Posted in: No Huddle Reviews by Archive Authors on July 7th, 2016
I wrote about The Facts Of Life before (Season 7 in October 2015 and Season 8 in February of 2016). The final season (Season 9) made it one of the longest-running sitcoms up to that time. It was never a number one show, but was consistently popular over the years. There is no George Clooney (Clooney had moved on to Rosanne) in the final season, or Charlotte Rae (who was just tired and left in Season 7). The focus in Season 9 was on the four girls, Blair Warner (Lisa Welchel), Jo Polniaczek (Nancy Mckeon), Natalie Green (Mindy Cohen), and Dorothy ‘Tootie’ Ramsay (Kim Fields), because they were growing up and becoming adults. This led to the whole season being a lead-up to potential spinoffs. They did introduce a new young character, Pippa Mckenna (Sherri Austin), who was a feisty part exchange student/part runaway from Australia. Cloris Leachman returned after joining in Season 8 as the replacement house mother. Mackenzie Austin also returned as the precocious Andy Moffett. But the focus on the girls was about them growing up and moving on. Engagements, marriages, premarital sex, adult jobs, college, and moving to new locations were part of the main storylines of the final season. The Facts of Life was originally a spinoff of the popular Different Strokes. The whole focus of the final season was could The Facts of Life be spun off? One episode had Natalie moving to New York to live with roommates including Richard Greco and David Spade. In another episode, Blair purchases their old school, Eastland, which included student cast members Juliette Lewis, Mayim Bialik, and Seth Green
All the girls were essentially adults and all had serious boyfriends. We finally got to see the mysterious Snake (Robert Romanus from Fast Times at Ridgemont High), the fabled boyfriend of Natalie, which was the focus of the parental warning episode. Jo developed a relationship with a somewhat unstable former pianist, Rick Bonner (Scott Bryce), which bounced in uncomfortable directions. Blair seemed to finally find a match in someone who was her complete opposite, Casey Clark (Paul Provenza), but eventually her somewhat inflexible nature seemed to work against her. ‘Tootie’ seemed to have a secure sense of herself and pursued her dreams of marriage and career in a clear-headed manner.
Posted in: Disc Reviews by J C on July 6th, 2016
“Hello boys…I’m baaaaaack!”
You probably know that Independence Day — the spectacular, shameless sci-fi smash that introduced the world to “Will Smith, Global Superstar” — dropped a sequel last month. What you may not know is that the original film has been granted a 20th Anniversary Blu-ray and UHD release. I was 13 when ID4 came out in the summer of 1996, which means the movie’s deluxe destruction and alien shoot-em-up antics were right in my wheelhouse. So I was curious as to how an older and wiser, um, taller version of me would feel watching it with a critical eye.
Posted in: Disc Reviews by Gino Sassani on July 6th, 2016
"I don't know if it's a demon or a devil, or just some hungry thing from some dark place in time. I just know it's not going to stop coming after you or anyone else it wants to. 'Cos once it has the scent of something it likes, it can't be stopped."
Just days before the tragic events of 9/11 brought so much real-life horror into our lives, Victor Salva attempted to resurrect some old-school monster movie magic on the movie-going public. The low-budget thriller hit the box office with a bang. Its $13 million opening weekend was a record for Labor Day and is partly responsible for studios taking a closer look at the traditionally slow release weekend. It was the #1 film, beating out sequels to both Rush Hour and American Pie. Unfortunately for all of us, 9/11 fell upon us, and box office numbers tanked. We had other things on our minds. The last thing the American public wanted suddenly was to be scared... we already were. Still, that strong opening weekend was a signal that monster movies might be back, and Jeepers Creepers might be the film to lead the genre into the 21st century.
