Posted in: Site News by Gino Sassani on April 21st, 2016
Paul's been with us for a while. Regular readers are familiar with his work because he's just reached his 200th review. He's absolutely the most off-the-wall writer here, but we love him because he makes the rest of us look sane. Hopefully, he'll be driving us crazy for another 200.
Posted in: Disc Reviews by J C on April 21st, 2016
“Due to the explicit sexual nature of the following National Lampoon Radio Hour, it's featured as adult entertainment and not recommended for children's ears without parental supervision.”
Even if you had no idea it originated as a magazine, the name “National Lampoon” instantly conjures images of raunchy, subversive, anti-establishment humor. That's how strongly the iconic comedy brand managed to embed itself into pop culture. (In addition to the magazine, there were stage and radio shows along with at least two classic movies.) This dynamic, uproarious, and aptly-titled documentary does a very good job of illustrating how that happened.
Posted in: No Huddle Reviews by Gino Sassani on April 20th, 2016
"Two can keep a secret as long as one of them is dead."
When it comes to Pretty Little Liars, it seems making the fans crazy is what they do best. The fifth season of the show is out on DVD, and this is no place for beginners. If you don't know who Aria, Spencer, Emily, Hannah, and Alison are, it's time for you to head back to the beginning and catch up. You can find our reviews from those seasons here. For the rest of you, let's talk Pretty Little Liars, shall we?
Posted in: No Huddle Reviews by Archive Authors on April 20th, 2016
I am by no means an expert on the Bible. That is why I am always anxious to see filmed representations of the stories, since most of my knowledge comes from other people. It’s always an interesting topic, and so many people have their own interpretations. I think that is the point. I think discussion of the Bible allows people to express their own inner thoughts about their relationship to God. But I long ago gave up on the idea of ever getting a clear picture of the meanings of the stories. There will be plenty of people who will tell you they know all the answers, but I sincerely doubt anyone has any such thing. I previously reviewed Abraham from this series, which was an earlier story in the history of the Jewish and Christian faiths. The reign of King David took place approximately around 1010 to 970 B.C., but this movie also incorporates the reign of Saul who preceded David. The first thing I should say is that these stories are crammed with acts of violence and human weakness.
Two fine actors start this story. Saul (Johnathan Pryce) is searching for some lost sheep and told to go to the wise man and prophet Samuel (Leonard Nimoy). Samuel proclaims that the Lord God has said Saul shall be king. Saul is a humble man who grows more and more gripped by the demands of his power as King. He often breaks God’s commands in the belief that is best for his people. Samuel becomes more and more irate at Saul’s lack of faith in God’s word. Samuel leaves to find the new King who will take Saul’s place. Saul is generally well-intentioned but constantly making decisions against God’s will. I should say that God’s demands are often very violent, calling for the death of every man, woman and child who opposes his people.
Posted in: Disc Reviews by Archive Authors on April 20th, 2016
America was once a primitive expanse where only very small groups of hardy hopefuls ever tried to venture across. It was a vast and endless wilderness that was mostly a mystery. This was the land of roving Indian tribes and undiscovered species of animals. This was a land of all kinds of danger. Life was one long hunt and endless battle against every kind of predator and natural enemy. There are so many remarkable moments in The Revenant that I will start with the bear attack. It is an unbelievably harrowing event that cannot be described in words that will in any way convey what you see on the screen. That one sequence alone is worth the price of admission. The story is based on a true life pioneer and fur trapper, Hugh Glass, who Leonardo DiCaprio plays in the film. The bear attack that is central to the film is believed to have occurred to the real Hugh Glass. It is not just the bear attack that is brutal and shocking, but the ordeal of the entire film. It is unlikely that any film you have ever seen about early America has so completely depicted the relentless savagery of survival. The events that surround Glass are the stuff of legend in which various embellishments and conjectures were made over the years, muddying whatever truth might be found.
Director Alejandro González Iñárritu (Birdman) immersed himself in the story and fashioned his own version of events. This story is about endurance taken to the limits of the imagination. It should be noted that the film has become legendary itself with tales of abuse of the actors and crew. It is widely acknowledged that DiCaprio might have endured the greatest hardships personally and willingly, including sleeping in a dead bear carcass. The film is over two and a half hours of hardy men in the wilderness, which then focuses on Glass surviving alone with massive wounds and broken limbs. The film becomes a revenge film that outstrips the intensity of all previous revenge films. It probably takes that intensity to extremes that most people cannot even endure watching. This is aided by the amazing and singular cinematography of Iñárritu’s long-time collaborator, Emmanuel Lubezki. The depiction of every sequence which includes numerous battle scenes is unlike any other. It has a flowing handheld immediacy while rivaling the look of the most ravishing IMAX presentations. Many long, protracted fights are depicted in long orchestrated takes. The cinematography alone distinguishes the film, but that is only one element of the collaboration that Iñárritu achieved. It is widely believed that DiCaprio will finally get his Oscar for this. He deserves it. I don’t know how he is as a person. I hear he is something of a party boy, but when he works, he has few rivals in going to any lengths and enduring any hardships to achieve the ultimate. At times he shows almost too much range.
