Posted in: Disc Reviews by Brent Lorentson on July 27th, 2016
If there was a show I could recommend to someone who is looking for a smart thriller that doesn’t talk down to its audience, I couldn’t point to Person of Interest fast enough. It’s a show that may be labeled sci-fi for some, yet its science and technology may not be so far off. The idea of our government or private agencies using security cameras or our phones to monitor us is no longer just a rumor muttered around in circles of conspiracy theorists, but is quickly becoming a reality of day-to-day life. I kind of saw the show as a riff on the Batman story, subtract the cape and cowl and exchange it for a suit, then throw in a dash of George Orwell’s 1984, and you can see where the show got its start.
Posted in: Tuesday Round Up by J C on July 26th, 2016
It's been well over a year since we started this Tuesday Round Up, so I like to think we're beyond certain formalities. For example, I hope you all know that you're welcome to stop by our fair site anytime you want. No RSVP necessary. That being said, Drafthouse Films was still kind enough to drop off The Invitation this week. Shout! Factory tumbles down a Hellhole while offering a howling good time with The Boy Who Cried Werewolf. Finally, Lionsgate unleashes the John Travolta actioner I Am Wrath.
One last reminder before signing off for the week (and for July): if you’re shopping for anything on Amazon and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!
Posted in: Uncategorized by Gino Sassani on July 25th, 2016
The first rule of Fight Club is you never talk about Fight Club. So it's a good thing we're talking about Fight Valley instead. I got to hang out on the phone with Rob Hawk who both wrote and directed Fight Valley and the upcoming Fight Valley 2: Lockdown and we had a lot to talk about. The New Jersey native gives us an idea of what it was like to grow up on the tough streets of Jersey. Fight Valley tells the story of one woman who enters the underground female fight game to find out how her sister died. It's lady's night at the fights. You talkin' to me? Rob Hawk did and it's all here. Bang it here to listen in on my chat with Rob Hawk.
Posted in: No Huddle Reviews by J C on July 25th, 2016
“You talk dreams to those kids, you better follow through.”
There's a (not-so) grand cinematic tradition of white knights riding into rough neighborhoods and inspiring the disadvantaged kids who are seemingly stuck there. We've seen this plot applied in everything from Hardball and McFarland USA to Sister Act 2. (Hey...no one said the white knight *has* to be white). For the most part, these movies are as formulaic as they are enjoyable. So one of the many wonderful things about New Zealand chess drama The Dark Horse is that its white knight hero is a complex, damaged, well-meaning figure who's actually in worse shape than the kids he's trying to help.
Posted in: Uncategorized by Gino Sassani on July 25th, 2016
That's right. We're heading back to The All American Bikini Car Wash once again. Seems my car keeps getting dirty these days. This time we're talking to the guy who started it all (in the film). Tom McLaren plays Professor Dugan. He's the one who offers the extra credit if Jack can turn a profit with his car wash. Obviously, the prof. wasn't expecting this... I had the opportunity to spend some time talking with Tom. He was also involved in the marketing which has driven this little title into the top 15 in home video sales. He talks about that and his many other projects. He's got a wonderful book out with classic continuity pictures from the Fox vaults. It's co-written with Angela Cartwright. You're going to want to hear this. Bang it here to listen in on my chat with Tom McLaren
Want to learn more about Tom?
Posted in: The Reel World by J C on July 24th, 2016
“Everyone is afraid of the dark…and that’s what she feeds on.”
Despite rumors to the contrary, I am a full-grown adult. That means I can’t in good conscience admit to being afraid of the dark. The most I’ll concede is a sense of uneasiness if I’m in a dark space because I might bump into something. And if I hear a strange noise in the middle of the night, my mind might start creating sinister shapes out of shadows. (Hold on…am I afraid of the dark?!) Either way, that primal and unshakable fear of what could be hiding just out of sight is what powers Lights Out, one of the leaner, nimbler, and flat-out most enjoyable low-budget horror flicks in recent years.
Posted in: The Reel World by Gino Sassani on July 23rd, 2016
"Space... The final frontier. These are the voyages of the starship Enterprise. Its continuing mission, to explore strange new worlds. To seek out new life and new civilizations. To boldly go where no one has gone before."
Every Star Trek fan knows the words by heart. For 50 years they've heralded the promise of something special. From the television show that couldn't but did anyway to 12 feature films. Would #13 be the lucky one? The trailers left many of us worried that it would more than likely be unlucky. And we needed so much for this one to be great. Since the last film we lost Leonard Nimoy, who was most certainly the heart of the franchise on the screen.
Posted in: The Reel World by Archive Authors on July 23rd, 2016
Captain Fantastic has nothing to do with Elton John. (It turns out that’s not entirely true, because director/writer/actor Matt Ross (Big Love, Silicon Valley) found out his mother played Captain Fantastic and the Brown Dirt Cowboy all the time, and it must have imbedded itself in his subconscious). The story in the movie starts in a very Lord of the Flies way, with camouflaged faces hidden amongst the leaves of the woods. They are children, and one of them leaps from the bush with a knife and cuts a deer’s neck. There are seven children and they all belong to Ben (Viggo Mortensen, Lord of the Rings).
Posted in: The Reel World by Archive Authors on July 23rd, 2016
Café Society looks absolutely gorgeous. Every camera setup finds a new authentic location that suggests a time and place long ago. The lighting and cinematography by Vittorio Storaro (Last Tango in Paris, Reds, Apocalypse Now) are sumptuous and delicious. The story is novelistic like an F. Scott Fitzgerald magnum opus. Woody Allen has had a long and very productive career. He is definitely at a stage when he should have slowed down, but he doesn’t. Café Society is not Woody’s magnum opus, but it certainly feels like he is reaching for it. It has depth and complexity. It is funny at times but is generally filled with ache and regret.
Posted in: Disc Reviews by Jeremy Butler on July 19th, 2016
"It's time for the biggest gladiator match of all time. Son of Krypton versus Bat of Gotham"
In a summer chock full of blockbusters that are expected to defy box office records, dare I say this may be the most anticipated one of them all? When news about this film was first released, opposition rang out on both sides of the spectrum. Some argued that films that feature two characters facing off rarely work, especially when it comes to two heroes. I have to admit that I found myself agreeing with this argument.
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