When coming into this film you need to put aside any expectations of seeing your typical Pixar or Dreamworks animated film.  This is arthouse animation that is filled with originality while attacking the clichés we see in big-budget disaster films.  I didn’t really know what to expect from this film, but with a voice cast that includes Jason Schwartzman, Lena Dunham, Reggie Watts, Maya Rudolf, and Susan Sarandon it was such an odd mix that my curiosity couldn’t resist. So is the trippy animated film a success, or is it a dud destined to sink into obscurity?

Simon Baker is riding high these days. His hit series The Mentalist was the highest ranked new drama of the year when it first debuted. That accomplishment got the show paired with CSI in that enviable Thursday night time slot. I’m amazed when I hear folks tell me how the actor appeared to come out of nowhere. A few film roles and he’s Mr. Television. Well, count me in with the small group that isn’t so surprised and saw him coming as far away as 2001 with a sleeper CBS series called The Guardian.

Duckman began life as an underground comic created by Everett Peck. It gathered to itself quite a cult following, and like all such things caught the attention of Hollywood. The USA Network took a chance on the quirky property and cast Seinfeld’s Jason Alexander to voice the crude character. And so Duckman’s wife was killed, and he was forced to rent his own house from his sister-in-law, who was left the estate by Duckman’s wife. His life pretty much sucked. Not only was he renting in his own house, but he was also living with his overbearing sister-in-law and his grandma, who basically just sat around and farted all day long. Duckman considered himself an ace private detective and ran an agency with his partner, Cornfed. Cornfed was voiced by Gregg Berger and was a Jack Webb Sgt. Friday clone.

Bad Robot, in my eyes, is simply the best at keeping things a secret.  In this day and age, to be able to surprise audiences is just about an impossible task.  When the first Cloverfield trailer was released in 2007 in front of Transformers, it was a trailer that had us all guessing up until its release.  In my opinion Cloverfield was one of the best found-footage films to come out and was a grand achievement, considering it was a monster film that had been pretty much been kept under wraps until its actual release.  Bad Robot managed to surprise us again, releasing a trailer for 10 Cloverfield Lane that set the internet on fire with theories and hopes for this to be a long-awaited sequel.  But is that what this really is? 

Ray Donovan (Schreiber) is a Boston native who moved his entire family including his two brothers out to L.A. There he built an empire by being very good at what he does. What he does is fix problems, particularly for big-name celebrities and the lawyers who coddle represent them. His father has spent 20 years in jail for a crime he might not have actually committed. But Ray hates his father enough to have set him up and sent him to jail. A pattern Ray has continued over four years of the show. Ray has a wife, Abby (Malcomson), whom he keeps at arm’s length of his dubious business dealings. He also has a son and daughter who are somewhat conflicted in their feelings for their father. You don't want to start here if you are just experiencing Ray Donovan for the first time. In fact, this year is one of the best in the show's 5-year run to date. You really want to get caught up so you can appreciate some emotional drama as Ray Donovan The Complete Fifth Season comes to DVD. You get all 12 episodes on four discs.

It might be hard for me to admit, but there are certain instances where having an ultra-high-definition transfer of even a modern film is not necessarily a better thing. The UHD 4K release of Cloverfield is one such instance. There is no question that the transfer is about as sharp and clean as anything I’ve seen on Blu to date. The problem is that it only helps to accent the stylistic flaws inherent in this kind of film. The most noticeable improvement is in the first third of the film. Of course, that part of Cloverfield is about as entertaining as watching paint dry. I still don’t care about these characters and their party ramblings any more now than I did before. The fleeting shots of the creature do look better, but you still better hit the pause button if you want a good look.

"Once upon a time there was a great war that brought so much sadness to so many people. Hardly anyone could remember what happiness was like. But something happened that changed all that..."

“Winnie the Pooh doesn't know what to do …” begins a popular song written by Kenny Loggins, recorded first in 1970 by the Nitty Gritty Dirt Band with a more popular and enduring version by Loggins and Messina a year later. Hundreds of millions of children since the 1920's know who Winnie the Pooh is.

Low-budget films are typically very hit-or-miss for me. Sometimes the story is engaging from the beginning; other times the cinematography is so creative that I just can’t stop watching the movement of the camera. However, sometimes the film is extremely slow-paced and uninteresting. When it comes to Candy Apple, it is very difficult to place it on either of those two ends of the spectrum. From the outset, you can tell this film is extremely personal to the filmmaker, and while that might not draw in crowds, it opened up an infinite number of doors leading to creative freedom. That being said, I can’t say that I liked this film, but I can say that I couldn’t stop watching it.

Everyone was warned, but no one listened.”

These words — which are about as subtle as a tsunami — are heard in voiceover at the start of Geostorm, the latest effort from master of disaster (films) Dean Devlin. Yes, I realize no one should venture into a big budget flick produced by Dean Devlin (Independence Day, 1998's Godzilla) looking for subtlety. But no matter what side of the climate change issue you fall on, Geostorm is equally offensive to all parties. And it's not because of its politics or its shoddy writing, which gives that opening monologue to a character who ends up being completely inconsequential. It's because this would-be blockbuster is shockingly short on both fun and spectacle.

For Dylan O’Brien, it just seems like his start just keeps getting bigger and bigger. Going from the awkward best friend on MTV’s Teen Wolf to becoming a leading man on the silver screen, he has shown charm and charisma normally only seen in veterans. Another great way a star distinguishes himself is to get attached to a franchise, something he has done with the Maze Runner trilogy. Of course, Maze Runner: The Death Cure spells the end of that run; given his performance in the film; it does not spell the end to his rise. An entertaining and engaging conclusion to the franchise, Maze Runner: The Death Cure follows former glader turned revolutionary Thomas as he continues his battle against his former employers