Posted in: The Reel World by Gino Sassani on June 10th, 2018
"It's not just for profit. It's for revenge. It's a twofer."
Hollywood has been making a greater effort these days to add some diversity to their film casts. From minorities to women, this has been a year of unprecedented changes in the makeup of so many films. One of the new trends in this effort is to remake/re-imagine/reboot an already established franchise with a gender-switched cast. The results have been somewhat mixed. The female Ghostbusters film was a complete disappointment. And while it might be easy to blame the female cast, the issues go much deeper than that.
Posted in: The Reel World by Brent Lorentson on June 9th, 2018
There has been so much hype around Hereditary since its debut at Sundance that by the time I got to watch it, I didn’t believe it was possible to live up to this hype. For months I’ve followed this film, hearing it being compared to The Exorcist and being proclaimed the scariest film of all time. I read these things and all I can think is they are simply setting this film up for disaster at the box office, because it’s hard to believe a film could ever be this good. Personally, The Exorcist is my favorite horror film. It’s stood the test of time, and while for audiences of today the film may not seem so scary, for me it was the notion of how it could all really happen that got under my skin.
Posted in: The Reel World by J C on June 9th, 2018
“Plenty of people out there to patch up the good guys…”
We’ve definitely gotten more than our fair share of movies and TV shows focusing on the lives of heroic doctors who heal common folk. Heck, even superheroes have someone like Night Nurse to tend to their more serious nicks and bruises. But what about less savory fictional characters…aren’t big screen bad guys entitled to quality health care too?! Hotel Artemis, the star-studded directorial debut of screenwriter Drew Pearce, answers that question with flair and the appropriate playfulness.
Posted in: The Reel World by Brent Lorentson on June 7th, 2018
When it comes to Paul Schrader, I feel the argument can be made that he is the greatest American screenwriter. I know it’s a bold statement, but when you look over his credits that include Taxi Driver, Rolling Thunder, Hardcore, Raging Bull, The Last Temptation of Christ and so many others, I feel there just isn’t anyone out there who can compete. Lately, though, he’s seemed to have had a difficult time recapturing that greatness. There has even been a part of me that has felt that perhaps I should give up on hoping he’ll crank out one more great film and simply appreciate the filmography he’s delivered us cinema fans over the years.
Posted in: Disc Reviews by Brent Lorentson on June 7th, 2018
“I have a feeling we’re not in Kansas anymore.”
The infamous line from the classic The Wizard of Oz is what kicks off this film, and this is simply as close as it gets to ever achieving the greatness of the original film. Over the years we have had several remakes and sequels to the story we love that takes us on a journey through the magical world of Oz, so when a steam-punk version of the material came along, it was something I got a little excited for. Unfortunately the version of the film we get this time around seems to be full of fun ideas but nothing that actually delivers to the screen.
Posted in: Disc Reviews by Michael Durr on June 7th, 2018
Up until roughly 3 to 4 weeks ago, I had only heard of RWBY. I watched a lot of Red vs Blue, even owned their ten year blu-ray box set and their season 11-13 steelbook. I was fully aware that RWBY was a product of Rooster Teeth, I just had largely ignored it because what 42 year old guy watches an anime show with four teenage girls as the leads? Then the head honcho of this site told me we had this blu-ray set available for review. I thought about it a couple of minutes, and went for it. Then in the next 2-3 weeks leading up to the review, I proceeded to binge watch the entire run of RWBY from Amazon Prime, VUDU (Free Movies on Us) and even YouTube, the primary vehicle to watch the show on. In a word, I was hooked.
Posted in: Disc Reviews by Gino Sassani on June 6th, 2018
"Look at 'em. Every day people are buying more and more of them Amazon and Google thingies while we just sit here and lose our jobs. It ain't right. Automated personal assistants and self-driving trucks. Whatever happened to people jobs?"
Not sure machines will ever take over writing good television. With the release of season 21, the one-year experiment South Park had with the year-long story arc has come to an end. I think it's more than fair to say that the vehicle just doesn't work on a show that has always flipped off the idea of continuity.
Posted in: Disc Reviews by J C on June 6th, 2018
“We can’t take any credit for our talents. It’s how we use them that counts.”
Much has been made about the fact that Ava DuVernay’s A Wrinkle in Time is the most expensive movie ever directed by a woman of color, carrying a reported $103-million price tag. The good news is the filmmaker has absolutely infused her own personality and perspective into this live-action Disney spectacle (no small feat, by the way). The bad news is that DuVernay has taken those considerable resources and made a wildly uneven movie that, at various points, somehow manages to look both way more expensive and way cheaper than its budget would suggest.
Posted in: Disc Reviews by J C on June 6th, 2018
“The nail that sticks out gets hammered down.”
Freak Show centers on a flamboyant, fish-out-of-water teen who doesn’t fit in among his fellow high schoolers. The movie — a promising directorial debut from Trudie Styler, aka the wife of legendary musician Sting — works best when it finally lands on the notion that practically every teenager feels like a “freak” at one point or another. It’s a good, worthwhile message; the problem is other aspects of this film are about as subtle as Billy’s wardrobe and makeup choices.
Posted in: Tuesday Round Up by J C on June 5th, 2018
For this week's busy Round Up, we're going down to a certain fictional Colorado town and having ourselves a time. Paramount/Comedy Central releases South Park: Season 21 this week, and it's sure to both offend and crack you up. Elsewhere, Warner Bros. finds romance each and Every Day, while Cult Epics becomes acquainted with Frank & Lola. Cinedigm follows the yellow brick road with Steam Engines of Oz, while SKO looks at things from a new angle with Altered Perception. Meanwhile, Film Movement travels to Japan for unconventional romance Oh Lucy! and quiets down with The Great Silence. Rooster Teeth gets animated with RWBY: Volume 5, while Shout! Factory stands out in a fabulous way with Freak Show. Finally, Disney goes on an interdimensional adventure with A Wrinkle in Time and learns how to fly with Peter Pan: Multi-Screen Edition. (Read our review of the latter now.) You can also currently check out our reviews of Shout! Factory's Satellite Girl & Milk Cow, CBS' Jericho: The Complete Series and The Invaders: The Complete Series.
But wait...there's more! In addition to the home video titles we just mentioned, UpcomingDiscs is going to the movies a lot this week: we'll be checking into Hotel Artemis, dealing with family demons in Hereditary, getting in touch with our spiritual side with First Reformed, and pulling off the heist of a lifetime with Ocean's 8. One last reminder before signing off for the week: if you’re shopping for anything on Amazon and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!
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