Posted in: Disc Reviews by J C on April 20th, 2016
“Billionaires are people too.”
HBO’s Silicon Valley, which takes merciless aim at the tech capital of the U.S., was impressive right out of the gate. The series struck comedy gold in its debut season by making fun of both self-important, aggressively eccentric billionaires and the bumbling “guys in a garage” who are trying to get to their level. Season 2 is both nerdier and more confident in its skewering of corporate soullessness and the scrappy underdogs who often can't get out of their own way. (I'm not sure there's another show on TV that would use a SWOT analysis to decide whether a douche-y stuntman lives or dies.) The result is a very funny sitcom that has gotten even better.
Posted in: Tuesday Round Up by J C on April 19th, 2016
We've got a bear of a Round Up for you this week, my friends! Leonard DiCaprio tussled with a vicious grizzly and took home his first Oscar for The Revenant. And now, thanks to Fox, we'll bring you a Blu-ray review of the hit survival drama. Lionsgate also engages in some gross Misconduct, while Entertainment One seeks safe Haven: The Final Season. HBO plays second fiddle with Veep: Season 4 and innovates in Silicon Valley: Season 2. Comedy Central brings back Daniel Tosh: People Pleaser, while Magnolia Home Entertainment lampoons an iconic magazine/comedy brand with Drunk Stoned Brilliant Dead. Finally, Warner Bros. schemes with Pretty Little Liars: Season 6.
One last reminder before signing off for the week: if you’re shopping for anything on Amazon and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!
Posted in: The Reel World by Brent Lorentson on April 19th, 2016
For the Gasparilla International Film Festival, to nab the latest film from writer/director Richard Linklater is kind of a big deal. GIFF was the second festival to show Everybody Wants Some after its debut at the acclaimed South by Southwest festival. With the film being lauded as a spiritual sequel to Linklater’s cult hit Dazed and Confused, I had to admit I was a bit skeptical about this film and its ability to even match up to its predecessor; after all, it was the indie darling that helped launched the careers of Matthew McConaughey, Ben Affleck, Milla Jovovich, and many others. This ensemble of talented up-and-comers managed to capture this cinematic lightning in a bottle about high school, and for me it’s a film I manage to watch at least once a year when I come across someone who hasn’t yet seen the film. So how does the film hold up in the face of such expectations? For me this isn’t just a fun film, but I’m taking a stand and calling this the best party film to date (and yes, I’m daring to say it’s better than Animal House.)
It’s time to take a trip back to 1980, a time before social media was ever a thing, and when cars came with tape decks filled with cassettes and people who had record collections were not hit with being called hipsters. The star of this film for me is the music that is beautifully strung through the film, whether we’re listening to Van Halen, Sugar Hill Gang, or The Knack, what we have is a great assortment of music to set the tone of the film, and we get a musical bag of ear candy to indulge.
Posted in: Contests by Gino Sassani on April 18th, 2016
Our friends at Magnolia Home Entertainment are not done with you yet. They've given us 2 copies of Tangerine on Blu-ray to help sweeten the day for 2 lucky Upcomingdiscs readers. Sean Baker directs this wild and crazy journey through the L.A. subculture world. The film was an official 2015 Sundance selection and includes some nice special features.
To win a copy of this prize, follow these instructions.
Posted in: Disc Reviews by Gino Sassani on April 18th, 2016
In the late 1960's three musicians came together with an idea. It was a somewhat unconventional idea. Roy Wood and Bev Bevan were part of the band The Move when they met up with Jeff Lynne from The Idle Race. The three hit it off almost instantly. So much so that before long Lynne would also become a member of The Move so that he could work with Wood and Bevan. But that wasn't going to be the ultimate goal. The unconventional idea that the three had involved combining rock and roll with classical music. Of course, other bands had done orchestral arrangements, most notably the Beatles. But their idea was to fuse the concepts more integrally together. The idea was to have live violins and cellos as part of the actual band itself. Lynne would once describe the concept as picking up where the Beatles had left off. Together they invented a new way to rock "n" roll. That invention was the Electric Light Orchestra, or ELO to the fans.
The band started with a bang. The first album, while not a huge commercial success, received more than its share of attention. But band squabbles would almost doom this ambitious project before it got off the ground. Roy Wood left the band to form his own and took some members with him. It looked bleak for the struggling concept. But that might have been the best thing that could have happened. Jeff Lynne would become the controlling force, and the band would go on to enjoy commercial success to go along with those critical appreciations. The band's second album was called No Answer, but it wasn't really intended to carry the title. A secretary with the record company was assigned to contact Jeff Lynne to get the correct album title. He wasn't home. Naturally, the secretary made the notation "no answer". The notation was misinterpreted as the album title, and the mistake would be a permanent entry in the band's discology.







