf birthing scene, in particular, stuck to my innocent, 8-year-old brain.) I recently got a chance to revisit the crowd-pleasing, cowboys-and-yuppies comedy once again thanks to this new Collector’s Edition Blu-ray courtesy of Shout! Factory.

From the moment that STARZ announced that they were pulling the plug on Ash vs Evil Dead after its third season, my heart has been a bit crushed.  The Evil Dead franchise has always been special to me. Growing up I watched the trilogy of films to the point one may consider I had an unhealthy obsession with these films, and to be fair, they may have had a point, but these movies were a blast.  These were the films where writer and director Sam Raimi made a name for himself in the horror genre with his cinematic style, over the top gore, and injecting his love of The Three Stooges.  For decades fans had waited patiently for a fourth installment in the franchise, with teases of there even being an Ash vs Freddy vs Jason, but alas that concept fizzled as a film.  So when the news came along that STARZ would be bringing Ash (Bruce Campbell) to the small screen for a 10-episode series, well, it was something horror fans could get excited about.

Season One

"I always knew he'd come back. In this town, Michael Myers is a myth. He's the Boogeyman. A ghost story to scare kids. But this Boogeyman is real. An evil like his never stops, it just grows older. Darker. More determined. Forty years ago, he came to my home to kill. He killed my friends, and now he's back to finish what he started, with me. The one person who's ready to stop him."

I was 17 years old when John Carpenter released The Shape, aka Michael Myers, on the world in 1978. It was a milestone film. Of course we didn't know we were watching something that would become so culturally huge. We were the target audience. Teens who were looking for some extra thrill in our films. These so-called slasher films became great escapes of fantasy to bring a date along. For a late-teen, there's no better way to spend an evening with a date than a film that might have her jump right into your lap. Great times. But the reason Halloween stands out from the crowded genre is because John Carpenter knew something about anticipation. He knew how to build towards a scare. And he understood how to use music, shadow, and pacing to truly immerse his audience into a film. I didn't watch Halloween in 1978. I experienced Halloween in 1978.