Posted in: Disc Reviews by Brent Lorentson on February 2nd, 2018
Bad Robot, in my eyes, is simply the best at keeping things a secret. In this day and age, to be able to surprise audiences is just about an impossible task. When the first Cloverfield trailer was released in 2007 in front of Transformers, it was a trailer that had us all guessing up until its release. In my opinion Cloverfield was one of the best found-footage films to come out and was a grand achievement, considering it was a monster film that had been pretty much been kept under wraps until its actual release. Bad Robot managed to surprise us again, releasing a trailer for 10 Cloverfield Lane that set the internet on fire with theories and hopes for this to be a long-awaited sequel. But is that what this really is?
What I want to go ahead and get out of the way is, if you’re hoping for spoilers, there will be none, other than to say if you are expecting a big-budget extravaganza filled with monsters destroying cities, this is not that film. You will feel cheated. Instead, what 10 Cloverfield Lane delivers is something more intimate than I would have expected, and it takes the thriller genre back to its basics.
Posted in: No Huddle Reviews by Gino Sassani on February 2nd, 2018
Ray Donovan (Schreiber) is a Boston native who moved his entire family including his two brothers out to L.A. There he built an empire by being very good at what he does. What he does is fix problems, particularly for big-name celebrities and the lawyers who coddle represent them. His father has spent 20 years in jail for a crime he might not have actually committed. But Ray hates his father enough to have set him up and sent him to jail. A pattern Ray has continued over four years of the show. Ray has a wife, Abby (Malcomson), whom he keeps at arm’s length of his dubious business dealings. He also has a son and daughter who are somewhat conflicted in their feelings for their father. You don't want to start here if you are just experiencing Ray Donovan for the first time. In fact, this year is one of the best in the show's 5-year run to date. You really want to get caught up so you can appreciate some emotional drama as Ray Donovan The Complete Fifth Season comes to DVD. You get all 12 episodes on four discs.
The entire style of storytelling has changed for this season. It's not a spoiler to reveal here that Abby dies of the cancer she discovers in the previous season. Not only isn't it a spoiler, but it becomes the very event that changes how the show is presented. Ray is living two lives now. In one life he is haunted by the memories and ghost of Abby. That story shows us crucial moments in those final months of Abby's life and allows her character to continue through the entire season even though she begins it already dead. Many of these moments are repeated, revealing slightly more of their meaning over the season. They are usually tied to events in the current time and most often associated with Ray's guilt and loneliness.
Posted in: Disc Reviews by Gino Sassani on January 29th, 2018
It might be hard for me to admit, but there are certain instances where having an ultra-high-definition transfer of even a modern film is not necessarily a better thing. The UHD 4K release of Cloverfield is one such instance. There is no question that the transfer is about as sharp and clean as anything I’ve seen on Blu to date. The problem is that it only helps to accent the stylistic flaws inherent in this kind of film. The most noticeable improvement is in the first third of the film. Of course, that part of Cloverfield is about as entertaining as watching paint dry. I still don’t care about these characters and their party ramblings any more now than I did before. The fleeting shots of the creature do look better, but you still better hit the pause button if you want a good look.
The entire film takes place inside the camcorder of a character named Hud (Miller). Hud was given the recorder to document the goings on at a farewell party for Rob (Stahl-David). Rob is about to leave New York for an executive position at a company in, of all places, Japan. I suspect the destination to be one of many Godzilla nods Abrams offers in the film. Hud is doing his duty diligently when the building shakes and half of New York loses power. A television report informs the partiers that an oil tanker has overturned in the harbor near Ellis Island. The people take to the streets, and from here on all of the events are seen only through the lens of Hud’s camcorder. We’re treated to rather fast-paced and too often jarring images of New York crumbling around these people. Buildings collapse in images eerily reminiscent of 9/11. There are explosive fireballs and screaming jets overhead. We hear someone cry that “It’s alive,” and from that moment we get very fleeting glimpses of the large creature causing all of this devastation. It is also shedding smaller parasite creatures that find tasty humans throughout the city. We never really know what this creature is or where it came from. We honestly never get very many good looks at it. Rob wants to go across town and check up on his girl, Beth (Yustman). Wherever our small troop goes, it seems the creature is never far behind.
