Posted in: No Huddle Reviews by Dan Holland on February 8th, 2016
Any person who has attended Sunday school for a length of time is most likely familiar with the story of Noah’s Ark. This tale was recently brought to the mainstream with Darren Aronofsky’s Noah, which took quite a few creative liberties in retelling the story (including strange rock monsters). Given my recollection of the actual Bible story, I want to say that there really isn’t enough content to create a feature film. God warns Noah that there will be a catastrophic flood and asks him to build an ark. Noah builds the ark and suffers ridicule from the people he tries to save, and in the end, the flood takes the world and Noah and the few people who believed him are spared.
Kenneth Glennaan’s made-for-TV production of Noah’s Ark maintains the basic structure I described above, but extends the events that occur in the rising action of the story tenfold. Noah (David Threlfall) lives with his wife Emmie (Joanne Whalley) and their sons. A good majority of the film expands the drama within the family and the resistance of the family to the building of the ark. There is also an additional story arch involving Noah’s youngest son, Kenan (Nico Mirallegro), who becomes obsessed with pursuing his own selfish desires in the city. Only after an hour and twenty minutes into the film do we get to see the flood begin, which really makes the film that much better.
Posted in: No Huddle Reviews by Gino Sassani on February 8th, 2016
“My name is Henry Morgan. My story is a long one. It might sound a bit implausible. In fact, you probably won't believe it, but I'll tell you anyway, because beyond all else I have lots, lots of time.”
Unfortunately for the cast and crew of Forever and their fans, time was something this show wouldn’t have much of at all. Created by Matthew Miller, Forever combines the deductive crime solving of Sherlock Holmes with the genre twist of immortality. There's quite a bit of potential here that just doesn't ever live up to the promise. It couldn't conquer the ratings, and now fans will have to be content with this Warner Archive Collection release of the entire first season... the entire series.
Posted in: The Reel World by Archive Authors on February 7th, 2016
Hail, Caesar is a typical example of a Coen brothers movie, which means it is completely atypical. The Coen brothers are revered for not only being different from everyone else but also making films that are different from each other. It would easy to say there is a Coen brothers style, but you would be reaching, because the two men are committed to exploring things differently each and every time they make a movie (or produce a television show like Fargo). The most characteristic identifying factor is quirkiness and individuality. They are among the few filmmakers working in Hollywood who do whatever the freaking heck they want. What I mean by that is that the movies they make would not be allowed if proposed or pitched by anyone else. They almost take delight in coming up with properties that are daring you to dislike them. At the same time, they make movies that are ridiculously entertaining and smart. Their films are also big Hollywood productions which are usually filled with big stars begging for any part they can get. But I must stress one thing. They don’t care if you like what they do. They could give a flying fig (probably).
Hail, Caesar is about depicting a fictional version of old Hollywood sometime in the 1950’s in a studio that is something like Metro Goldwyn Mayer but called Capital Studios. Eddie Mannix (Josh Brolin) is the studio head busy running things and constantly talking to his boss in New York. He does just about anything and everything from keeping the movie stars out of trouble to changing plot points in troubled productions. He is also being courted by a corporate headhunter trying to fill a top slot at Lockheed. The film is packed with a crazy collection of characters including George Clooney, Channing Tatum, and Scarlett Johansson as three movie stars playing movie stars. My guess is they are playing Victor Mature types, Gene Kelly types, and Esther Williams types. Then there is this other fella that’s kind of, sort of playing a Roy Rogers type (Alden Ehrenreich, who steals every scene he’s in).
Posted in: Disc Reviews by Gino Sassani on February 6th, 2016
"My father told me about these men, about their natures. All I knew were the stories I was told of monsters and the valiant men sworn to slay them. I fear the stories I've heard may have been clouded, the truth more than clouded. It would seem these monsters are men, sons, brothers, fathers. And it would seem these men face their own monsters..."
Move over, Captain Jack Sparrow. There are some new pirates on the block, and they sail into our living rooms on a regular basis in the Starz sophomore series Black Sails. The high seas adventure series combines historical people and places with the fictional characters of Robert Louis Stevenson's classic Treasure Island. I am a little disturbed that Stevenson gets no mention in the credits for having created many of these characters. What's up with that, Starz? Likely the material is in public domain, but credit where credit's due, yes?
