Posted in: No Huddle Reviews by Dan Holland on February 22nd, 2018
I always have a significant degree of excitement when watching a film that takes place in Florida, especially when it is filmed in a place I either live or have lived. The Punisher (2004) was filmed in downtown Tampa, and Miami Connection (1987) in downtown Orlando and the University of Central Florida’s campus. To further explain this excitement, I even waited till 3 AM on a busy street in Seminole Heights, Tampa, hoping to get a chance to see a part of The Infiltrator (2016) when they began filming here. Inoperable does indeed take place in the Tampa area of Florida, but you really only come to understand that through the dialog. For all the audience knows, we could just be being told that we are in Florida, and we would be none-the-wiser. While that doesn’t take away my enjoyment from the film, it certainly would have helped if it actually looked like Tampa.
The film takes place in a hospital while a large hurricane is happening outside (so realistically, the one thing that lets us know it is Florida is the impending threat of inclement weather). While in the hospital, Amy (Danielle Harris) is plagued by a series of nurses and doctors assaulting her, the sight of grotesque surgical experiments, and of course a time loop so that her experiences are repeated, adding to the nightmare. So, imagine Groundhog Day, but with less Bill Murray and more gory scenes. While trapped in this time loop, she meets Ryan and Jen, who learn they are trapped in the loop as well. Together, the group discover clues that might help them escape.
Posted in: No Huddle Reviews by Dan Holland on February 22nd, 2018
Neo-Liberalism is a concept that was introduced to me in 2014 while I was in graduate school. In an effort not to bore the reader and save my own amateur understanding from ridicule, I will not discuss the philosophical musings at length. However, I will briefly offer what I take to be the “important things to know” for reading this review. Essentially, Neo-Liberalism began as an economic ideology favoring policies that allow private businesses to function while uninhibited by the government. Then, from about the 1970’s onward, Western scholars brought popularity back to the term, allowing it to take on the characteristics of a catch-all term that ranges from economic structure, to economic philosophy, to academic discourse.
Much more can be said about the concept, but I will leave the learning up to you. David Harvey’s A Brief History of Neoliberalism is an excellent starting point, and that is where I dove in about four years ago. However, this text is a film review, leaving me the responsibility to deliver a fair, evaluative assessment of the documentaries Encirclement and Oncle Bernard. So the question becomes: how can you make a documentary about such a complex philosophy whose very meaning has evolved over time? The short answer is, through extensive interviews with notable interdisciplinary academics about the expansive topic. Plus, the topic is still unable to be covered to completion within the two hours and forty minutes it was cut into.
Posted in: Disc Reviews by J C on February 21st, 2018
If The Wire isn't the greatest television show of all time, it's certainly in the conversation. That landmark HBO series was created by David Simon, who took a journalistic and novelistic approach in telling the story of a decaying city (Baltimore) and its various institutions. Now, Simon has teamed up with crime novelist George Pelecanos for The Deuce, which takes a similarly 360-degree approach in examining Times Square in the early 1970s and the evolution of the porn industry. Capturing every facet of that time and place doesn't just mean that The Deuce depicts the lives of pimps, prostitutes, and police officers. It also means the show is alternately thought-provoking, tragic and darkly funny.
“You got some pimp in you.”
Posted in: Tuesday Round Up by J C on February 20th, 2018
I know Father's Day isn't until June, but we don't feel like waiting around that long to celebrate. For this week's Round Up, we're moving the paternal holiday up by a few months in honor of the UHD release of Paramount's Daddy's Home 2 (4K). But wait there's more! Check back at the end of the week to get our take on a pair of theatrical releases: Natalie Portman ventures into dangerous territory in Annihilation, while Jason Bateman and Rachel McAdams try to survive a raucous Game Night.
Before you run off until next week, here's for your customary reminder: if you’re shopping for anything on Amazon and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!
Posted in: The Reel World by Gino Sassani on February 15th, 2018
"Tell me a story."
Stan Lee and Jack Kirby created the comic book character of Black Panther in 1966 for an issue of The Fantastic Four. He became the first black superhero in the comic world. He starred in Marvel's Jungle Action title before getting his own comic. The character was popular, but through an unfortunate set of circumstances he was at times thought to be related to the militant group of the same name that popped up that same year. For a short time he went by the name Black Leopard, but the original name rose above the unintended connection and continued to enjoy on and off success over the decades. Black Panther was introduced to the MCU (Marvel Cinematic Universe) with Captain America: Civil War. He's finally getting his own film, and with the release of Black Panther, the MCU is developing and evolving in new and interesting ways. It's all leading to the May release of the third Avengers film and eventually into an entirely new MCU. That's a lot to ask of a single film. Is Black Panther up to the task?
Posted in: No Huddle Reviews by Gino Sassani on February 15th, 2018
Meet the most dysfunctional crime family since The Sopranos. Not quite at the same level either on-screen or in quality, but once again we're drawn toward another dangerous clan with criminal intent. I guess we could call them The Baritones. Actually, Animal Kingdom is an apt description for television's latest baddies. They've now wrapped up their second season of mayhem on TNT where the series was the network's top ratings winner. Now that second season is out from Warner Brothers, and it's another crazy ride, of that you can be certain. It's based, rather loosely by now, on an Aussie film starring Guy Pearce.
