Few television shows have had as much influence on the pop culture as did Rowan & Martin’s Laugh-In. The brainchild of George Schlatter the series has left behind a rich legacy. Even if you’ve never seen an episode of Laugh-In, you’ve heard the catch-phrases, or you’ve watched another show that was directly influenced by it. Now you don't have to live the show through memories. Our great pals over at Time-Life have given us a copy of Laugh-In The Complete fourth Season on DVD to giveaway. This is your chance to own some classic moments in television history.

To win a copy of this prize, follow these instructions.

It’s an actioner with good special effects, and the setting for the flick is outstanding, but Breaking In is just another robbery-gone-bad film at the hands of a very upset mother.  Much like Kidnap where Halle Berry goes berserk because her son gets taken when her car is stolen, here Gabrielle Union turns into a determined killer mom to get her children free from robbers. Unfortunately there’ve been several movies with a similar plot, but in case you haven’t seen one, this movie should keep you on your toes.

Due to the recent death of her estranged father, Shaun Russell (Gabrielle Union) gathers up her children Jasmine (Ajiona Alexus), a teen, and Glover (Seth Carr), a pre-teen, and heads for his plush estate in the mountains. They are given the task of clearing the estate of any important objects and papers before the real estate company takes over the sale of the property. When they arrive, Shaun finds the sophisticated security system has been tampered with, but since the house is on the market, she passes it off as a real estate thing.

"Tell me a story."

Stan Lee and Jack Kirby created the comic book character of Black Panther in 1966 for an issue of The Fantastic Four. He became the first black superhero in the comic world. He starred in Marvel's Jungle Action title before getting his own comic. The character was popular, but through an unfortunate set of circumstances he was at times thought to be related to the militant group of the same name that popped up that same year. For a short time he went by the name Black Leopard, but the original name rose above the unintended connection and continued to enjoy on and off success over the decades. Black Panther was introduced to the MCU (Marvel Cinematic Universe) with Captain America: Civil War. He's finally getting his own film, and with the release of Black Panther, the MCU is developing and evolving in new and interesting ways. It's all leading to the May release of the third Avengers film and eventually into an entirely new MCU. That's a lot to ask of a single film. Is Black Panther up to the task?

As a general practice, I usually try to avoid watching a sequel without first having seen the first film. However, with Maya the Bee 2: The Honey Games, that was hardly necessary, as it functioned as more of a standalone than a continuation. The story continues to follow the titular character, Maya, as she continues to try to aid her hive in any way she can, this time, participating in the Honey Games in order to prevent her hive from losing half of their honey. Sadly, this movie did not get Nalyce’s stamp of approval, as her attention started to wain pretty much as soon as we started watching it. That said, we soldiered on, and eventually she did manage to find a couple things that she did like about it. Despite this, Maya the Bee 2 won’t be becoming a permanent fixture in her entertainment rolodex.

In this sequel, the survival of the hive is threatened following a slow harvest season, when an emissary of the Empress Bee decrees that the hive is to donate half of their honey supply for the upcoming Honey Games. Realizing that such a donation will leave a lot of hungry mouths, Maya and her sidekick Willy, go to Buzztropolis to try to convince the Empress to let them keep their honey. Their plan goes sideways when the Empress decrees that they can keep their honey if they win the Honey Games. However, if they lose, the hive must give up their entire honey supply.

This Melissa McCarthy film flew completely under the radar for me, with me only hearing a few whispers about it. Ironically, I expected to see her in more films following the conclusion of Mike and Molly. Oh well, Life of the Party will have to suffice. Though it was not as entertaining as The Heat or Spy, it had its moments and exudes the charm that McCarthy has become famous for. I’m sure many of you are like: a movie about going back to college? it’s been done. Not by Melissa McCarthy.

Deanna Miles is a woman who has her world rock as her husband tells her he wants a divorce right after they drop their daughter off for her final year of college. Having dropped out of college in her last year due to becoming pregnant, Deanna is not left with any prospects for how she will support herself. Upon self-reflection about her regret of never finishing college, she decides to enroll at her daughter’s college, to her child’s chagrin.

Volume four of Film Movement’s Festival Favorites series features three films with female leads. While these certainly aren’t the worst films I have seen, the pacing of each of these films make them hard to watch; So Bright is the View especially. Each film has a significant social critique that might be worth the watch if you have the patience to find it, but it definitely takes a special kind of filmgoer to really appreciate these types of films. In addition to each film featuring a female lead, they each hail from a different country, which seems to be important for each film’s message. A Blast from Greece, Soldate Jeanette from France, and So Bright is the View from Romania.