Posted in: Disc Reviews by Gino Sassani on January 29th, 2018
"Once upon a time there was a great war that brought so much sadness to so many people. Hardly anyone could remember what happiness was like. But something happened that changed all that..."
“Winnie the Pooh doesn't know what to do …” begins a popular song written by Kenny Loggins, recorded first in 1970 by the Nitty Gritty Dirt Band with a more popular and enduring version by Loggins and Messina a year later. Hundreds of millions of children since the 1920's know who Winnie the Pooh is. He's the happy-go-lucky bear who lives in the 100 Acre Wood with Piglet, Tigger, Owl, Rabbit, Eeyore, Kanga, and Roo. But Pooh's best friend of all was a young boy named Christopher Robin. The books have entertained children for nearly 100 years. Walt Disney introduced us to very different but equally as endearing animated versions in the 1960's. The stories have continued with Saturday morning cartoons, feature films, and an upcoming live action Disney production. Pooh and his friends remain a fond memory for most of us. But most of us don't know the story behind the iconic characters. Goodbye Christopher Robin does an admirable job of bringing that story to life as vividly as the stories have brought Pooh to life over the years. But this is not really a happy story at all. Real life seldom is, and I credit director Simon Curtis for being brave enough to tell the unhappy story without so many of the trappings of Hollywood and the need to have our stories end in happily ever after.
Posted in: No Huddle Reviews by Dan Holland on January 29th, 2018
Low-budget films are typically very hit-or-miss for me. Sometimes the story is engaging from the beginning; other times the cinematography is so creative that I just can’t stop watching the movement of the camera. However, sometimes the film is extremely slow-paced and uninteresting. When it comes to Candy Apple, it is very difficult to place it on either of those two ends of the spectrum. From the outset, you can tell this film is extremely personal to the filmmaker, and while that might not draw in crowds, it opened up an infinite number of doors leading to creative freedom. That being said, I can’t say that I liked this film, but I can say that I couldn’t stop watching it.
Candy Apple follows a washed-up, amputee singer-songwriter, Texas Trash, as he makes his way around his new home: New York City. However, being a strange musician means that we are largely exposed to New York City’s underbelly. Throughout the film we learn that he has moved in with his son Bobby (played by director Dean Dempsey), and they both find unsavory ways of making ends meet. The “personal” aspect I mentioned earlier involves the fact that Texas Trash is Dempsey’s biological father, and many of the events that unfold on screen are inspired by true stories.
Posted in: Disc Reviews by J C on January 29th, 2018
“Everyone was warned, but no one listened.”
These words — which are about as subtle as a tsunami — are heard in voiceover at the start of Geostorm, the latest effort from master of disaster (films) Dean Devlin. Yes, I realize no one should venture into a big budget flick produced by Dean Devlin (Independence Day, 1998's Godzilla) looking for subtlety. But no matter what side of the climate change issue you fall on, Geostorm is equally offensive to all parties. And it's not because of its politics or its shoddy writing, which gives that opening monologue to a character who ends up being completely inconsequential. It's because this would-be blockbuster is shockingly short on both fun and spectacle.
Posted in: The Reel World by Jeremy Butler on January 25th, 2018
For Dylan O’Brien, it just seems like his start just keeps getting bigger and bigger. Going from the awkward best friend on MTV’s Teen Wolf to becoming a leading man on the silver screen, he has shown charm and charisma normally only seen in veterans. Another great way a star distinguishes himself is to get attached to a franchise, something he has done with the Maze Runner trilogy. Of course, Maze Runner: The Death Cure spells the end of that run; given his performance in the film; it does not spell the end to his rise. An entertaining and engaging conclusion to the franchise, Maze Runner: The Death Cure follows former glader turned revolutionary Thomas as he continues his battle against his former employers WCKD, the corporation that is exploiting children in order to utilize their immunity to the Flare, a virus that has caused dystopian society. Filled with action and infused with heart, the film is possibly the first book adaptation that guys will be able to get behind.