Meet Josh Cody (Cole) His mother was a junkie who died of a heroin overdose. Josh called his estranged grandmother, who goes by the name Smurf, and is played by Ellen Barkin. Smurf takes him into her home, but it's not the Waltons. Smurf is a regular Ma Barker. She organizes criminal jobs that are carried out by her four sons. She collects the money and doles it out on an allowance basis. Her right hand is adopted son Barry, who goes by Baz (Speedman). He helps plan the jobs and is the only one with a family of his own. His girlfriend has mysteriously left him alone with a young daughter. If you saw the first season, you know what happened to her, and that secret is about to come out. Brother Pope (Hatosy) has just returned home from over three years in prison. He took the fall for the entire family, but he's off his meds and is quite crazy. He's by far the quietest brother, and the most dangerous. Brothers Darren (Weary) and Craig (Robson) are pretty much interchangeable bookends. They end up doing the heavy lifting, but they also are the hardest partiers in the family. From coke to jumping out of planes, these two do everything fast and furious. His uncles are not quick to trust Josh, and he has to find a balance with very little time to breathe.
Posted in: No Huddle Reviews by J C on February 15th, 2018
Stop me if you’ve heard this one before: single gal pals looking for love — among other things — in the big city. On television, the trope dates back to the days of Laverne & Shirley and continues with more contemporary entries like Sex and the City and Girls. The queens kweens of Comedy Central's Broad City have given that timeless story hook a funny, druggy and tremendously weird spin for the past four seasons. That includes this most recent batch of episodes, which is lighter on comedy than usual as it explores the origin of NYC besties Abbi and Ilana's relationship...and the way even the closest friends can inevitably drift apart.
Broad City chronicles the (mis)adventures of Abbi and Ilana (co-creators Abbi Jacobson and Ilana Glazer), a pair of uncommonly attached best friends living and playing in New York City. Season 4 begins with a long-overdue flashback episode (“Sliding Doors”) that reveals how Abbi and Ilana met...along with a darker, alternative outcome for their friendship. (Abbi is saddled with the most unfortunate wig I've seen in a very long time.) The rest of the season still contains the bizarre flights of fancy that have become the show's signature. The most polarizing example is the half-animated Ep. 4/“Mushrooms,” which will feel like an especially bad trip if you're not on Abbi and Ilana's wavelength.
Posted in: Disc Reviews by Michael Durr on February 14th, 2018
New cartoon series these days are a hard watch for me. Gone are the days of classic shows like X-Men, Batman: The Animated Series and even newer favorites like Regular Show which ended about a year ago. Now we get shows where it seems like it is one cheap joke after another including Teen Titans Go and that show about some kid named Steven. So, I wasn't too thrilled to get the newest incarnation of Ben 10 on my review desk a couple of weeks ago. That's when I decided to employ the talents of my 2 year old son, Keaton and see if he can offer some insight.
"Thomas"...no son, we can't watch Thomas (The Train) right now. We have to review Ben 10, there are twenty episodes on this thing, see if you like it or not. "BeNNN." Yep, I hand my son the dvd case. He breaks open the stark white case and gives me the disc. "Thomas" Used to this exchange, I go ahead and put the dvd in the player and it brings up the menu. I select English subtitles, and then go to play the first episode. My son blinks at the opening and decides to sit down on the couch with his thumb in his mouth. He points, "Elmo?", he asks inquiringly. "No, BeNNN." He doesn't say anything else at this point and keeps sucking his thumb while looking at the screen.
Posted in: Tuesday Round Up by J C on February 13th, 2018
This week's Tuesday Round Up is turning back the clock and venturing into one of the most extravagantly seedy neighborhoods of the last century. HBO releases The Deuce: Season 1, which transports viewers to Times Square in the 1970s. The series is the latest effort from David Simon and crime novelist George Pelecanos, who previously collaborated on a little show called The Wire. In the spirit of keeping things in the (crime) family, Warner Bros. gets savage with Animal Kingdom: Season 2. Meanwhile, Cinedigm checks in with hospital thriller Inoperable.
You'll also want to visit us later this week when we offer our take on Marvel's latest superhero extravaganza Black Panther. And now it's time for your customary reminder: if you’re shopping for anything on Amazon and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!
Posted in: The Reel World by Gino Sassani on February 10th, 2018
Clint Eastwood has been at the top of the game both as an actor and a director, often both at the same time. There's no question that he still has the skills. Unfortunately, 15:17 To Paris isn't a great example of his direction skills. Don't get me wrong. There is a nice intense film in here, but it only lasts for about 10 minutes and hungrily screams out for more of the same. Eastwood's problem is much the same that he had in Sully. He doesn't really have enough material for a truly great feature film, so he is forced to fill the screen time with something he hopes will entertain us long enough to stay with him for the good stuff. But as Clint said once as Dirty Harry: "A man's got to know his limitations."
On August 21, 2015 a terrorist boarded a bullet train to Paris in Amsterdam. He carried several weapons including an automatic rifle with over 300 rounds of ammunition, enough to take out nearly all of the passengers on that route. He didn't get very far because of the heroism of some of the passengers aboard. Three of the passengers were friends taking a cross-continent backpacking trip in Europe. Anthony Sadler, Spencer Stone, and Alek Skarlatos had been friends since childhood. They were instrumental in stopping the terrorist before he could cause too much damage.








