Posted in: No Huddle Reviews by Jeremy Butler on April 19th, 2018
You know what the greatest thing about kids is? Their imaginations. That is something that tends to diminish as we get older. If you are lucky, some vestiges remain as an adult, but nothing in comparison to when you were a kid, right? I mean, when you are a kid, your imagination allows to be believe that anything is possible. For example, the idea that two puppies can not only fly to Hawaii in back in the span of time that it takes their owner to make it home from work, but they can do it without being in a doggie carrier. That was my struggle while watching Puppy Dog Pals; I kept bring reality into it. However, my daughter Nalyce does not have that problem. So no matter how crazy these two puppies’ antics got, she loved every minute of it. And you know what? The sound of her laughter and seeing her so engaged with something positive made me love it too.
Puppy Dog Pals follows two dogs, pugs if I had to guess, as they engage in adventures that take them all over the world. I feel obligated to mention again that these two managed to travel to and from areas such as Hawaii, France, and China in the span of time it takes their owner, Bob, to make it home from work. Once you get the impossibility of those actions, everything else become feasible, and you can enjoy the show. This is obviously a kids’ show, and I am far from the target audience, but even still I was able to enjoy myself. In my opinion, Bingo tends to be the more levelheaded of the two, thus making him my favorite character. My daughter is of a differing opinion, as Rollie tends to take things more literally, such as when Bingo attempts to explain what a floral lei is, and Rollie proceeds to “lay”down. Rounding out the cast are the puppies’ big sister cat, Hissy, and A.R.F, an artificial intelligence dog created by Bob to clean up after and entertain the puppies. (Remember that part I mentioned about overcoming the impossibilities? I bet you thought it was going to be easier.)
Posted in: No Huddle Reviews by Jeremy Butler on April 16th, 2018
So, when it comes to animated kids’ movies, I defer to the expertise of my six-year-old daughter, Nalyce. I’ve been reviewing for several years now and I like to think that I am capable of being firm and fair, but my daughter is a harder judge of the quality kids content. She actually walked out on Finding Dory. Yeah, she is that tough. Fortunately for Tad Stone the Lost Explorer and the Secret of King Midas, it received her golden seal of approval, pun intended. A continuation of the franchise, the story functions well enough as a standalone that you don’t have to be concerned that you won’t be about to keep up with the premise.
A sequel to the previous film (Tad Stone the Lost Explorer), the story picks up with Tad about to reunite with renowned archeologist, Sara, at the unveiling of her most recent discovery. Tad is gathering his courage in hopes of rekindling the spark between the two during the first film. He never gets the chance to express his feelings, as armed men storm the exhibit and take Sara hostage. The group lead by Jack Rankin, plans to use Sara to lead them to the legendary collar of King Midas, which bestows the wearer with the power to change anything into gold with a single touch.
Posted in: The Reel World by John Delia on April 16th, 2018
Captivating, creepy, and chilling, the supernatural thriller Truth or Dare takes you on a never-ending journey of death. Much like other horror films that have perfected the formula for surprise and contagious emotional terror, this film has it all bundled tightly and calculating to transfix the audience into believing. If you saw the films It Follows, The Ring, and the Final Destination series, you’ll relive the sensations those films made way beyond leaving the theater.
California college pals and best friends Olivia (Lucy Hale), Markie (Violett Beane), Lucas (Tyler Posey), Tyson (Nolan Gerard Funk), Penelope (Sophia Ali) and Brad (Hayden Szeto) head for Mexico on spring break. There they party down and are having a good time for two weeks.
Posted in: Disc Reviews by John Delia on April 16th, 2018
Offbeat, heavy-handed characters, bleak outcast situations, and moody, it’s a marvelous adventure for those who like Wes Anderson movies. This one, however, shows his range with an animated film that’s worthy of most Japanese greats. From the opening drum introduction of Isle of Dogs to the heartfelt finale, Anderson captures a cold, disturbing environment from which his characters can rise up. If you like offbeat stories produced in stop-motion animation in the vein of Tim Burton’s Corpse Bride and Frankenweenie, then this film should not be missed.
It’s 20 years in the future, and the Japanese are trying to deal with the overpopulation of dogs. To make matters worse, there’s an outbreak of Dog Flu in the city of Magazaki. Mayor Kobayashi calls for a quarantine and has all dogs sent to Trash Island, a waste dump far from the mainland that serves the big city. There the canines set up residence on what is now called the Isle of Dogs.
Posted in: The Reel World by Gino Sassani on April 13th, 2018
Brad Anderson is a television actor who has puttered around that industry going back to David Simon's Homicide: Life On The Streets and The Wire. This is pretty much his first feature film opportunity in the director's chair, and Beirut certainly shows that he has a lot of talent... as a television director. No question the chops are there, but the framing and pacing of Beirut suffers from a kind of small thinking that fails to keep one's attention for very long. He hasn't learned how to take advantage of large set pieces and exotic locations to expand the experience for his audience. Some will believe I'm talking about action or the kind of cheap thrills that sell tickets, but that's not exactly my point. There's enough action here, and the thoughtful script by writer Tony Gilroy is actually clever and engaging. It's even a little old-school, and I like that kind of thing. But Brad Anderson just doesn't know exactly what to do with it, and it suffers at his inexperienced hands.
