You have been my greatest love. Be careful, Diana...they do not deserve you.”

Ever since Richard Donner made us believe that a man can fly with 1978's Superman — considered by many to be the first modern superhero film — we've gotten three different Men of Steel, along with five different versions of Batman (if you don't count Will Arnett's voiceover work). Heck, in the last 15 years alone we've had three Spider-Men and (incredibly) gone through three Hulks! Yet in all that time, a movie starring Wonder Woman — a superhero just as iconic as all the ones I just mentioned — could never get off the ground...until now. I'm happy to report it was worth the wait.

"I always know who you are. It's just that sometimes I don't recognize you."

Logan is perhaps one of the most interesting, endearing, and popular characters in the Marvel universe. Wolverine has the distinction of having been created by someone other than Stan Lee and Jack Kirby. While they invented the X-Men team from which the adamantium-clawed warrior was born, he was actually created by the team of Len Wein and John Romita, Sr. in the mid 1970's. Since that time the character has taken on a life of his own, a life that is as much owed to actor Hugh Jackman as anyone else. The funny thing is that Jackman is really nothing at all like the comic book character, who was actually quite short. But it's Jackman who has come to personify the wirily Cannuck. He's appeared, if only briefly, in each of the X-Men films except for one and two less-than-stellar Wolverine films. It all comes to a rather fitting close with one of the best Marvel-character films to date. Logan is pure comic book film noir and an emotional ride from start to finish.

I'm not sure what we did, but it must have been serious. We UpcomingDiscers are generally a law-abiding bunch, so I’m a little surprised that we’ve apparently landed in such hot water. How else to explain this week’s arrival of the Major Crimes division at our door? Naturally, I’m yanking your chain…no one here would hurt a fly. The good news is Warner Bros. was still nice enough to send us Major Crimes: Season 5, and we'll have a review of the hit TNT cop drama soon. Elsewhere, Film Chest Media goes undercover with Decoy: The Complete Series. Finally, DC's Wonder Woman hopes to lasso moviegoers into theaters very soon, so be sure to check back for our review later this week.

Here's your weekly reminder before signing off for the week (and for May): if you’re shopping for anything on Amazon and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!

This may seem a peculiar request...but could someone explain why I'm here?”

That question is posed slurred by Jack Sparrow, Johnny Depp's perpetually sloshed swashbuckler, during his very first appearance in Pirates of the Caribbean: Dead Men Tell No Tales. Given that this is the fifth film in a faded franchise — and that Depp probably needs the money — the answer for why any of this is happening appears to be painfully obvious. Which is why I was delighted (and frankly a little shocked) by how much fun I had watching this latest entry, which manages to entertain while openly plundering the original movie's winning formula.

In the vein established by 21 Jump Street of taking a serious television series and transforming it into a comedy comes Baywatch. I’m sure everyone remembers Baywatch, possibly one of the most watched television series of all time that featured buxom ladies like Pamela Anderson and Yasmine Bleeth in tight swimsuits, running in slow motion.  Transplanted for a moderate time period, this film adaptation features this generation’s hard bodies such as Zac Efron, Dwayne Johnson, and Alexandria Daddario (those eyes are hypnotic) taking on the established and iconic roles of Matt Brody, Mitch Buchannon, and Summer Quinn.

In Emerald Bay, an elite squad of lifeguards patrols the beach, going above and beyond to protect the people of the community. Led by Mitch Buchannon, this group finds themselves investigating murder and the increase in drug activity, which leads to businesswoman Victoria Leeds, who has a plan to privatize the beach, and surrounding businesses.

While I’m not usually a fan of gimmicks involved in trying to get my attention to see a movie, I’ll happily take an anthology of a found-footage film, simply because the odds of me finding something I like in the anthology are greater. VHS 2 is personally my favorite anthology film out there; even though it suffers from having to be a found-footage anthology, it at least delivers several unique perspectives and stories. I find it hard to believe a horror fan out there can’t enjoy the film. With XX the anthology presents us with a unique proposition when it comes to horror, four tales that are all crafted and presented by women.  A rather unintentional taboo notion when you consider horror has been a boys’ club for many years, but we are in a new era, and with this anthology this is the business card that is here to show us what they got.

I’m a little sad to see that the Soska sisters (American Mary) didn’t have a part in this, simply because they seem to be on the front lines of the women-in-horror movement, but nevertheless the entrants in XX are respectable heavy-hitters.

It’s not often that a show can come along that impresses me with its talent in front of and behind the camera; then when the show premieres, it is just bad for a couple of episodes and then manages to bounce back.  There are just so many options that if you don’t come out swinging, your show is going to be passed up for something else. I still feel like we’re in the Golden Age of television despite some of the best series in the past decade having already been retired from the airwaves (Breaking Bad is sorely missed despite Better Call Saul).  There is still so much out there that sometimes good stuff gets overlooked, and it’s not till DVD rolls around that you can discover a show, and that is the case for the new series Ice.

I love a good crime series, and when Ice became available as a title to check out at Upcomingdiscs, well, I felt the need to jump on it. When you have heavy hitters like Donald Sutherland and Ray Winstone headlining the cover and then throw in the vastly underrated Jeremy Sisto, I got even more excited for the possibilities. Then throw in director  Antoine Fuqua (Training Day) directing the pilot, and seriously, what can go wrong?

Alien Covenant is a perfect example of making a plan and sticking with it, because if you don’t you may be infected by an alien organism that will explode out of your chest. Graphic, I know, but informative, right? The latest installment in the Alien franchise picks up sometime after Prometheus and continues to pursue the critical question that was posed in the previous film: who created life? An intergalactic colonial expedition comes to face to face with their worst nightmare. It’s ironic how a mission to preserve life results in so much death.

Fifteen years after the events of Prometheus, a colony ship named Covenant is bound for a remote planet with thousands of colonist and embryos when they are struck by a neutrino burst (think of it as a power space storm) which damages the ship as well as results in the death of several colonists as well as members of the crew, including the ship’s captain (James Franco). Thrust into the leadership role, Christopher Oram (Billy Crudup) finds himself overwhelmed by his new position and dissent among the crew.

"Just give us those good old songs."

Last year Eagle Vision released four discs that were collectively known as The Frank Sinatra Collection. But when a man's been singing for nearly 70 years, you can't hold a career like that on just four discs. There was always going to have to be more. The more arrived in the shape of three more DVD's brimming with Sinatra vintage shows. But that still wasn't going to be enough. Now there are two more discs that bring us the classic Frank Sinatra Timex specials. This was a series of four specials that aired in 1959/1960. Each had a theme that carried through the broadcast hour.

Sometimes...if there's too many white people, I get nervous.”

Some of the very best horror films/psychological thrillers succeed by taking a relatable source of anxiety and cranking it to 11. For example, The Exorcist can be viewed as the worst-case scenario for anyone suffering a crisis of faith, while The Shining taps into the madness of being cooped up with your family for too long. Get Out works because it uses the nerve-wracking experience of meeting your significant other's parents for the first time as a jumping-off point to tell a subversive, insightful, and entertaining story that mashes together Guess Who's Coming to Dinner and The Stepford Wives.