Posted in: The Reel World by Archive Authors on July 6th, 2016
If a film is highly original, that is usually a good thing. If it completely defies logic, that might be good or bad, depending. If it defies common sense and intelligence, that would be a bad thing. Swiss Army Man does all of those things. It is tantalizing with possibilities that are explored, but frustrating in execution. It is rude and unpleasant, and not in a good way. Some people will respond to its ridiculous rudeness in a positive way, like the way that most children laugh when someone farts. That is not the real problem with this movie. The real problem is a lack of inherent logic to much of what occurs. One could say that it is a result of the obvious insanity of the main character of the movie, Hank (Paul Dano). I would suggest that the filmmakers might not have fully understood what they were trying to convey. I think they were caught up in the execution and got lost along the way. The main themes of the movie are alienation, loneliness, and insanity, but our framework for judging these characters is so skewed as to make it impossible to interpret what is actually happening. Some parts are clearly psychotic delusions, but other parts just seem silly tangents by the filmmakers that seem stylistically playful for no effect whatsoever. I can say I like some of the more bizarre moments from time to time, but the effect of the film as a whole is repulsive.
I don’t disagree with the point that films like these should be encouraged, because we are at a point in modern culture that we are being smothered under tons of pablum. Swiss Army Man stands out because it is reactionary to what is going on in the modern culture. It is gross, chaotic, and strange. I welcome things that are offbeat. But in this case, I was turned off. Some of it is genuinely funny in a real way as well as being bizarre, but much of the movie drifts off into confusion. I doubt I am going to ruin anything by revealing the plot, but if I did, it wouldn’t make any sense. It starts with Hank getting ready to hang himself in the mouth of a cave on a deserted beach. Just before he kicks the bucket, he sees another human being washed up on the beach. It is Manny the corpse (Daniel Radcliff of Harry Potter fame). Manny becomes someone with whom Hank develops a very complex relationship. Often Manny demonstrates numerous useful talents, mostly revolving around his flatulence. Slowly Manny starts to show signs of life and even intelligence. Then we are not sure what is happening. Hank is also obsessed with a woman he saw on a bus once, Sarah (Mary Elizabeth Winstead). And are we actually on a deserted island, or just down the hill from Sarah’s house?
Posted in: Tuesday Round Up by J C on July 5th, 2016
“Dear diary: the ringing in my ears from last night's fireworks display in my backyard stopped a few hours ago, so why am I jotting down my thoughts here instead of speaking them aloud?” Apparently, this week's crop of releases — which includes a pair of Diaries and a set of Tapes — has put me in an introspective mood. Lionsgate focuses on The Adderall Diaries, while Anchor Bay takes the law into its own hands with The Vigilante Diaries. If you're more of an A/V person, you can just pop in The Levenger Tapes courtesy of Lionsgate, which also operates by a Code of Honor. Finally, Cinedigm finds inspiration in the Bible to tell the story of Joseph & Mary.
It's time for your weekly reminder before signing off for the week: if you’re shopping for anything on Amazon and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!
Posted in: Disc Reviews by Brent Lorentson on July 5th, 2016
We’ve all heard and seen the story before; a family loses a loved one and consumed with grief they meddle with unknown forces to see their loved ones again. The Monkey’s Paw is one of my favorite stories that cover the topic. I’m sure everyone at some point had to read this short story in school. Having read the story and seen the numerous films that have covered the topic, you’d think by now people would have learned to not mess with forces they don’t understand. The Other Side of the Door is the new paranormal horror film to cover the subject, and it seems people still just haven’t learned. Is the film worth taking a look to see what lies beyond the door, or is this one better left alone?
After taking a trip to India, Maria (Sarah Wayne Callies) and Michael (Jeremy Sisto) love the country so much that they decide to move and raise a family there. The family seems to be doing well; they eventually have a son, Oliver (Logan Creran) and a daughter Lucy (Sofia Rosinsky). Everything seems to be great till there is a tragic car accident where Maria is faced with losing Oliver after being unable to free him from the car as it becomes submerged in a river. Of course grief and guilt overwhelm her, and with good intentions a maid at their home refers Maria to a temple where she can perform a ritual and say a proper goodbye to her son. Only there is a rule: don’t open the door no matter what you hear. Well, we wouldn’t have much of a movie if she’d followed the rules. Besides, in these films the characters do nothing but make terrible decisions while we look on from the comfort of our seat shaking our heads about their foolish choices.
Posted in: No Huddle Reviews by Gino Sassani on July 5th, 2016
"What does sex have to do with criminal law?"
