Lynda La Plante is quite a fixture in the British television landscape. She has been a television writer since the 1970's and has been producing her own creations since the 1990's. Her shows often feature a woman in some kind of authority position fighting the good fight in a law enforcement tradition that leans heavily in the male department. Likely American audiences know her best from her more recent Prime Suspect series which has enjoyed some success here in the States. It wasn't long before that show that she was writing and producing a series of television movies with the overall title of The Commander. The films ran from 2003 until about 2008 when the final film was released as a three-part show. Acorn has put together a 7 disc DVD collection of the show's entire run.

The only common thread in the series is the character of Commander Clare Blake played by British television icon Amanda Burton. The first film follows her promotion to the prestigious Murder Squad but she's met with immediate complications that have more to do with her own failures than working in a "man's world". A killer that she arrested many years ago has been released from prison. He claims he has been rehabilitated and has written a book about that experience. The profits will go to a victim's charity he has set up and he's asked Blake to write the book's forward. Unfortunately, she does much more than that. The two become romantically involved while he has become the suspect in a string of recent killings that could mean he has graduated from murderer to serial killer. The bad press and series of events cast a huge cloud over the newly minted commander and her work. And it's with that cloud that the series moves forward.

Alibi gives you quite a bit of storytelling, which is surprising given that it is only comprised of three hour-length episodes. I will give it to British shows that have somehow found the key to making that work, because that would not work in the U.S. It would feel rushed, and a lot of key nutrients would have to be removed due to time constraints. Alibi manages to have multiple twists and turns in that time span as well as tell a very entertaining and engrossing story with the assistance of its two established leads, Sophie Okonedo and Michael Kitchen. Alibi tells the story of what happens when two people attempt to cover up an accidental death, when one person is a complete neurotic and the other is calculating to the point that you might find yourself question if this is her first “accidental” death.

No good deed and all that, or least that’s the case for Marcey Burgess (Sophie Okonedo), a civil servant and part-time caterer who finds herself ingrained in a murder investigation when all she was trying to do is retrieve her purse. However, I will say that she was presented with an opportunity to walk away and she didn’t take it, so I guess that technically means that she reaped what she sowed. While catering the 19th anniversary for a married couple Greg and Linda (Michael Kitchen and Phyllis Logan), Marcey notices inappropriate contact between the wife and the husband’s business partner, but keeps it to herself and leaves with her group. However, after realizing that she left her purse behind, she returns to the house to find the husband standing over the business partner’s lifeless body. Marcey attempts to flee the scene but ultimately ends up locked in a back room with the husband on the other side.

Have you ever heard the legend behind the legend of Ninjago?”

Even though I loved the first two Lego movies, I was completely unfamiliar with the toy company’s Ninjago line before I sat down to watch this latest entry in the madcap cartoon franchise. (I wasn’t even sure how to pronounce “Ninjago”…and the answer isn’t as simple as it seems.) But my unfamiliarity with the source material isn’t the reason why I feel The Lego Ninjago movie is the weakest entry in the series so far.

"Lion’s Guard, let's go!"

For many years The Lion King was the highest-grossing animated film of all time. It remains one of the most beloved films in history. It marked the last of the Disney classic animation triumphs. Combined with the Elton John and Tim Rice songs, it is one of those generational films. While there has never been a feature film follow-up at the box office, there have been a few attempts to keep the franchise alive, and why not? A direct- to-video film told the same story from the unique point of view of the popular characters Timon and Pumbaa. A full-fledged sequel appeared in another direct-to-video feature called The Lion King: Simba’s Pride. Now the baton is being passed to the next generation with a television series on the Disney Channel called The Lion Guard.

I want to play a game. Can you guess which left-for-dead horror franchise recently experienced a resurrection? If you guessed Saw, which features puppetmaster Jigsaw forcing victims to make impossibly deadly choices, then you're right. And if you want to see what he's up to these days, you're in luck: Lionsgate releases Jigsaw this week...so player beware. Elsewhere, Lionsgate goes a few rounds with boxing drama Jawbone. Meanwhile, Shout! Factory stays afloat with My Entire High School is Sinking into the Sea and crosses the Mason County Line. Finally, Warner Bros. weathers a series of catastrophes with Geostorm.

The Tuesday Round Up has been on a bit of a hiatus, but it's back and here to stay! Don't forget: if you’re shopping for anything on Amazon — maybe a last minute Christmas gift — and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week and have a very Merry Christmas!

"We just shoot you. Less paperwork."

