Posted in: Contests by Gino Sassani on October 2nd, 2017
We kick off our 31 Nights Of Terror by sending you on a little trip out to a certain Cabin In The Woods. That's right, we've got a copy of the cult classic The Cabin In The Woods on Blu-ray and it's going out to one of the Upcomingdiscs faithful. We just reviewed the film on 4K and here's a little something for those of you who aren't quite at the UHD market.
To win a copy of this prize, follow these instructions.
Posted in: No Huddle Reviews by Gino Sassani on October 1st, 2017
"If it ain't broke, don't fix it. The saying's as true of the human body as it is of a washing machine or a blender. A good surgeon knows that if you go screwing around with something that doesn't need screwing, you are the one who is liable to end up screwed."
One of those things on television that doesn't appear "broke" is Grey's Anatomy, heading into its 14th season on ABC. By now Shondra Rhimes must own a pretty big piece of ABC. OK, she doesn't likely own any of Disney, ABC's parent company, but if this were a game of Monopoly, Rhimes would be smiling all the way to the fake bank. She owns more real estate here than anyone else. And while she may not be laughing all the way to the fake bank, I suspect the real banks are holding a good stash of cash for the Madam of Prime Time.
Posted in: The Reel World by Dan Holland on September 29th, 2017
“Backslidin’, how do you do? These slippery people gonna see you through.”
It has been a long while since I have witnessed a pop song’s lyrics fit so poetically into a feature film. “Slippery People” is a track off the groundbreaking Talking Heads album, Speaking in Tongues, released in 1983. Not only does this song fit the plot of American Made within its lyrics (hints of backsliding with a lot of slippery people), but it also represents a specific aesthetic for one of the many years shown throughout the film. Which, by and large, is what American Made does very well: appreciates the nostalgia of the 70’s and 80’s without exaggerating to extremes. More often than not, the “nostalgia aesthetic” very quickly becomes a parody of itself. However, what director Doug Liman offers audiences is bold moves in film form, lightly garnished with relevant nostalgia.
Posted in: No Huddle Reviews by Gino Sassani on September 29th, 2017
I taught at a Florida high school that took two state championships in seven years, and believe me, I know how seriously these schools take their football. I’m told Texas treats high school football as something sacred to be worshipped, and church meets every Friday night during the fall season. If that’s the case, I can’t imagine a series capturing the emotion that goes into one of these programs as well as Friday Night Lights has. Taken from the film of the same name, the series is even better. So many things about this freshman show impressed me throughout its season run. The cast of relative unknowns, except for Kyle Chandler and perhaps Connie Britton, morph into their characters so well you might never know that a good many of them are performing in their first show. This cast gives new meaning to the term ensemble cast. To pick out any one or two examples would be so unfair to the rest of this talented group. The stories are also well written enough that combined with these wonderful performances you quickly believe what you see. The fictional community of Dillon, Texas comes alive in ways even well-known metropolises never do on far more seasoned programs. The stories don’t shy away from the controversies of programs like Dillon’s. Issues of race, drugs, teenage sex, and even the life-changing paralysis of a young talent are dealt with, not as simple inferences, but as major plot arcs that dominate several episodes and then never go away. Certainly we’re invited to cheer along with Dillon, but we’re openly shown the flaws of each of these people we’re called on to support. Friday Night Lights is about so much more than a high school football team under pressure to succeed at a state level. It’s about facing our shortcomings and overcoming them along with whatever other obstacles might be thrown our way. If you’re looking for an emotional show, this is about as good as they get.
There are several important story arcs that dominate the series. The obvious story concerns a young coach Taylor (Chandler) given the chance of a life time to coach a hugely successful high school football team. He gets the break because he has been a coach and mentor to the team’s expected NFL star in quarterback Jason Street (Porter). When Jason suffers permanent paralysis in the first game, Taylor must trust in an unproven and unconfident Matt Saracen (Gilford). Matt’s story of maturity becomes another important cog in this giant wheel of Friday Night Lights. Taylor begins to feel a stranglehold of pressure, not helped any when another star player running back Smash Williams (Charles) makes accusations of racial bigotry about one of the assistant coaches while all the while using steroids to impress college scouts. There's running back Tim Riggins, played by Taylor Kitsch, who has had a few big-budget films under his belt since the series ended. Riggins is a high school kid who has to pretty much be an adult. He's on his own with his brother and struggles with a drinking problem.And in case you think this is just a guy-heavy series, there are plenty of strong women with impressive story arcs as well. Jason’s girlfriend, Lyla (Kelly) is trying to cope with his condition and falls to temptation with his best friend Tim. Taylor also has a wife and daughter who have prominent storylines as well. If this is all sounding a little too soap-opera for you, trust me, there is nothing of the sort to be found on Friday Night Lights. The show handles these problems with a gritty realism, allowing them to progress naturally around the main story of playing football.
Posted in: Disc Reviews by J C on September 29th, 2017
“These movies that I’ve done, they are massive movies. They take a lot out of you.”
That’s director Michael Bay talking about his decade-long work on the Transformers franchise on the eve of the fifth(!) film’s arrival. The movie also doubles as Bay’s swan song in the director’s chair, so when he says, “They take a lot out of you,” the filmmaker is presumably talking about the massive amount of energy and manpower (and horsepower) these big-budget bonanzas require. The problem is “They take a lot out of you” has also applied more and more to each subsequent movie in this series. Transfomers: The Last Knight isn’t just a bad movie…it is painful and exhausting to watch.