Following the events of Maze Runner: The Scorch Trials, Thomas is betrayed by Teresa (Kaya Scodelario), the person he trusted most in the world, and begins working with revolutionary group, the Right Arm. Teresa’s betrayal also resulted in the captured of Thomas’ friend Minho (Ki Hong Lee). Partnering with fellow Maze survivors, Newt (Thomas Brodie-Sangster) and Frypan (Dexter Darden), Thomas sets out to recovered Minho from WCKD’s stronghold, the last known city in existence. Gaining entry to the city’s fortified walls will be a challenge in itself, and the group will be forced to rely on a familiar face that they don’t completely trust. Time is of the essence as they attempt to reach Minho before WCKD’s experiments leave him a shell of himself. On the other side of the wall, Teresa deals with the consequences of her choices and finds her resolve shaken as she is forced to question if she chose the right side.
Posted in: Disc Reviews by Gino Sassani on January 25th, 2018
"The games have begun again, and they will not stop until the sins against the innocent are atoned for."
It has been about seven years since last we heard Tobin Bell ask if we wanted to play a game. From 2004 until 2010 we were treated to seven films in quick succession, with The Final Chapter apparently bringing the popular franchise to an end. But most of us were pretty sure that the end wasn't quite so near. The films brought in billions of dollars and even inspired a new escape room industry around the globe where people could work out puzzles and attempt to beat a ticking clock to get out of a themed room. Of course, no blood gets spilled, but folks pay for the experience, and a lot of that goes back to the Saw film franchise. With all of that money, Lionsgate simply couldn't let the franchise rest for long. But after moving so quickly from film to film, it was a good idea to allow it time to breathe and the producers a chance to recharge the old batteries. Break's over. The franchise gets a bit of a reboot without completely rebooting at all. The result is Jigsaw, and I suspect this is more of a beginning than merely Saw 8.
Jigsaw is the first film in the series to begin with something other than victims awakening to the newest trap. Police are chasing a suspect with a detonator in his hands. He's pleading to talk to a Detective Halloran (Rennie). As the cops descend upon the manic suspect, he warns that the game is about to start. It's what fans are waiting for, and we cut to five people with buckets bolted to their heads attached to chains. A wall of the obligatory saws awaits their hapless forward plunge, and a familiar voice explains their predicament. From this point there are pretty much two stories playing out for the remainder of the film.
Posted in: No Huddle Reviews by Brent Lorentson on January 25th, 2018
With a solid title and appealing DVD cover, No Solicitors is a film that looks to attract horror fans looking to make an impulse buy or a late-night viewing when in the mood for something to get the heart racing. Unfortunately, the film doesn’t hold up to its potential, and to be honest this might be one of the more disappointing titles I’ve had the privilege to review. The film has a strong premise, one that not only teases plenty of horror, but the potential for what could result in numerous sequels if the film was successful and the creative parties involved were inclined to go that direction. Instead the film seemed to aim more towards laughs than scares, and the result is at times a painful experience to watch, and not for the graphic gore that is sprinkled throughout.
If you’re like me, you’re not a fan of unexpected houseguests, and even worse being interrupted by solicitors who are trying to sell you something or convince you to check out their church. The notion of a horror film about a family that takes pleasure in preying upon these door-to-door salesmen (and women) seems like it would be entertaining. Getting a little deeper into the family’s motives, they keep the solicitors locked away and restrained to hospital gurneys after removing an arm and a leg to help prevent any chance of escape. You can’t just simply toss away a good and arm and a leg, so not to waste any good meat, the family has the body parts cooked up for dinner. Yes, this is a family of cannibals who also use their victims to harvest organs for the black market. All this solid horror material and still this film manages to not just disappoint, but simply struggled to hold my interest.
Posted in: Disc Reviews by J C on January 25th, 2018
During the second half of My King/Mon Roi — which examines the up-and-down nature of love by chronicling a 10-year relationship between two French lovebirds — a wife states that her husband's constant emotional abuse has caused her more pain than any single punch ever could. Psychological abuse isn't nearly as cinematic as its physical counterpart, so it's a jarring, too-real-for-TV moment to witness on screen. My King has a handful of those gut-punch scenes. And since the movie intentionally mimics the rollercoaster relationship at its center, My King is also occasionally romantic, funny, frustrating and flat-out sexy.
“The knee signifies the capacity to let go, give way, or even retreat...”
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