Posted in: Disc Reviews by J C on June 29th, 2016
After a tidy, 20-year gap between making 1978’s Days of Heaven and 1998’s The Thin Red Line, director Terrence Malick has morphed into a regular workaholic. Since 2005, the enigmatic filmmaker has cranked out a whopping (for him) four movies, including 2015’s Knight of Cups. Malick’s most recent effort strikes many of the same lyrical, dazzling, and confounding notes as Tree of Life, which is the best-received film from the director’s surprisingly prolific recent run. But while Knight of Cups undeniably has glimmers of grand beauty and ambition, it mostly plays as if someone made a spot-on parody of a Terrence Malick film.
“All these years…living the life of someone I didn’t even know.”
Posted in: Disc Reviews by Gino Sassani on June 26th, 2016
American football has been making the news of late, and not just in the sports pages. For the last couple of years there has been an increasing concern for players’ safety. From our president declaring he wouldn't let his fictional son play the game to the hard-hitting Will Smith film Concussion, football has taken some heat over its violent nature. Players are retiring early, and the subject of life after football becomes more of a social question than ever before. That's where HBO's Ballers comes in. It's a half-hour look at the NFL from the player perspective, both current and retired. It's intended as a light bit of dramedy, and it certainly is that. Even so, the series doesn't hide from some of the brutal realities of the sport, from the trappings of fame and fortune to the realities of its eventual end.
Meet Spencer Strasmore, played by Dwayne "The Rock" Johnson. Spencer was a star defensive player for the Miami Dolphins. In his retirement years he has joined a financial advisor firm, teaming up with buddy Joe, played by Rob Corddry. Together they are charged with getting their NFL buddies to sign up with the firm. What Spencer ends up being is a fixer to his former friends and clients, mostly trying to help them get out of their own way. All the while he's haunted by a hard hit he delivered that ended the career of a Bills player years earlier. He's still having flashbacks. He's also concerned that he might have suffered head trauma in his years playing football. Finally through the pleas of girlfriend and sports journalist Tracy (Kebbel), he gets himself checked out. It's all in a day's work for Spencer.
Posted in: No Huddle Reviews by Dan Holland on June 26th, 2016
It is with a rather heavy heart that I give this film a low rating, because it really has so much going for it. The concept of having several psychopaths escape from an asylum, only to slaughter the patrons of a horror-themed amusement park has a lot of potential when you think about it. During the times when horror attractions such as Halloween Horror Nights have become so popular, it’s hard to believe that a film like this hasn’t already been made. (Perhaps one has, but I have not heard of one yet.) Regardless, the film is pitched as a horror comedy, which is a genre that can easily lose control of itself. Predictably, I would have been much more satisfied without the comedic elements put into the film.
The plot of the film is introduced by Robert Englund, who plays a warden of an asylum that harbors five dangerous psychopaths, including Mental Manny (Jere Burns) and the Taxidermist (Clint Howard). The criminals escape and find their way to a horror-themed carnival on opening night, and they begin killing people. A group of teenagers/young adults leave work to attend this attraction, but realize that things are not as they seem. As always, it is up to the virgin to save the bullies (her friends) and herself from the impending slaughter.
Posted in: The Reel World by Brent Lorentson on June 26th, 2016
You’d have to go all the way back to 1975 when Jaws was released that a film has come out that has given us a reason to be afraid to go into the water. There have been several attempts to capture the magic that we saw in Stephen Spielberg’s classic film about a large great white shark that preyed upon the swimmers in the town of Amity. Now that summer is upon us and the heat has us flocking to our A/C units or to the beaches, it couldn’t be a better time to unleash another killer shark film upon the masses. I have to admit when the trailers came out for this, all I expected from it was to be a campy film that just happened to be well shot. Instead director Jaume Collet-Serra (Run All Night & Orphan) delivers an enjoyable thriller.
Nancy (Blake Lively) is a med-student who has just about finished all her schooling but is struggling with the death of her mother from cancer. She leaves her home and school in Texas to take a trip to Mexico to find a secluded beach her mother used to speak so fondly of. It doesn’t take much to make a connection with Nancy and respect her choice to come to terms with the loss of her mom. Her father, played by Brett Cullen, wants her to come back home and finish school, but Nancy is conflicted with her faith in medicine, so who can blame her for wanting to grab her bikini and do some surfing to battle her grief?