Shonda Rhimes pretty much has an answer for that. It doesn't matter if it's a hospital or a law firm, Rhimes knows how to interject the musical-beds routine about as well as anyone can. Of course, it's really Peter Nowalk who is the creator and showrunner for How To Get Away With Murder, but while Nowalk might be driving the bus, Rhimes’ touch can be found in every corner of the sophomore ABC series. It's a formula that appears to work for both Rhimes and the ABC network which finds her first hit, Grey's Anatomy, just finishing its 11th season. I guess you can't argue with success. Let's see if I can argue with How To Get Away With Murder Season 2.
Posted in: No Huddle Reviews by Brent Lorentson on July 5th, 2016
With the summer in full swing it’s time dust off those swimsuits and enjoy getting some sun with friends and family. For those of you who want to avoid the bugs and heat, well, you can always crank up the AC and enjoy a film or two. But if you’re staying inside with your Corona or whatever your drink of choice is, you’ll be sadly missing out on all the bikini-clad babes who will be lying out by the pool or beaches. No need to fret, because I think I have just about the next best thing, All American Bikini Car Wash. Sure, go ahead, roll your eyes and think I’m nuts, but if you’re looking for a fun little movie to watch alone, or with friends while throwing back some drinks, this is the film for you. And even better, this is a film you don’t have to feel weird about or hide from your girlfriend while watching, because it actually has a charming little story to go along with it.
Jack (Jack Cullison) is your average college guy who’s been enjoying the college life too much, and as a result he’s lost his job and is failing his business class. To make ends meet he’s having his friends stay at the house with him and having them pay rent, though his father believes Jack is doing nothing more than making the home a frat house. As a favor to Jack’s father Professor Dugan (Tom McLaren) Jack runs his carwash as a way to make extra credit and get some business experience as well. But what does Jack know about running a car wash? It’s Vex (Jason Lockhart), the less business-savvy and sex-crazed friend crashing at the house who comes up with the plan to utilize their beautiful friends to strap on bikinis and wash the cars.
Posted in: The Reel World by Brent Lorentson on July 2nd, 2016
I’ve always been a fan of Tarzan; I loved the old series and the films basically because I just dug how he was this fearless character who lived in the jungles that fought the bad guys and a few wild animals as well. As I got older that was when I discovered the books of Edgar Rice Burroughs, and I just had a blast with all these pulp tales about the civilized Wildman and the beautiful Jane. I even remember how excited I was about seeing Greystoke: The Legend of Tarzan as a kid; even though this screen adaption bored me to tears, it was still exciting to see the character up on the screen. Now it’s 2016, and the character is swinging into action on the big screen again, and with a large budget to back it up. The trailers had me excited; everything seemed to look how I always hoped a Tarzan movie should be. Did the film manage to meet my expectations? Well, it came close, and the result is a film that shows how the wrong director can ruin a great story.
The casting of Alexander Skarsgard is just about as good as you can hope for in casting the role of Tarzan/ John Clayton. It’s absolutely vital how important it is to get the physical look of the character and make it believable that he can be stealthy, as well as a brute force that can fight giant apes and crocodiles but still look the part of a British lord. Sure, many audience-goers will enjoy the numerous shirtless scenes the film offers, but it makes it all the more believable when we see the character pull off some superhero-like scenes. When it comes to the casting of Margot Robbie as Jane, she is a knockout here. She plays this damsel (not so) in distress in such a charming loveable way that it’s clear that by the end of summer following the release of Suicide Squad she will be the A-list actress off Hollywood. She brings so much life to Jane that you can understand why Tarzan will do just about anything for this woman, and when they are together it’s a chemistry that has me hoping so much that we’ll get more adventures of Tarzan and Jane.
Posted in: Site News by Gino Sassani on June 30th, 2016
My review of the Director's Cut of Star Trek: The Wrath Of Khan pointed out some glitches in the audio presentation. I promised I would seek an answer from Paramount. That answer has arrived. You can get a replacement disc. The paramount response is below:
It has come to our attention that there is a slight master assembly error on the recent Star Trek II: The Wrath of Khan Director’s Cut Blu-ray release. Fans who would like a replacement should contact our customer service department at wrathofkhanreturns@tce.com or toll free at 844-898-4365. The corrected product will be shipped free of charge.









