“’Have gun, will travel’ reads the card of a man. A knight without armor in a savage land…”

Those words ended every episode of Have Gun Will Travel, sung by Johnny Western in a time that such words could be sung without irony. Outside of Richard Boone’s black-clad, craggy, Rhett-Butler-gone-to-seed gunfighter, that song was all I could really recall about this venerable Western from television’s golden age. Would it, like so many revisited shows from my youth, ultimately disappoint? Or would it hold up fifty years after it was originally broadcast, viewed as it would be by the far more jaded, cynical man I’ve grown into?

There's a grand, lurid tradition of cinematic saps who think with the wrong head and get themselves in a heap of trouble. Misconduct tries to tap into that spirit while also mimicking none other than Alfred Hitchcock and Brian De Palma (who was pretty much mimicking Hitchcock himself). Those are some lofty goals, but — at least on paper — Misconduct has some heavy hitters on hand to help achieve them. Unfortunately, this legal thriller is guilty of sloppy, nonsensical storytelling and largely wasting the talents of a pair of screen legends.

What are you willing to do to save the life of someone you love? Would you sail across an ocean? Battle a cyclops or fire-breathing dragon? Or maybe smuggle a substantial amount of drugs across the United States-Mexican border. In Crossing Point, one man is pitted across immeasurable odds to accomplish such a task. Young lovers Michael and Olivia are enjoying a vacation in Baja with close friends. A clear romantic, Michael is ready to leave behind his club days and commit to the love of his life. Their happily ever after is derailed after Olivia is abducted by a drug cartel, and Michael is tasked with smuggling their product across the border into the United States in 12 hours.

I was entirely too young to remember even the syndicated run that my mother was watching in the late 1960’s. Under more normal circumstances that would not matter as I could introduce myself to this world with the DVD release. That was before 1987 and the release of Brian De Palma’s classic film. Honestly, I simply can’t watch these episodes without thinking of that movie. For an entire generation that film has defined these characters and that time. It’s unfortunate, really, because this 1960 series had a lot going for it, particularly when you look at what else was on television at that time. Never before had such brutal violence in such a starkly real world graced the black and white sets of America.

With every day that passes we lose those who survived the horrors of World War 2, and eventually there will no longer be those with memories to share from the past, and all that will be left are the films and newspapers from another era.  As these survivors grow older, their memories fade, and all that is left are fragments pieced together from what they can remember.  In the new film Remember from Atom Egoyan, he delivers an intimate tale about a man suffering from dementia who is seeking revenge for atrocities committed in the past.  Considering Egoyan’s last film left me a little underwhelmed I went into this film with caution, and the result is that I think this may be Egoyan’s best work.

The Fourth of July is still more than a month away, but we don’t feel like waiting that long for the fireworks to start. Thanks to the fine folks at Fox, we’ll be reviewing an out-of-this-world 20th Anniversary Blu-ray Edition of Independence Day. CBS loads up with Have Gun, Will Travel: The Complete Series, lays the law with The Untouchables: The Complete Series, and goes on the hunt with Beauty and the Beast: Season 3. Meanwhile, Paramount laughs it up with The Jim Gaffigan Show: Season 1, and Shout! Factory checks into Newhart: Season 5. Finally, Lionsgate goes searching for Manson’s Lost Girls.

One last reminder before signing off for the week: if you’re shopping for anything on Amazon and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!

With The Choice, there have now been 11 movies based on the work of mega-selling author Nicholas Sparks. (Eat your heart out, John Grisham.) However, I'm pretty sure that even the most ardent Sparks fan/apologist caught on to the author's formula about 8 or 9 tearjerkers ago, and practically every one of those clichés is in full force here. But while The Choice calls back to the most successful Sparks adaptation, the movie also explores a less glamorous side of romance that we're not used to seeing on screen.

Should you pursue your dreams at any cost? If your life seems bleak and hopeless, should you go for broke and bet everything on what you believe? These questions are even more relevant to people who are creative artists, because they will often be told that their dreams are hopeless and unattainable. The rewards can be great, but the odds of succeeding are easily a million to one. Sing Street takes place in 1985 and is about young kids writing songs and making music videos. The parents, Robert (Aiden Gillian, Petyr “Littlefinger” Baelish from Game of Thrones) and Penny (Maria Doyle Kennedy, Siobhan Sadler from Orphan Black) are struggling like almost everyone in Dublin in those days.

Shout Factory digs into the archives for this one. It was back in 1988 that French director Jean-Jacques Annaud went into the wilds to bring us The Bear. Of course he's best known for his take on primitive humans in the more successful Quest for Fire. Like that film, The Bear uses almost no dialog. While it appears to be a nature story akin to Disney's recent Bears, these animals are trained and following a carefully-crafted script based on a novel written by fellow Frenchman Gerard Brach. There is also a small use of stop-action bears that were created by Jim Henson out of his Creature Shop.

"Suit Up!"

When I was a kid we had something called a toy box. Do kids even have such things anymore? Inside we were supposed to keep our toys when we weren't playing with them. Inside mine there were dinosaurs, cars with track, army men, spaceships ... and yes, superheroes. To open the toy box meant to prepare yourself for imagination and fun. Sure, the box got crowded after a while, but I was always filled with some kind of anticipation when I looked inside. Today going to see a Marvel movie is very much like lifting the lid on a toy box.