Posted in: No Huddle Reviews by Archive Authors on February 26th, 2016
Back in October I wrote about The Facts of Life: Season 7 in which I dealt with the general history and overall dynamics of the show. I suggest you go back and check that out so I don’t cover the same ground twice. The big addition that year was George Clooney. Not many series have as long and healthy a run as The Facts of Life, but as they age changes are forced on them. One of those changes that occurred in the opening episodes of Season 8 is Charlotte Rae’s (Mrs. Edna Garrett) decision to leave the show. The transition is handled gracefully with Edna’s marriage to a doctor who is leaving to help those in the third world by serving in the Peace Corps. This brings her sister, Beverly Ann Stickle (Cloris Leachman) to try and take up the mantle of house mother to the girls. I’m sure everyone knows the girls, named Blair, Jo, Tootie, and Mindy. The main purpose of releasing these programs from the 1980’s on DVD is to relive earlier times in our own lives as much as to see the programs themselves. Maybe mothers want to share life lessons with their daughters from a much simpler and, at this point, almost alien time. The show was part broad comedy and part melodrama, focusing on the teenage girls and their coming of age. The comedy on the show was, frankly, full of hamminess and cheesiness. With so much ham and cheese, you weren’t hungry after one episode, so imagine bingeing on a season of shows. The life lessons learned were basic but well-intentioned and good-natured. On one level, things have changed enormously since the 1980’s, but core values and human decency are still important. It’s hard to find that kind of innocence today in television programming, but it was almost required in those days.
Most of the episodes tend to run together with a predictable sameness with some rising to the top and some sinking to the bottom. One particularly difficult one to watch was an episode with Fabian and Bobby Rydel playing themselves, but then flashing back into the sixties when they were popular. I mentioned ham and cheese, but I forgot to mention corn. This was a lowlight of corniness with the girls playing 60’s teenagers and Leachman as a jaded beatnik. One of the highlights was an episode when the young orphan who was always hanging out with them, Andy Moffett (Mackensie Astin), was going to a heavy metal concert by a group called The Walking Dead. They were ahead of their time on that one.
Posted in: No Huddle Reviews by Gino Sassani on February 25th, 2016
The premise itself is relatively simple and requires no real past knowledge to get on board. Unit 15 is the elite unit of an unnamed Canadian metropolitan police force. The unit is led by Staff Sergeant Oliver Shaw (Gordon). Each episode begins with his roll call. Apparently in Canada it's called parade. He does the usual job of giving out riding partners and assignments and providing the general "hot" information for the shift turn-out. The show focuses on a group of rookie cops assigned here. This is where it gets tricky. They are still pretty much referred to as rookies, but it's the fifth season, and it's clear they've been there more than a year by now. The episodes follow their day tour. This is pretty much "Grey's Anatomy with guns".
It's an awkward show, to say the least. The police aspects of the show are actually above average. There's obviously some good creative writing on this team, and each of the police stories was pretty interesting. The show manages to look fresh and the criminal stuff not quite so hashed out. If Rookie Blue wanted to be a straight police drama, it could be a very good one. Only I suspect it's not what they really want to be. The only trouble with these good cop stories is they tend to get abbreviated so that we can get to the musical chairs of the romantic entanglements. That's the audience Rookie Blue is really gunning for, and that's where they lose me to a certain degree. Let's just say there's more kissing than cuffing going on here.
Posted in: Disc Reviews by J C on February 25th, 2016
“Don’t ever threaten my family again.”
In Extraction, a government analyst embarks on an unsanctioned rescue mission after his father — an over-the-hill CIA field operative — is kidnapped by a shadowy group of bad guys. In a related story, I think I got my dad a CD for Father’s Day last year. But while the hero of Extraction might edge me out in the Son of the Year race, the rest of this crummy actioner is basically a harmless debacle.
Posted in: Disc Reviews by J C on February 24th, 2016
“Taking the next step in a series of random steps.”
Those words are part of a toast near the start of this season, as chronically neurotic and self-absorbed writer Hannah Horvath prepares to embark on a mini-adventure that will temporarily take her away from her natural habitat of New York City. They also double as a tidy summary of the entertaining (and appropriately messy) fourth season of HBO's Girls, while simultaneously capturing what it's like to progress through your 20's.
Posted in: No Huddle Reviews by Gino Sassani on February 24th, 2016
If there is a television series in the history of the industry as American or timeless as The Andy Griffith Show, I haven't seen it. You'd be hard-pressed to find someone with strong negative feelings about the series. It was one of those organic and comfortable productions that reached deep into the core of rural America. Even if we lived in a bustling city, there were aspects of the show that still rang true. It was populated with the kind of familiar faces that it wasn't hard for anyone in the audience to smile in remembrance of a character they've known in real life. And even after 50 years, the series still speaks to that certain aspect of the friendly small Southern town. A lot of the credit for that peaceful easy feeling must be credited to the titular star Andy Griffith himself.
It all started as an episode of The Danny Thomas Show called Danny Meets Andy Griffith in February of 1960. In October of that same year, the first episode of the show ran. That was the first time television audiences took a trip down to Mayberry. There they met Andy Taylor (Griffith), a widower with a young son named Opie, played by future Happy Days star and superstar director Ron (it was Ronnie then) Howard. The relationship could be summed up in the popular series opening that found the father and son heading to their favorite fishing hole with poles slung on their shoulders. All the while, the soon-to-be-famous whistled theme put us in just the right mood. Andy was helped out at the house by Aunt Bea (Bavier), who always had something "mighty fine" cooking or baking in the oven.
