Life was financed by Canada and Australia with a Dutch director, but the subject matter was strictly American. I’m burying the lead because I want to give the film’s subject a proper buildup. Life is about one of the most famous people who ever lived. He was a person who was loved all over the world and whose face is the preeminent icon of youth and rebellion. One could argue there are others who could vie for the crown, but for different reasons I would insist that James Dean is the man. James Dean is unique for many reasons, but the main one is that he died at 24 at the cusp of a very big wave of fame.

Out of the Inferno is one of the most recent films written and directed by Danny and Oxide Pang. I must admit that I am a fan of the prolific duo, ever since I watched the original Bangkok Dangerous. Whether it be their intense dramatic thrillers such as The Detective or The Eye franchises, or their nightmarish dreamscapes in Sleepwalker or Re-Cycle (my personal favorite from the Pang Brothers). Unfortunately, Out of the Inferno did not come close to surpassing the “bar” of expectations when it comes to my enjoyment of a film from the Pang Brothers. The narrative involves two firefighter brothers who are dedicated to their line of work.

Eric Jonrosh has written many weighty tomes full of lust and passion and desire and wanton abandon. Perhaps the greatest of these heavy and important contributions to literature is The Spoils of Babylon. He directed a 22-hour film himself that he hoped would reveal the real heart and soul and dark insides of the book. No one was ready for such an intense and unbridled examination of the human experience, so Jonrosh allowed the footage to be bastardized and submitted to television as a miniseries. Jonrosh himself introduces the multi-episode presentation, which now clocks in at two hours and 18 minutes. Jonrosh drinks freely of wine at his favorite restaurant as he is filmed and erratically rambles about the origins of his work and his copious experiences creating masterpieces.

Who would have believed that you could do a situation comedy based on Nazi Germany and a group of POW’s in World War II? It wasn’t an easy sell. When Albert S. Ruddy first came up with the idea, it was a contemporary story about a group of guys in a normal U.S. prison. There were a lot of problems, mostly with the idea of making your main characters criminals. Of course, that’s not so much the problem today. But this was the 1960’s, and those kinds of “heroes” were not quite as accepted. Eventually the concept developed to put the characters in a prisoner of war camp in Nazi Germany during the World War II. Remember that we were only 20 years removed from the end of the war and the discovery of the concentration camps and all of the horrid images these things evoked in people.

Despite how the History Channel continues to churn out more reality shows, the upside of this is that the shows they put out happen to be pretty entertaining.  When I first heard about Mountain Men, the first thing that came to mind was how dangerous was this show really going to get?  Sure, you can have people hunting in the snow, but would the producers of the show really allow their crew to sit back and record the “cast” as they continue to face dangerous and deadly situations over and over?  Well, the answer is yes, and the danger comes in various forms as the men of the show face off against Mother Nature in a blistering struggle for survival.