A Blast delivers a very foregrounded message about the most recent financial crisis in Greece. However, if you don’t really know too much about it, the film gets very confusing very quickly. The timelines in the narrative jump around without warning, from present to past, but there are so many different “pasts” that it is hard to pinpoint exactly where in the main character’s life we are. My assumption would be that these separate “pasts” are like memories in chronological order, but they are each introduced (or concluded? never quite clear) with a steamy, borderline pornographic sex scene between her and her husband. So if you are not ready to see two young lovers copulate as a sort of transitional piece, you are already going to feel uncomfortable. However, even if you are able to sit through the intense sexual endeavors, they distract you from their very purpose: an insight to Maria’s dreams for her and her husband. So while I can obviously tell that there are a lot of great allegories to be read about the financial crisis, it is very hard to keep up with the timelines through all of the sex.

"Someday we might look back on this and decide that saving Private Ryan was the one decent thing we were able to pull out of this whole godawful, shitty mess."

There are movies that only come along once a decade, sometimes only once a generation. There have certainly been tons of films made about World War II, and some of them have been among those special kinds of films. But there's something different about Saving Private Ryan, and I've yet to encounter someone who hasn't been touched in some way by viewing the movie. I have been fortunate enough in my life to have lived without experiencing the horrors of war firsthand. For my generation, the idea of war has a certain meaning that has been colored perhaps too much by movies and television. But when you watch Saving Private Ryan, you will experience the closest most of us will ever experience to what it's like to be at war. There's a reason these World War II soldiers have been called The Greatest Generation. No where is that more clear than it is here. Now Paramount has made that experience even more visceral, if that was ever really possible. In 4K, Saving Private Ryan comes full circle in its 20 years and immerses us even more into the sights and sounds of the last world war. If you have the DVD or the Blu-ray, you don't have any idea what I'm talking about. Pick up the UHD Blu-ray, and you will understand.

This has got to be the largest AA meeting in the Western Hemisphere.”

That one-liner from 2015 Rock & Roll Hall of Fame inductee Bill Withers is one of the funnier nods to the, ahem, well-traveled club he just joined. It's also featured in Rock & Roll Hall of Fame: In Concert, a wonderfully comprehensive collection of the four induction ceremonies between 2014 and 2017. This 2-disc Blu-ray set features over 10 hours of content, including full induction speeches, 53 musical performances, and reunions that will have classic rock fans drooling. (Not to mention some notable snubs.)

The world’s most erotic novel series is coming to an end with the release of the final chapter, 50 Shades Freed. Dakota Johnson and Jamie Dornan reprise their roles as Anastasia Steele and Christian Grey, as the pair enters wedded bliss. Their romance has been a whirlwind, going from meeting to marriage in what seems to be less than six months. However, when it’s right, it’s right; besides, it’s rare that you find someone with the same taste, if you know what I mean. Naturally, happily ever after won’t come as easily, as our couple will have to face an old enemy and a new challenge that could threaten to tear the two of them apart.

The story wastes no time getting to the moment that the audience was waiting for, as we encounter the pair on their wedding day, exchanging their vows. From there, it is jet-setting across the world in what has to be the world’s most expensive honeymoon. However, their fairy-tale ending is still a long way off as Ana and Christian receive news that her former boss and predator, Jack Hyde (Eric Johnson), has broken into Grey Enterprises and set off an explosive. Christian is forced to reveal to Ana that Hyde appears to be obsessed with the Grey family and has been targeting them.

I can’t be the only one who is a little relieved that Hollywood has finally decided to stop churning out found-footage films.  This is not me saying I have anything against the genre; when it is well done, the end result is something I will happily consume and enjoy re-watching.  The first Paranormal Activity and The Blair Witch Project are the films that shine, because they gave us a familiar story but presented it to the audience in a way we haven’t seen before.  There have been several successful found-footage films, but only a few that I feel will stand the test of time (at least in film history amongst geeks), and Followers is surprisingly a film I’d rank high on that list.  This isn’t some endorsement because it was made basically in our hometown, but the film manages to utilize the familiar concept and flip it in a way that is not only unique but is relevant to today’s culture that is obsessed with social media.

The film’s opening scene is one of my only major complaints, where it gives too much away as we see a jogger Facetiming her friend and suddenly attacked.  In most horror films, getting that opening stinger to get the audience’s heart pumping is usually a good thing, but here I feel it takes away from the slow-burn effect the film has on the audience.  We now know to anticipate someone being in the woods, which I understand could be their intention to help create a sense of dread … but we are going into this knowing it’s a horror film; the dread is already in place.