It's 1972 Mason Skiles (Hamm) is a skilled diplomat stationed in Beirut where he must juggle the concerns of the warring PLO and Israel along with his obligations to America and the restless population. It's a job he does well, and he's managed to balance the necessary agendas with some success. He's celebrating with a party at his home when gunmen crash the party and kill his wife. They also kidnap a local boy whom he was trying to help, who ends up being the sibling to the terrorist who orchestrated the attack. The loss sends Skiles into a downward spiral of alcohol and depression.
Posted in: The Reel World by John Delia on April 13th, 2018
Bold and incredibly compelling, the movie Chappaquiddick is a “tell all” with a lot of authority. Much like last year’s The Post, it tells its story pulling no punches, playing out the characters and holding nothing back. Although I’m familiar with the incident, many of the facts were clouded, squashed, or lost due to current events at the time. If you liked The Post, then here’s a film that will enlighten you and make you cringe. In 1969 about one year after the assassination of Robert F. Kennedy while he was touring for votes to be nominated for President, his brother Ted Kennedy (Jason Clarke) was already thinking about his chance at the highest position in America. On the fateful night of July 18, however, things ran amok, taking him out of any chance for the Presidency.
It was late in the evening on Martha’s Vineyard, Chappaquiddick Island, Massachusetts, and a party was going strong in a cottage following the yearly sailing regatta. At the cottage were Senator Ted Kennedy, attorney Paul Markham (Jim Gaffigan), Ted’s cousin Joe Gargan (Ed Helms), Ray Larosa (Damien Di Paola) and six ladies in their late 20’s who served as the “boiler room” campaigners for Robert F. Kennedy. They included Susan Tannenbaum (Katie Henoch), Esther Newberg, Rosemary Keough (Gillian Mariner Gordon), Mary Jo Kopechne (Kate Mara), sisters Maryellen (Angela Hope Smith) and Nance Lyons (Lexie Roth).
Posted in: Disc Reviews by Gino Sassani on April 13th, 2018
When David Ayer's Suicide Squad film was released a couple of years ago, the reviews were certainly mixed. One of the biggest complaints from the diehard fans was that Warner opted for a PG-13 version of the film, which took away much of the edge of the material. One only need look at the success of Deadpool to understand that there is a place for a comic film that pushes envelopes and doesn't shy away from an R rating. It almost appears that the new Warner/DC animated feature film Suicide Squad: Hell To Pay would attempt to make up for that decision. This may very well be an animated "cartoon" film, but it's a hard-edged R-rated experience that doesn't shy away from brutality, blood, and violence. But if you're thinking that maybe this is the film the live-action movie should have been, you are in for a disappointment of the epic kind.
The film begins with a bloodbath before the title credits even roll. A squad of Tobias Whale (Fennoy), Count Vertigo (Pirri), Punch (Devall) and Quinn lookalike Jewlee (Nathanson) are betrayed on a mission and graphically slaughtered. What was their mission, and what were they after? Amanda Waller (Williams) quickly puts together an A-team of criminals to follow up. In this film the team is made up of Deadshot, voiced by a badly-cast Christian Slater, Harley Quinn, voiced by Tara Strong, who has the unenviable job of following Margot Robbie's performance, Flash rouge Captain Boomerang, voiced by Spartacus himself, Liam McIntyre, Killer Frost, voiced by Kristin Bauer van Straten, Copperhead, mostly slithered by Gideon Emery, and Bronze Tiger, voiced by Billy Brown. They are sent after an object sought by a few bad guys, most notably the not-so-immortal Vandal Savage, voiced by Jim Pirri. The object is where the film wastes its violent mayhem. The object of such desire is literally a "Get Out Of Hell Free" Card. Yeah, that's what I said. It's a card that says "Get Out Of Hell Free" on its surface. The idea is that anyone who dies in possession of said card gets to bypass the eternal flames and head directly to the Pearly Gates. It can only be used once, and in the film's final crimson massacre, a few characters attempt to meet their end with the card.
Posted in: No Huddle Reviews by J C on April 13th, 2018
- “We’ll get another chance…to go home. It wasn’t the right time.”
- “What’s the right time?”
Posted in: Disc Reviews by Brent Lorentson on April 13th, 2018
Lin Oeding has been involved with stunt work in film and TV for nearly two decades; it should come as no surprise that his first feature film would showcase some excellent stunt work throughout. Before Braven, I knew Jason Momoa had done work on Game of Thrones and had his bit as Aquaman in Justice League, but I had never gotten the chance to see him genuinely flex those acting muscles of his till now. I’m not about to say Momoa delivers a tour-de-force performance here, but it’s nice to see that he’s attempting to show a little range while beating up on the bad guys in the process. One would think the pairing of Oeding and Momoa would equal a surefire action hit, but instead we get an action film that unfortunately lacks any substance beyond some of its unique kills.
Joe Braven (Momoa) is a logger but is also a family man who seems to go days at a time without seeing his wife or daughter, so their time together you’d think would be more precious. Momoa does a good job at playing the loyal husband and loving dad, but the relationship that the film focuses on most is between Joe and his father, Linden (Stephen Lang) whose mental health is deteriorating. After Linden gets into a bar fight that has him leaving the hospital in stitches and a warning from the police that next time Linden will be serving some jail time, Joe decides it’s time to have some one-on-one time to decide what he needs to do about his father. The problem is, rather than use this as a springboard to move the plot along and give us a chance to see this father-and-son relationship play out, it’s clear the film only used this as a device to get the characters from point A to point B.
Posted in: Disc Reviews by John Delia on April 11th, 2018
by John Delia, Jr.
"Everyone has an act."