Posted in: Podcasts by Gino Sassani on June 25th, 2016
We're heading back to the All American Bikini Car Wash. This time I got to talk with Ashley Park who plays Brittany. Ashley is also the reigning Miss Asia USA. She also has a pretty busy slate of new stuff coming out. We had a lot to talk about and she was a total blast to interview. Get the inside scoop from the set in Vegas. Bang it here to listen in on my chat with Ashley Park and enjoy.
Posted in: The Reel World by Brent Lorentson on June 23rd, 2016
“Are you food, or are you sex?”
When it comes to director Nicolas Winding Refn, he’s a director I’m never all too sure what to expect from. For me, Drive is one of my favorite films in the past ten years, while Only God Forgives simply bored me; despite the stunning imagery, it had nothing else going for it. His films going even further back are just as much of a mixed bag, so coming into The Neon Demon I knew better than to get my hopes up, and that I should just go ahead and let the film stand on its own, as it should. Even reading about its debut at Cannes, it was met with a mix of boos as well as applause, which was all I really needed to get interested in this film after seeing the visually impressive trailer. At a glance it appears to be nothing more than the story of Black Swan (2010), only instead of following dancers, this is a film that thrusts the viewer into the world of modeling. Just where do I stand on this film? Well, it’s stuck with me since our screening days ago, and I’m still processing everything.
Posted in: Disc Reviews by Gino Sassani on June 23rd, 2016
"Space...The Final Frontier. These are the voyages of the starship Enterprise. Its five-year mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before!"
Paramount was bold indeed when they undertook the remaster project of the original series. Not only did they clean up the prints, but they took the decidedly risky option of redoing most of the f/x shots from the original prints. We all know just how cheesy the old work looked when compared to today’s computer abilities. You could see a box around spacecraft that allowed the obvious cutout to maneuver through a cardboard star field. There were often mix-ups where phaser shots would be used for photon torpedo commands and the opposite. The planets often utilized matte paintings that look somewhat ridiculous now. We forgave these flaws with a complete understanding of the limitations the crew had at the time. While Star Trek showed us computers that were remarkably similar to the PC’s we use today, down to the floppy drives of our own yesteryear, the use of computers to create f/x was still many years away. So Paramount decided to “fix” these “flaws” and make much of the show look like it might have had it been produced today. It was a serious risk because of the extreme possessiveness fans have for these kinds of shows. Just ask George Lucas how much fans like their sci-fi tinkered with. The project encompassed a few years, and the results are quite attractive. But how do they stand up for the fans?
Posted in: Disc Reviews by Gino Sassani on June 23rd, 2016
"My name is Fox Mulder. Since my childhood, I have been obsessed by a controversial global phenomenon. Since my sister disappeared when I was 12 years old in what I believe was an alien abduction. My obsession took me to the FBI, where I investigated paranormal science cases through the auspices of a unit known as the X-Files. Through this unit, I could continue my work on the alien phenomenon, and the search for my missing sister. In 1993, the FBI sought to impugn my work, bringing in a scientist and medical doctor to debunk it... which only deepened my obsession for the better part of a decade, during which time that agent, Dana Scully, had her own faith tested. In 2002, in a change of direction and policy, the FBI closed the X-Files, and our investigation ceased. But my personal obsession did not."
Just in case you don't know what the heck we're talking about here.
Posted in: Podcasts by Gino Sassani on June 22nd, 2016
Summer is here and Upcomingdiscs has been cooling off at the All American Bikini Car Wash. We thought it would be a good idea to talk to the guy who came up with the whole thing. That would be writer Patrick Rodio. I had a chance to talk with Patrick about the film. It was a lot of fun and I got the story behind the story. Bang it here to sit in on my chat with Patrick Rodio.
Posted in: Disc Reviews by Gino Sassani on June 22nd, 2016
"Space...the final frontier. These are the continuing voyages of the starship Enterprise. Its ongoing mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no one has gone before!"
Every Star Trek fan has had that phrase beaten into their brain about as many times as Uncle Ben's mantra about great power and great responsibility. Who knew that the tagline was appropriate to filmmaking? When J.J. Abrams signed on to direct the reboot/remake/reimagining/rehash (insert your own word here) of Star Trek, he quickly made it known that he was not really that into the franchise. He considered himself a Star Wars man, and a chill went through the spine of every Trek fan on the planet. I approached the 2009 effort with dread.
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