I can’t be the only one who misses seeing Mel Gibson in a tent pole movie for the studio every year.  Sure, he said some rotten things, but does it matter what he does in his personal life?  The man still is a great actor and an even better director.  Hollywood has always been forgiving of its talent; it’s a system that seems to enjoy seeing talent make a comeback and do some amazing work.  What it seems is that sometimes we forget that these icons on the screen are human, and they make mistakes and do stupid things and they have to own these experiences for the rest of their lives in the spotlight.

Growing up one of coolest jobs I thought was out there was undercover work. Not to diminish all the threats to one’s well-being associated with that profession, but come on, who didn’t want the opportunity to reinvent themselves as someone else entirely. Undercover affords that opportunity. That said, it does not come without a cost, and that cost is explored thoroughly in The Infiltrator, a based on a true story tale about a U.S. Customs agent who infiltrates the most successful and equally dangerous drug cartel led by the one and only Pablo Escobar. An interesting little tidbit that I was unaware of before the opening credits was that this film was shot right here in the Tampa area, which provided recognizable environment and a chance to pick out familiar territory.

We want to see something scary. Upcomingdiscs is inviting you to send us a photo of your Halloween decorations. The day after Halloween (11/1/16) we will post the photos we get and give our readers 2 weeks to vote on their favorite in the comments. The photo that gets the most votes will win a mysterious collection of horror films.

Here's how to enter:

I’ve always been a fan of Tarzan; I loved the old series and the films basically because I just dug how he was this fearless character who lived in the jungles who fought the bad guys and a few wild animals as well.  As I got older that was when I discovered the books of Edgar Rice Burroughs, and I just had a blast with all these pulp tales about the civilized Wildman and the beautiful Jane.  I even remember how excited I was about seeing Greystoke: The Legend of Tarzan as a kid; even though this screen adaption bored me to tears, it was still exciting to see the character up on the screen. Now it’s 2016, and the character is swinging into action on the big screen again, and with a large budget to back it up.

Shirley MacLaine and Jessica Lange are two great women of American film, and living legends. It is always a pleasure to see them work. They both have won shelves of awards including Best Actress Oscars. But they both have also been in bad movies. The process of being a creative artist is always a journey where you take a leap through a hoop with the hopes of doing good work. It also becomes difficult for actresses, even for living legends, to get good work as they grow older. But films about older people are important too. All movies can’t be about young attractive new faces being forced on you with little understanding of who they are.

While it may not technically be eligible for our “31 Nights of Terror”, one of our entries this week absolutely qualifies as a horror show. Everything that can go wrong, does go wrong for the young protagonist in HBO's The Night Of. But let's not forget that it's still October, so we've got a double feature more suitable for the spooky season. Vestron brings some familiar monsters to life with its Waxwork Collector's Series, which includes both Waxwork and Waxwork II: Lost in Time.

One last reminder before signing off for the week: if you’re shopping for anything on Amazon and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!

Vampyres (2015) is a remake of Vampyres (1974). It is important to note that right here at the start. They have a strong similarity, and the latter film is clearly a homage and loving duplication. It should be stated that the new version is not better, but the two films have identical essential elements. That would be naked lesbian flesh-eating, blood-obsessed predators. The original was fairly groundbreaking in its almost fetishistic content. This version has more nudity and sex scenes. I would safely say that if you like naked blood-soaked sex scenes, you will enjoy it, but aficionados of horror classics will likely be pickier.

David Hare is an extremely prolific and ambitious playwright. He has written over 30 plays, but he has also done television and screenplays as well as directing in all three mediums. One of his first screenplays was an adaptation of his play, Plenty, which starred Meryl Streep, in 1985. He also wrote the screenplay for an adaptation Michael Cunningham’s Pulitzer Prize-winning novel, The Hours, which starred Meryl Streep as well. He also wrote the screenplay for The Reader, which was nominated for numerous awards and was about a woman guard in a German concentration camp and starred Kate Winslet.

When it comes to director Jeff Prugh and his new film The Caretaker, he shows that you don’t need a big budget or grand effects to deliver a horror film.  In the case of The Caretaker, filming on a modest budget may have presented the director with the challenge to lean more towards atmosphere and technique rather than fall back on special effects and gore. This isn’t a film that is going to get a wide release in theaters across the US, so it’s going to have to rely on receiving word of mouth to be seen.  With there being so many options to choose from, what makes The Caretaker stand out from the pack? Well, if I’m being honest, it’s because I find the film charming in a way.  Not exactly what a horror film would want to have said about it, but this is one of those little films where you can actually feel the labor and passion put into this.

Everyone makes mistakes. Decisions that are made in the heat of the moment that haunt them and they wish they can take back. Sometimes those mistakes don’t go away as easily as they want to them to. That is definitely the case for Tara (Jamie Alexander) after her bachelorette weekend in New Orleans. Looking to celebrate her impending wedding as well as forget an indiscretion committed by her soon-to-be husband (Cam Gigandet), she meets Patrick (Wes Bentley), a bartender at a club Tara and her friends go to. They meet, there’s a connection, and as these things go, one thing leads to another, as they say. Afterwards, she just wants to move on and forget it happened, but Patrick will not be ignored (I know it is an obvious rip-off, but it applies).