Most of us like a good heist film. It's fun to watch clever crooks work out complicated plans and then execute them. It's not hard to root for the crooks if they're likable enough characters. With me I almost have a kind of reluctant respect for criminals who are able to outsmart sophisticated systems. There's something about the perfect crime that fascinates a film lover like me. Logan Lucky was one of the better heist films I've seen in years, and I was ready to spend an hour and a half being impressed by ingenious crooked plan that runs like clockwork once again. What I ended up with was a horribly overlong 2 hours and 20 minutes. And the only thing that was running like clockwork was my impatience to get to the end. Logan Lucky was clever and a lot of fun. Den Of Thieves? Let's just say I was not amused.

The film Phantom Thread may be flying under the radar for most cinema-goers, but this little gem is a nice distraction from the big-budget fare that floods the theaters. While I’m a fan of director Paul Thomas Anderson’s earlier work (Boogie Nights and Magnolia), the big draw for this film is the perhaps last cinematic performance we may see from Daniel Day-Lewis, who last collaborated with Anderson in the 2007 film There Will Be Blood. While I have to admit the trailers for this film didn’t inspire much excitement from me, it’s the pairing of Anderson and Day-Lewis I was more curious about. The result is one of the more unexpected film experiences I’ve had in sometime. 

 In 1950’s London, Reynolds Woodcock (Day-Lewis) is one of the most renowned dressmakers whom the social elite and royalty seek out.  From the start of the film we get a glimpse into Woodcock’s meticulous nature as we see him go about his morning ritual of getting dressed for the day. He’s an introvert, and at his side he has his sister, Cyril (Lesley Manville) to help attend to his needs and handle the staff and get rid of girlfriends when the time calls for it.  There isn’t much warmth between the brother and sister, but the two certainly work well together as Cyril seems to anticipate her brother’s needs at all times.

"Afghanistan is the graveyard of empires."

You will hear it said several times throughout 12 Strong: For over 2000 years invaders and conquerors throughout history have attempted to bring the mountainous country under a foreign flag. The Russians had been the latest power to attempt to fight there, and in the 1980's that war quickly became their own Vietnam. Such was the plight of the American armed forces after Bin Laden sent planes crashing into buildings on September 11, 2001. It was in that same harsh wilderness, the one that stopped czars, kings, emperors and even gods, where Bin Laden entrenched himself after the brutal attack on American soil. It was there that the first teams of soldiers went to stop his terrorist group from having the ability to do anything like that again. And yes, if we're completely honest with ourselves, to exact a measure of revenge. 12 Strong is the story of the first 12 men who began to fight the war on terrorism on the ground, on horses and with little in the way of conventional warfare resources at their disposal.

"Believe it or not, anyone can be famous. And you don't really need God-given abilities to do it. That doesn't mean you go out and shoot up a crowded theater. That's wrong. If you're motivated you can get yourself on a reality TV show or jump cars on a motorcycle, or marry a movie star. Or simply find a wife willing to have 20 kids. As for myself, my best shot at the limelight is to buddy up to the President. I just need the attention of the media first."

It was artist Any Warhol who said that in the future everyone would be famous for 15 minutes. The quote has been lampooned and is now a part of our pop culture. Crazy Famous is a low-budget film written by Bob Farkas and directed by Paul Jarrett. So do they get their 15 minutes, or is it Time's up?

In case you’ve been living beneath a rock and out of contact with any and all social media, this weekend the long-awaited film adaption of Stephen King’s It releases. Some of my friends look at the trailer for the new film and instantly reject what they see; they immediately cling to their memories of how the original mini-series scared them. One thing you’ll hear them all saying is how Tim Curry made such an impact on their lives and to this day gave them reason to fear clowns. While I respect their opinions, when you revisit the film, you can’t help but notice how dated the film is, and really, if you’re over the age of 10, it just isn’t scary. I grew up on reading Stephen King, and as a fan, I’ve always been frustrated that it seems no one could ever get his horror stories right. Sure, there is Misery and Carrie, but there are many more miserable failed attempts of his material.  The Mist (especially the black and white version) is perhaps my favorite adaption of his work, that is to say, up until now.

When the film starts up, those of you familiar with the mini-series will perhaps have a sense of déjà vu at first. Without a doubt our first introduction to Pennywise, the dancing clown, is at first a little off-putting, but if you hang in there, you’re going to be happily terrified by this performance. Bill Skarsgard fills the clown shoes this time around, and there is no doubt a new generation of kids are going to be terrified of clowns because of this performance.  There is nothing friendly in this performance, and after our introduction and we get a glimpse at what he’s capable of doing to children, that’s when the unease sets in, and as an audience member you realize from the start that no one in the film is safe.