I don’t know what we did, but it must have been serious. We UpcomingDiscers are generally a law-abiding bunch, so I’m a little surprised that we’ve apparently landed in such hot water. How else to explain this week’s arrival of the Major Crimes division at our door? Naturally, I’m yanking your chain…none of us here would hurt a fly. The good news is Warner Bros. was still nice enough to send us Major Crimes: Season 4, and we’ll have a review of TNT’s hit cop drama soon. Disney makes a daring rescue with The Finest Hours, while Sony hikes the Appalachian Mountains for Outsiders: Season 1. Finally, have we got a scoop for you…Lou Grant: Season 1 arrives courtesy of Shout! Factory.

One last reminder before signing off for the week: if you’re shopping for anything on Amazon and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!

In my experience there are three types of comedians: 1.) Ones that are good at standup but bad at a series 2.) Those that are good in a series but not so great at stand up. 3.) Those who can do both. Want to guess which one Jim Gaffigan is? The standup comedian, known for his clean brand of comedy, gets his own series loosely based on his life. He’s a bit of a slob, he’s occasionally lazy, and he is without a doubt addicted to junk food. Rounding out the season are a group of instantly recognizable stars like Chris Rock, Steve Buscemi, Hannibal Burress, and Macaulay Culkin…or is he Macaulay Culkin? (Inside joke, you’ll get it once you watch).

Writer/director Shane Black (Lethal Weapon, Iron Man 3) has a way of writing flawed characters who manage to leave more lasting impressions than the films they populate. But where he shines is when he can thrust these flawed individuals into the confines of a detective story. Most people grew their fondness for Black and his quick-wit dialogue when he first penned Lethal Weapon, but for me it goes back to The Monster Squad and The Last Boy Scout, where I found myself becoming a fan even in my early years of film watching. So is the fanboy in me excited to see what Black brings to the table this time around? You betcha!

"Some of the best love stories start with a murder." 

Deadpool may be one the most singular and unique characters in the history of comic book lore. His character has a very rabid fan base among the elite of Marvel comic nerddom, and they have been watching very carefully to see that he has been treated properly by the Hollywood people. He hasn’t been in the past, but more about that later. He may not be the biggest name in the Marvel universe, but he might be the most extreme. Just in case you live in a cave or under a rock, the Marvel universe is inexorably taking over the actual universe with films like The Avengers, Iron Man, Thor, Captain America, Ant-Man, Spider-Man, X-Men, Guardians of the Galaxy, The Hulk, Wolverine, Daredevil, and on and on.

After Robert Eggers received best director out of Sundance, The Witch became a film that went on my radar. Following the release of the trailer to the film I was hooked; its startling yet beautiful imagery was enough to get my attention.  As buzz built around the film as it continued to awe audiences in various festivals, my anticipation for this film was getting out of control.  Could a film really be this great? Is it possible to make a film that still shocks and terrifies audiences?  By the time I found myself getting to this screening, The Witch now was a film that unfairly had something to prove to me, I poked the bear and dared this film to blow me away. As the lights dimmed and the film played out, I came away with more than I asked for.

There seems to be so much information and films about Helter Skelter and the atrocities Charles Manson and his followers committed.  Though the notorious Sharon Tate murder took place decades ago, it continues to be a crime that fascinates people to this day.  As interest in the story continues to thrive in the media, whether it be in books or various films, it seems it’s getting harder to find a fresh spin on the story, or at least one that will garner more attention.  Manson’s Lost Girls is a new extension to the story about the events that led up to the fateful night that would forever leave its mark on America pop culture, but does it bring anything new to the table?  Well, it doesn’t present a new perspective on the crime spree, but sadly its execution is a well-polished mess that simply doesn’t add up.

Bob Newhart is one of the last in a dying breed of comedians, at least on television. He had a reserved, almost deadpan delivery that drew your attention not because of raunchy material or manic display of hijinx. He was obviously comfortable with being the brunt of all of the jokes. His half embarrassed and half sly-dog grin become a staple in our living rooms for four decades. Newhart was his second situation comedy following a respectable run as a stuttering stammering psychologist with a wacky set of patients and friends. The Bob Newhart Show ran from 1972 to 1978. Just four years later Bob was back on our television screens with Newhart, and it was as if he hadn't missed a beat

“Hello boys…I’m baaaaaack!”

You probably know that Independence Day — the spectacular, shameless sci-fi smash that introduced the world to “Will Smith, Global Superstar” — has a sequel coming out next month. What you may not know is that the original film has been granted a 20th Anniversary Blu-ray release. I was 13 when ID4 came out in the summer of 1996, which means the movie’s deluxe destruction and alien shoot-em-up antics were right in my wheelhouse. So I was curious as to how an older and wiser, um, taller version of me would feel watching it with a critical eye.

Things are about to get spooky in this week's Round Up. Lionsgate immerses us in the world of The Witch, the spellbinding indie sensation from earlier this year. On the other hand, the studio also gets into raunchy adventures with Dirty Grandpa. Shout! Factory takes the good and takes the bad with The Facts of Life: The Final Season and bursts into song with Cop Rock: The Complete Series. Finally, things line up just right for the arrival of Magnolia Home Entertainment's time travel drama Synchronicity.

And here's your usual reminder before signing off for the week: if you’re shopping for anything on Amazon and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!

Hollywood has a long-running reputation for doing films about the little man taking a stand against corporate greed.  Not only does everyone seem to like an underdog story, but when a story comes along where the everyday blue collar worker gets to go head to head against pharmaceutical companies, or Wall Street in general, it’s a no-brainer this could have commercial appeal.  Films like Mad City, John Q, and last years The Big Short are all films that seem to have an influence on Money Monster, but what would it bring to the table?  With Jodie Foster (Little Man Tate, The Beaver) at the helm and with George Clooney and Julia Roberts leading the cast, this was a film that grabbed my interest, but following the release of the trailer, I felt I already saw the entire film in a matter of three minutes. Or did the film have a few surprises hiding up its sleeve?