If there is a television series in the history of the industry as American or timeless as The Andy Griffith Show, I haven't seen it. You'd be hard-pressed to find someone with strong negative feelings about the series. It was one of those organic and comfortable productions that reached deep into the core of rural America. Even if we lived in a bustling city, there were aspects of the show that still rang true. It was populated with the kind of familiar faces so that it wasn't hard for anyone in the audience to smile in remembrance of a character they've known in real life. And even after 50 years, the series still speaks to that certain aspect of the friendly small southern town. A lot of the credit for that peaceful easy feeling must be credited to the titular star Andy Griffith himself.

"You wanted me back. I'm back."

Keanu Reeves has enjoyed somewhat of a career renaissance thanks in no small part to the success of John Wick in 2014. There he teamed up with some stunt friends of his going back to The Matrix, and together they brought a new action hero to the screen that was as much graphic novel as it was action film. It would become the directing debut of the stunt team of Stahelski and David Leitch. Along with their action star, everyone stuck to what they knew and refused to overcomplicate the whole thing.

“These movies that I’ve done, they are massive movies. They take a lot out of you.”

That’s director Michael Bay talking about his decade-long work on the Transformers franchise on the eve of the fifth(!) film’s arrival. The movie also doubles as Bay’s swan song in the director’s chair, so when he says, “They take a lot out of you,” the filmmaker is presumably talking about the massive amount of energy and manpower (and horsepower) these big-budget bonanzas require. The problem is “They take a lot out of you” has also applied more and more to each subsequent movie in this series. Transfomers: The Last Knight isn’t just a bad movie…it is painful and exhausting to watch.

“We should not be fighting for segregation, we should be fighting for equality.”

That’s the sort of rousing statement any random politician on the campaign trail might use to rile up a crowd of supporters at a pep rally. And even though those words are spoken here by a man in the midst of heavy political turmoil, the beauty of A United Kingdom — a straightforward but nevertheless impactful fact-based drama about forbidden love — is that they are actually born out of an intensely personal conflict.

"Going on down to South Park and meet some friends of mine."

After 20 years or more, they really do feel like friends. I've known Cartman, Stan, Kyle, and Kenny longer than most real people in my life. Only the Simpsons have been around longer these days. Over those years, South Park has always been a series of stories that rarely connect with each other in any significant way. There have been multi-part episodes, and certain experiences have come back up over the years. Still, we're talking about a universe where killing Kenny had become a running joke and happened pretty much in every episode.

When it comes to vampire films, I’m not so much a fan of the romanticized fantasy depiction that we see in Ann Rice novels.  Personally, I like my monsters to be grounded in reality; films like Near Dark and Let Me In seem to have a more vicious bite to them. Why do I prefer these darker and more grim depictions? Well, I believe if vampires have had to kill to survive, whether it be for a month or generations, they should be handled as some scary bad guys, not pretty, sparkly, cuddle-bunnies.  When an indie film comes along like Aaron’s Blood and it decides to go the more ground with reality horror route, it gives me hope, and it’s something I’m actually looking forward to seeing. But does the film deliver the goods?

The Boogeyman — or at least the man you send to kill the Boogeyman — has arrived at UpcomingDiscs HQ! (Honestly, how bad could he be? The man loves dogs almost as much as we do around these parts.) Lionsgate brings us John Wick: Chapter 2 in 4K, which finds the assassin-of-very-few-words in Rome and New York City as he dodges a worldwide network of killers. Elsewhere, Candy Factory visits Wichita, while Shout! Factory cleans up at the Car Wash. Meanwhile, Comedy Central clocks in with Workaholics: The Final Season. On top of those home video releases, we’ll have a review of the latest entry in everyone’s favorite robots-in-disguise franchise, Transformers: The Last Knight, later this week.

Now it's time for the customary reminder before signing off for the week: if you’re shopping for anything on Amazon and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!

One of the reasons that I love reviewing movies is that it allows me the opportunity to see things that I wouldn’t normally watch. In most cases, it is a film that has been newly released, whether it be a theatrical release or a straight-to-DVD release. However, in other cases it is an older film that is being re-released. Such is the case for Cheech and Chong’s Next Movie. Though I have never seen any of the films, the names Cheech and Chong are synonymous with stoner comedy. Ideally, I would have liked to have seen the first film before diving into the middle of the franchise.

"I'm about to commit a moving violation."

When I go to a Pixar film, I always find myself in a situation where I'm predisposed to love the movie. There have been so many greats like Toy Story and Monsters Inc and so few horrible examples like Ratatouille. So, I never really expect a Pixar film to be bad, and Cars 3 certainly wasn't bad. There are more than a few things to love about the latest collaboration between Disney and their Pixar division. The animation company also continues to push the boundaries of digital animation technology.

It’s summertime, and that means it is time for those bikini-clad bodies to start decorating the beaches and become bait for everyone’s favorite predator of the ocean. For those who don’t tan and manage to only burn in direct sunlight, there is a safer alternative to the beach, and that is your local theater with the new film 47 Meters Down.  Last year we had the surprise hit The Shallows that made a valiant attempt at making the beach terrifying once again. I love a fun, cheesy shark film; it’s one of those cinematic pleasantries I feel we just don’t get enough of. With the wait for Meg being another year off, it seems 47 Meters Down is going to have to tide me over till then. Is it worth taking a dip?