Posted in: No Huddle Reviews by Gino Sassani on September 29th, 2017
We all remember Ed O'Neill as Al Bundy from Married With Children. It's an iconic role that he'll never be able to shake no matter what he does for the rest of his life. After that series ended its 11-year run, he even attempted to get out of comedy and take more dramatic roles. I'm sure there was a deliberate intent to try to distance himself from Al. It's not that he likely didn't love playing the role. He just wanted to avoid getting forever typecast in the mold. Those efforts weren't all that successful. But now he's back where he belongs again in a pretty solid sit-com. He's not playing Al Bundy any more, although you won't have to look very hard to find some of Bundy in Jay from Modern Family.
Jay (O'Neill) is the patriarch of his extended family. He's a pretty wealthy businessman who lives in relative comfort. He's married to a Columbian woman who is much younger than he is. Gloria (Vergara) also brings her son Manny (Rodriquez) to the Pritchard home. Jay has two children. Mitchell (Ferguson) is gay and living with his partner Cameron (Stonestreet). The two have adopted a Vietnamese daughter named Lily. Mitchell is an attorney who supports his family, while Cameron is the jolly stay-at-home dad. Jay's daughter Claire (Bowen) has a more traditional family. Husband Phil (Burrell) sees himself as a cooler, hip kind of dad, which usually leads to some embarrassing situations for him and his family. They have three kids. Luke (Gould) is the only boy and more clueless than his father. He's obviously not playing with a full deck. It's ironic, because actor Nolan Gould is a Mensa member and somewhat of a child genius. Now that's acting. Daughter Alex (Winter) is the smart one in the family and finds herself the most embarrassed by everyone else. Daughter Haley (Hyland) has become quite worldly.
Posted in: Disc Reviews by Brent Lorentson on September 29th, 2017
With a title like 2:22 it’s more than a little on-the-nose to point out something major is going to occur at this time. For a film about premonitions, it’s a shame the film opens up as it does, because it leaves no mystery to the audience and simply tells us what is going to happen, or at least something close enough in the film’s final act. I hate films that are done in flashback just as much as I hate it when it doesn’t put in the effort to conceal how things are going to unfold. In a lot of ways the film is like Groundhog Day, only instead of the same day replaying over and over, it is the same events occurring over and over for our protagonist to figure out.
Dylan (Michael Huisman) is an air traffic controller who is good at his job; he claims it’s his ability to see patterns that helps him do his job as well as he does, though after a freak accident in the control center nearly causes two planes to collide, he is put on a temporary suspension. It just so happens that Dylan meets Sarah (Teresa Palmer), who was on one of the flights that almost collided, and the two seem to fall for one another at first sight.
Posted in: Disc Reviews by John Delia on September 28th, 2017
Taking a few ideas from superhero films, the animated adventure Captain Underpants: The First Epic Movie flies onto DVD, Blu-ray and Digital HD for home viewing. The comical kids’ movie has some great characters and a cool plot that will keep tots to tweens laughing and talking about the fun film. The movie comes with over 30 minutes of fascinating extras, mostly for the youngsters. The movie opens with fifth-grade-schoolers George Beard and Harold Hutchins showing off the comic book they created about a world called “Underpanty” where people only wear underwear. Much like the beginning of Superman, there hero gets catapulted to Earth from a distant planet about to blow up. Landing on Earth, the child starts to save cities from the likes of Egg Salad Sandwich Man.
Switch to reality and we find George and Harold in the school yard being surprised by their Principal, Mr. Krump. He thinks that George and Harold spend too much time thinking up and drawing comic book characters instead of schoolwork. The boys are remanded to Krump’s office where he goes over many of the pranks the two have played and warns them if he ever gets proof, they’ll be sorry.
Posted in: Disc Reviews by Gino Sassani on September 27th, 2017
"In between the years when the oceans drank Atlantis and the rise of the Sons of Aryas, there was an age undreamed of, when shining kingdoms lay spread across the world. Then came the dark empire of Acheron, where cruel Necromancers sought 'Secrets Of Resurrection'. They crafted a mask from the bones of kings, and awakened its wrath with the pure blood of their daughters. The mask summoned spirits of unspeakable evil, giving them power that no mortal man should possess."
The character started as a pulp fiction serial by Robert E. Howard in the 1930's. But Howard killed himself in 1936, and the character stood still for a time. There were several attempts to revive him, but it was likely Marvel Comics that gave Conan his greatest popularity in the 1970's. By 1982 the character was huge enough to justify a major feature film. That movie would start the movie career of a bodybuilder named Arnold Schwarzenegger. Arnie would return to the character a couple of years later for Conan the Destroyer. The franchise was doing well, but a third film fell into development hell, and nothing much happened for a while. Rights would move around, and finally the property was rebooted in 2011 with Jason Momoa in the lead role. He appeared perfectly cast. He was a somewhat barbarous alien in Stargate: Atlantis and was a hit in HBO's Game of Thrones. Conan appeared to be a good fit for the action actor, and it was. Momoa is quite good in the part, helping return the character more to his Howard origins. But that's about all that went right with the reboot.
Posted in: Disc Reviews by J C on September 27th, 2017
“Ma'am, you need to understand that the president doesn't actually want you to do anything other than continue to be a woman — which you're doing a pretty okay job at.”
While Selina Meyer has done a passable job as a woman throughout the first five seasons of Veep, the vice president-turned-(temporary)president and her staggeringly incompetent staff have failed at pretty much everything else. The good news is Veep itself still does far more than an okay job of poking profane fun at the absurdity of Washington, D.C. and its swollen egos, even though season 6 finds Selina's squad more scattered than ever.









