Low-budget films are typically very hit-or-miss for me. Sometimes the story is engaging from the beginning; other times the cinematography is so creative that I just can’t stop watching the movement of the camera. However, sometimes the film is extremely slow-paced and uninteresting. When it comes to Candy Apple, it is very difficult to place it on either of those two ends of the spectrum. From the outset, you can tell this film is extremely personal to the filmmaker, and while that might not draw in crowds, it opened up an infinite number of doors leading to creative freedom. That being said, I can’t say that I liked this film, but I can say that I couldn’t stop watching it.

With a solid title and appealing DVD cover, No Solicitors is a film that looks to attract horror fans looking to make an impulse buy or a late-night viewing when in the mood for something to get the heart racing.  Unfortunately, the film doesn’t hold up to its potential, and to be honest this might be one of the more disappointing titles I’ve had the privilege to review.  The film has a strong premise, one that not only teases plenty of horror, but the potential for what could result in numerous sequels if the film was successful and the creative parties involved were inclined to go that direction. Instead the film seemed to aim more towards laughs than scares, and the result is at times a painful experience to watch, and not for the graphic gore that is sprinkled throughout.

Lynda La Plante is quite a fixture in the British television landscape. She has been a television writer since the 1970's and has been producing her own creations since the 1990's. Her shows often feature a woman in some kind of authority position fighting the good fight in a law enforcement tradition that leans heavily in the male department. Likely American audiences know her best from her more recent Prime Suspect series which has enjoyed some success here in the States. It wasn't long before that show that she was writing and producing a series of television movies with the overall title of The Commander. The films ran from 2003 until about 2008 when the final film was released as a three-part show. Acorn has put together a 7 disc DVD collection of the show's entire run.

Alibi gives you quite a bit of storytelling, which is surprising given that it is only comprised of three hour-length episodes. I will give it to British shows that have somehow found the key to making that work, because that would not work in the U.S. It would feel rushed, and a lot of key nutrients would have to be removed due to time constraints. Alibi manages to have multiple twists and turns in that time span as well as tell a very entertaining and engrossing story with the assistance of its two established leads, Sophie Okonedo and Michael Kitchen. Alibi tells the story of what happens when two people attempt to cover up an accidental death, when one person is a complete neurotic and the other is calculating to the point that you might find yourself question if this is her first “accidental” death.