Posted in: No Huddle Reviews by J C on February 5th, 2016
“Our final fight didn’t go as planned. But one thing was clear…this would be the bloodiest battle yet.”
TNT's post-apocalyptic, alien invasion war drama has never been short on casualties. So hearing that the last episodes in the show's run would result in even more losses — human and otherwise — wasn't exactly a shock. Following a fairly ludicrous cliffhanger, the final season starts off quite promisingly before falling back on some bad habits. Unfortunately, it all culminates with a semi-disastrous series finale.
Posted in: Disc Reviews by Gino Sassani on February 4th, 2016
"It all begins with seeing. So what do you see?"
The term “Renaissance man” is often used to describe a person who has a very wide range of interests in which they have become quite skilled. It's taken from the traits of the many artists, innovators, and writers of the 15th century. And while the term might well apply to any number of such historical figures, there is none for whom it is more apt than Leonardo DaVinci.
Posted in: Disc Reviews by Brent Lorentson on February 4th, 2016
Edgar Allen Poe is on a short list of writers that has long been deceased that just about everyone has heard of. At some point in school we all had are chance to read about the taunting of The Raven or a number of Poe’s other famous works. With Extraordinary Tales we get an animated treat in the form of 5 animated tales written by the master of the macabre. This is more than just a simple animated retelling of the stories as each tale is given its own unique narration and animated style. Is it worth the time to sit back and watch these classic tales or did they belong on the shelf to collect dust? Come along with me and I’ll tell you about my journey if you dare.
Whether you’re a fan of Poe or simply only vaguely recall the name from those Classical Literature courses you’re trying to forget, there is something on this release I’m sure will connect with each viewer. Using 5 of Poe’s more popular works isn’t the only bait the film makers have decided to use to entice viewers; after all there have been numerous adaptations of his work in the past. The appeal is that every story, though told in narration is animated with its own unique style, ranging from 50’s comic book style to oil paintings that have come alive. The styles are so drastic from one another that in ways it’s hard to even compare the works without tipping your hat so to speak on your own artistic preference. After all ones taste in art varies from one person to the next. I say this because this is a piece that is hard to show objectivity without personal preferences nudging their way in.
Posted in: Disc Reviews by J C on February 4th, 2016
- “Justice is not about popularity…”
- “…but politics is.”
Posted in: No Huddle Reviews by Brent Lorentson on February 4th, 2016
Following the Lifetime original movie Lizzie Borden Took an Axe, The Lizzie Borden Chronicles is a continuation of the tale about the young woman accused of killing her stepmother and father with an axe. It’s tricky enough to do a feature length film about real people involved in real events; liberties seem to be taken for the sake of telling a good story. It’s one of those things that when you see “Based on true events” or “Inspired by true events”; is there a difference, and does it even matter? Well, if you are watching The Lizzie Borden Chronicles, accept the fact that though the character and her sister are very real, this is hardly biographical, but instead a fun game of “what if” that the creators have done with Lizzie Borden. And it’s a wild eight-episode ride that they have set the viewers on.
In Fall River, Massachusetts, it’s 1893, and it has been four months since Lizzie Borden (Christina Ricci) has been acquitted for the murder of her father and stepmother. Since the trial, Lizzie and her sister, Emma (Clea DuVall) have struggled to restore a life of normalcy and keep their violent past behind them.
Posted in: Tribute by Gino Sassani on February 3rd, 2016
“Can you get me off the hook? For old times’ sake?”
But it was we who were on Abe Vigoda’s hook. He might have been a character named Fish, but he had us hook, line, and sinker. Godfather fans knew him as the dangerous Sal Tessio. To the Barney Miller faithful he was Detective Fish, who eventually moved to his own spinoff. Certainly, he had many more memorable characters over his nearly 70-year career, but these will likely remain his legacy. He was a reliable character actor on shows like The Rockford Files, Mannix, Hawaii Five-0, Cannon, Dark Shadows, Kojak, MacGyver, Law & Order, and even the voice of a mobster in a Batman animated feature. Last week we lost Abe. He was 94 years old. Fortunately, we’ll never lose Tessio and Fish.
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