Posted in: Disc Reviews by Brent Lorentson on August 12th, 2016
What if you were given the chance to step back in time; would you take this opportunity to change the world, even if it meant having to kill someone for the “greater good”? This is the question that kicks off the story that is 11.22.63, from the novel written by Stephen King. Sure, merely mention Stephen King and many automatically people think of the man as the master of contemporary horror. Yet some of his prolific works that have made their way to the big screen and have gone on to be classic pieces of cinema are less about horror and more about friendship and the deepest bonds we can share with another
Posted in: No Huddle Reviews by Dan Holland on August 12th, 2016
The Boy Who Cried Werewolf (1973) is an interesting collection piece for fans of horror film. It marks the end of Universal’s long-standing tradition of double-billing B-horror films from the 1930’s onward. That being said, The Boy Who Cried Werewolf and its companion film Sssssss (1973) are the physical evidence of the end of an era. This particular release drops the double- billing tradition, which is rather confusing to me, simply because the Universal Studios distributing system’s historical relevance is worth more to me than the actual film. Outside of the context that I have provided, this film doesn’t have many interesting qualities.
Posted in: Disc Reviews by J C on August 11th, 2016
“The story of the American Frontier is a tale of conquest, but also one of survival, persistence, and the grit of the people.”
And the story of the American Western is a tale of quick draw competitions, fights aboard speeding trains, and other assorted horseplay. Each of those elements can be found in Traded, which inelegantly grafts the plot of Taken onto an Old West setting. The problem is that nothing here is executed particularly well.
Posted in: No Huddle Reviews by Archive Authors on August 11th, 2016
When I think of the Bible, I don’t think of northern Ontario. But there is an appetite for Christian-themed movies, and Canada is one of the most cost-effective places to produce movies. They have studios and sets up there, so it isn’t the worst idea in the world to go there to make any movie, even movies that take place in a very arid, hot, and dusty place. I have reviewed a group of Biblical films that Ted Turner produced for the TNT Network in the 1990’s. They were fairly well made, and, yes, they were made pretty close to the original locations. This new group of Biblical films is not quite up to those standards. I am reviewing The Apostle Peter: Redemption, but the same company has also produced Joseph and Mary, so we can probably expect more.
Posted in: No Huddle Reviews by Jeremy Butler on August 11th, 2016
I fear our acceptance of A Haunted House has opened a door that we may never be able to close, as it would cause the disaster that is Meet the Blacks to be born. Parody films have the potential to be extraordinarily funny or incredibly bad. Can you guess what side of the scale this film falls on? Whether it be through overacting or jokes that attempted to play on every stereotype known to man, Meet the Blacks never really manages to get off the ground and make me laugh, which is equally disappointing given the sheer talent pool of comedians in the film: Mike Epps, Charlie Murphy, DeRay Davis, Lavell Crawford, Michael Blackson, Lil Duval, Paul Mooney, and the list goes on. As I said, this was a clear waste of talent.
Posted in: Podcasts by Gino Sassani on August 10th, 2016
HBO's groundbreaking medical drama, The Knick is set at the turn of the 20th century. One of the highlights of the series has to be the graphic depiction of surgical techniques from 1901. From the splitting of the first co-joined twins to the second season finale where Dr. Thackery performs surgery on himself. Justin Raleigh leads the team that delivers on these extraordinary makeup effects. His methods have even led to the medical community calling on the team to create materials for actual doctors in training. He's also the man behind the effects on Viral which John reviewed for us Here. I had a chance to talk with Justin for a few minutes. Now you have a chance to hear about these groundbreaking creations. Bang it here to listen in on my chat with Justin Raleigh.
Posted in: Tuesday Round Up by J C on August 9th, 2016
Look! Up in the sky! It's a bird...it's a plane...it's Superman! (Wait a minute, that's not right...let me grab my glasses and take a closer look.) I stand corrected...it's actually Supergirl flying into UpcomingDiscs HQ this week! Thanks to Warner Bros., we'll have a review of the CBS CW action-drama's freshman season. Meanwhile, CBS/Paramount takes it (Big) Easy for Season 2 of NCIS: New Orleans and gets our hearts racing with Code Black: Season 1.
One last reminder before signing off for the week: if you’re shopping for anything on Amazon and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!
Posted in: Disc Reviews by Gino Sassani on August 9th, 2016
"Everything just feels so out of control. I don't remember who I am. Who I was. Whatever life I had is gone. Shattered into a million tiny pieces. Sometimes it's hard to breathe."
I have to credit Blindspot's creator Martin Gero with providing one of the more memorable moments on television with the opening minutes of the series. Unfortunately, by the time we saw the pilot that image was already ruined by the countless spots used to promote the show's premiere. We see a police officer in Times Square approach a bag with a sign on it that asks the FBI be alerted. The cop approaches the bag a bit frightened it might be a bomb and blow up on him at any time.
Posted in: The Reel World by Brent Lorentson on August 8th, 2016
In the days leading up to the release of Suicide Squad, over the internet there has been one of the most vicious attacks on a film before its release that I can remember. Sure, we had all the negative talk about Ghostbusters,but that was before anyone had ever seen the film, and as screenings came along, opinions seemed to sway. Now I was lucky enough to attend a screening Monday for Suicide Squad, and there were up to 150 people turned away at the door because the auditorium was filled to capacity. I mean, the buzz for this was high, and we DC fans were giddy, because this film was our hope that WB would be turning things around. I mention all this because now this has managed to become one of the worst-reviewed films of the year, and I’m just sitting here like WTF happened, did they see some other cut of the film?
Posted in: Disc Reviews by Brent Lorentson on August 8th, 2016
When I first saw the trailer for Keanu I wasn’t sure if what I was watching was a real trailer or simply a sketch from the Key and Peele Show. Thankfully this turned out to their first starring foray in taking their talents to the big screen. With one look at the trailer, I felt they were attempting to capture the over-the-top stylish action we got in most 90’s action films, Face/Off is the first that comes to mind, but really there are countless examples. But the real star of the film is little Keanu himself, the ball of feline cuteness that will either have you embracing the film from the start or have you rolling your eyes (yeah, I’m talking about those cat haters out there). Grab your Glock, and don’t forget the catnip, as we scratch a little deeper into Keanu.
On The Web
Sponsors