Posted in: Contests, Tuesday Round Up by J C on February 23rd, 2016
The final Tuesday Round Up of February is set to close the month with a bang! Isn’t it funny how things tend to go boom whenever Bruce Willis is around? This week is no exception, as the action legend stars in new thriller Extraction, courtesy of Lionsgate. Speaking of lions, Disney takes its place in the circle of life with The Lion Guard: The Return of the Roar. Finally, Magnolia hits the road in search for laughs in Entertainment.
Of course, this is also your last chance to get some free stuff from our Round Up contest. Once a month we’re going to give away a surprise DVD title from our archives to a lucky winner who comments in our weekly Round-Up posts. All you have to do is comment in a Round-Up post — like this one! — and tell us which of the featured titles you’re most curious to read about. (Quick reminder: You're not telling us which title you'd like to win; your free DVD will be a surprise.)
Posted in: No Huddle Reviews by Gino Sassani on February 22nd, 2016
“Let’s go get those stinkin’ hyenas.”
For many years The Lion King was the highest grossing animated film of all time. It remains one of the most beloved films in history. It marked the last of the Disney classic animation triumphs. Combined with the Elton John and Tim Rice songs, it is one of those generational films. While there has never been a feature film follow-up at the box office, there have been a few attempts to keep the franchise alive, and why not? A direct- to-video film told the same story from the unique point of view of the popular characters Timon and Pumbaa. A full-fledged sequel appeared in another direct-to-video feature called The Lion King: Simba’s Pride. Now the baton is being passed to the next generation with a television series on the Disney Channel called The Lion Guard. The new story focus begins with the direct-to-video DVD release of The Lion Guard: The Return Of The Roar.
Posted in: No Huddle Reviews by Gino Sassani on February 22nd, 2016
“Peering out from the dark shadows of America’s death row are the faces of evil. The faces of murderers. Men and women who commot the most heinous of crimes. Some elude capture for years, even decades. But eventually, these lowest forms of humanity find themselves on death row awaiting their final fate… execution.”
There appears to be a lot of controversy when it comes to the death penalty in the United States. I say appears, because even with all of the debate the polls show that Americans overwhelmingly support capital punishment. In fact, only 37% of Americans were opposed in the Gallup 2015 poll. That doesn’t mean there aren’t some concerns shared by most of us. In 1972 capital punishment was suspended by the Supreme Court in a landmark decision called Furman vs. Georgia. Contrary to popular belief, the Court did not find the death penalty to be unconstitutional. An “expert” in this series even makes that mistake. It found there was a lack of “fundamental fairness” in the sentencing guidelines. The worry was that minorities were getting a higher percentage of death sentences. Four years later in Gregg vs. Georgia, the Court was satisfied that such issues were addressed, and the death penalty was reinstated in most of the states in the country. We still have concerns over guidelines and methods of execution. No one agrees with the often decades it takes for most executions to actually happen. We may not agree with methods or system, but over 60% of us still support the practice.
Posted in: Disc Reviews by Jeremy Butler on February 22nd, 2016
My, my, my, it is always interesting to watch established actor leave their comfortable circumstances and explore other areas. I imagine it is easy to be complacent with your work and very difficult to find roles that continuously challenge you, so why not seek out new titles? In the case of Criminal Activities, the actor I am referring to is Jackie Earle Haley (Watchmen), who makes his director debut with this tale about four men who end up way over their heads. In my experience, actors either hit or miss when they step into the big chair; you can either end up with soul-crushing reviews or an Academy Award. Although this film is unlikely to reach such meteoric heights, I would still call it a success by a large margin.
Four high school friends (Michael Pitt, Rob Brown, Chris Abbott, and Dan Stevens) reunite at a funeral following the tragic death of another one. It is clear that these four have not spoken for some time and are at different junctures in their lives but decide to spend some time together to relive old memories and catch up. In the midst of their reminiscing, one of them mentions some inside information overheard regarding a breakthrough a company has made that is about to quadruple the value of their stock. Eager to invest and reap the benefits, however short on the parcel, the group unknowingly borrows the money from let’s call it a less than accredited source (i.e. the mob).
Posted in: The Reel World by Brent Lorentson on February 20th, 2016
After Robert Eggers received best director out of Sundance, The Witch became a film that went on my radar. Following the release of the trailer to the film, I was hooked; its startling yet beautiful imagery was enough to get my attention. As buzz built around the film as it continued to awe audiences in various festivals, my anticipation for this film was getting out of control. Could a film really be this great? Is it possible to make a film that still shocks and terrifies audiences? By the time I found myself getting to this screening, The Witch now was a film that unfairly had something to prove to me; I poked the bear and dared this film to blow me away. As the lights dimmed and the film played out, I came away with more than I asked for.
The film transports us to New England in the 1630’s. What is important to keep in mind is the time period; this is a time when scientific reason had no place, and the settlers of the time were ruled by their faith. The land that surrounded the villages was mostly untouched, and in the darkness, evil was believed to lurk. Robert Eggers beautifully captures the time period here, everything from the sets, the costumes, to even the Old English dialect used by the characters is authentic and helps immerse us into this time. One of my few nitpicks with the film is that the language is so authentic I had trouble with some of the dialog, as did others around me, and perhaps subtitles could have been used, but I’m afraid it would have taken me out of this world created for us.








