Are you happy? What makes someone happy? That's the subject of the documentary Pursuing Happiness. Director Adam Shell spent 2 years out on the road looking for the happiest people in the nation. Who they are and what makes them happy might surprise you. I had the opportunity to spend some time talking to Adam. What did he find out? How did it change his own life? Bang it here to listen in on my chat with Adam Shell.

You might also like to visit the film's website. Find out how you can see a copy of Pursuing Happiness.

Look at where the world is because of solitary dudes going mental in the desert.”

Depressed, deplorable artist Tom heads to the Mojave Desert, where he unexpectedly meets his match in crazed, charismatic drifter Jack. The fact that their tense encounter results in a death is one of the least surprising things about Mojave. What initially appears to be a cat-and-mouse game set in the desert turns out to be an interesting, uneven meditation on perception vs. reality that spills over into the vapid world of Hollywood.

"There's always room for improvement."

Banshee is one of those improbable plots that finds a way to pull us into the action all the while ignoring how unlikely any of this might really be. Of course, we do that all the time. It's certainly unlikely we're going to face a zombie apocalypse or run into a super-powered hero. That's a different kind of unlikely. This kind of real-world fantastic is usually a bit harder to accept. Credit folks like Allan Ball for keeping us engaged with some of the most entertaining sleight of hand on television. Entering its third season, the series shows no signs of slowing down. You absolutely can't start with season three. There's too much "must-know" build up here. You can get caught up on the characters and first two seasons here.

After screening Payback, I did a decent amount of research to find information about the director in an effort to better understand the film from a production standpoint. After searching on the web for a bit, I discovered that there is really not much information about the film outside the fact that it is a Hong Kong production, written and directed by first timer Fu Xi. This is a bit strange, considering the fame of the lead actors Francis Ng and Fan Siu-Wong. Anyone who has a mild interest in the action cinema of Hong Kong would recognize Fan Siu-Wong from Ip Man, Ip Man 2, or my personal favorite, the gore-filled Riki-Oh: The Story of Ricky.

Francis Ng plays a lowly, disheveled cab driver (very well, I might add) who picks up a newly released prisoner, Zhang Jin (played by Fan). In typical action-thriller fashion, Zhang Jin becomes the target of an assassination plot to tie up loose ends, and he finds an unlikely ally in the cab driver. Although I’m much more familiar with Fan Siu-Wong’s performances, Francis Ng’s acting in this film is absolutely fantastic. Distraught with the recent murders of his wife and daughter, watching him spiral into insanity both emotionally and physically was quite an enjoyable ride. As a matter of fact, the picture on the DVD sleeve which depicts Ng holding a gun is rather misleading. Throughout the film, Ng’s acts recklessly out of grief, but is believably clumsy in his mannerisms: He is an outraged civilian who happens upon a gun, who takes matters into his own hands without knowing anything about firearms or the repercussions of revenge. I believe this, ultimately, is Payback’s saving grace.

Any time I would catch the show Storage Wars, I always would watch with this morbid curiosity with the hopes that one day they’d open a storage unit and discover something more than a few lost boxes.  With the millions of storage units that are spread throughout the country, you’d have to imagine that hidden away in a couple of these units are some pretty awful things that would turn the stomachs of most.  Is this simply a thought I have from watching too many horror films? Most likely, but I can’t be the only one out there; after all it would seem this line of thinking is what brought The Hoarder to the screen.  In the new horror release we get to discover there is more to fear than a few old dust bunnies when venturing out to the local storage unit; in fact it can possibly turn into a trip you may never return from.

Ella (Mischa Barton) is having doubts about her current boyfriend; they are the kind of doubts that lead her to believe he has something to hide in his storage unit.  After she’s swiped his card key to the unit, Ella drags her best friend Molly (Emily Atack) along to see what all they can find.

Welcome to the 21st century!”

Welcome to the world of 4K UHD Blu-ray. This is our first 4k review. It won't be the last.

Not that long ago, in a theatre that was hopefully not too far, far away from your galaxy home…chances are you settled in to enjoy Star Wars: The Force Awakens. The movie went on to become the highest-grossing film of all time in the U.S., and this week you can bring the Force home. You can actually already check out our review of Disney’s Blu-ray release for Star Wars, along with our thoughts on Showtime’s House of Lies: Season 4.

Banshee: Season 3, from HBO, is a real scream. Meanwhile, RLJ Entertainment throws us a Curveball and was kind enough not to keep The Hoarder all to itself. Shout! Factory cops to NYPD Blue: Season 9. Finally, Lionsgate starts at the very beginning with The von Trapp Family: A Life of Music and has it made in the shade with Mojave.

Earlier for our Maude Review I talked about the All In The Family "coaching tree” and the number of spinoff that show produced. Maude was the first, but the most successful by far has to be The Jeffersons. The family moved into the house next door to Archie Bunker early in the first season of All In The Family. While Norman Leer always intended Sherman Hemsley to play Archie's black nemesis, the actor wasn't available for the role. Thinking ahead, the show introduced another actor as Uncle Henry to spar with Archie for a while. The son Lionel would also change actors over the years. There is no doubt that when Hemsley finally appeared as George Jefferson, the chemistry between him and Carroll O'Connor was instant magic.

The families would be neighbors for four years when the network, seeing the popularity of the Jefferson family, decided it was time for them to move it on up to the Eastside. George's chain of dry cleaners was making good money, and they could finally afford a "De-Lux" apartment in the sky. In addition to Hemsley as George and Isabel Sanford as wife Louise "Weezie" Jefferson, the cast included Mother Jefferson, played by Zara Cully. She hated her daughter-in-law and was always turning up her nose at the woman. She thought George was such a wonderful husband. Of course, he wasn't. Like Bunker he was racist and a crude man. He also had a temper, often coming out of his insecurity at being rather short. He never spoke when shouting worked just as well.

"NYPD BLUE wishes to dedicate its season to the memory of the New York City police and firefighters who sacrificed their lives on September 11th, 2001. Their heroism will never be forgotten, and we extend our deepest sympathies to their families and loved ones." 

As NYPD Blue entered its ninth season, there were tragic circumstances both on the screen and in real life. On the show Andy's former partner Danny Sorenson ends up dead, and in the real world New York City experiences the devastating events of 9/11. Both are addressed as the season opens.

When you see the name Kiefer Sutherland and Jon Cassar together, you might well expect that you're going to get another helping of the popular television series 24. There Sutherland made a pretty big name for himself in the television landscape as the gritty and "get it done" cop Jack Bauer. In the director's chair for a good many of those episodes was Jon Cassar, who also shared executive producer duties on the long-running show. But you won't find the ticking-clock-modern world of Jack Bauer here. Instead you'll find a thoughtful western that actually avoids a lot of the genre-typical violence and delivers one of the better westerns I've seen in many years. There's also the added attraction of the first time Kiefer shares a screen with his iconic father, Donald Sutherland. Yes, they both appeared in Max Dugan Returns and A Time To Kill, but they did not share the screen together. That father and son chemistry is the focus of Forsaken.

John Henry Clayton (Kiefer Sutherland) returns home to the small town of Fowler, Wyoming a decade after serving in the Civil War. After the war he became a hired gun and has finally reached a point in his life where he wants to put the violence behind him. He returns to his widower father (Donald Sutherland), who is the town's preacher and has been ashamed of the reputation his son has earned for himself as a killer. Now John hopes to live a life of peace.