Posted in: Contests, Tuesday Round Up by J C on January 26th, 2016
After a *very* welcome vacation last week, I’m off the cruise ship and happy to be back at the UpcomingDiscs ranch. (Although I kinda miss the part where I got to eat all the time and someone else made my bed.) Speaking of returns, Jack’s Back thanks to Shout! Factory, which also takes the good and takes the bad with The Facts of Life: Season 8. Cohen Media Group moves on with The New Girlfriend, Warner Bros. takes Forever: The Complete Series, and Sony finds Jesse Stone: Lost in Paradise. Finally, Anchor Bay decodes Da Vinci’s Demons: Season 3.
This Round Up post is also your last chance to win our January giveaway. Once a month we’re going to give away a surprise DVD title from our archives to a lucky winner who comments in our weekly Round-Up posts. All you have to do is comment in a Round-Up post — like this one! — and tell us which of the featured titles you’re most curious to read about. (Quick reminder: You're not telling us which title you'd like to win; your free DVD will be a surprise.)
Posted in: No Huddle Reviews by Gino Sassani on January 26th, 2016
"The way of life depicted in this program dates back 300 years. Hunting, especially alligator hunting, lies at its core. Some images may be disturbing. Viewer discretion is advised."
And they're not kidding. Gator hunting is a bloody business, and this show gets you right up close and in the action. The hunters set hooks with bait, and once a gator is hooked they must reel it in and shoot it in a very small vulnerable spot in the back of the head. Let me warn you that animals were indeed harmed in the making of this film, and you're going to witness that harm. If you're an animal activist, I suggest turning to the Disney Channel for this particular hour. The rest of you will get a front-row seat to a truly thrilling non-stop alligator hunt.
Posted in: Disc Reviews by Brent Lorentson on January 24th, 2016
Ever since Twilight and The Hunger Games have taken off to become successful young-adult franchises, it would seem studios have scooped up just about every young-adult property in hopes of catching this magic (or money) in a bottle. While these cash-cow franchises continue to pop up, it sadly seems these dystopian titles lack the quality of their predecessors and bring nothing new to the screen either. When it comes to The 5th Wave, we are given a little hope that perhaps this time, now that the villains are aliens, that we may get something new; unfortunately, this is a wave that smacks its audience in the face with more of the same old story we’ve been tired of for some time.
We open with Cassie Sullivan (Chloe Grace Moretz) on the run through the woods with a rifle in hand. While scavenging a gas station for supplies, she stumbles upon a wounded man. The two engage in a standoff as she struggles to decide if the man she is facing down is really a man or perhaps the enemy. Let’s just say she squeezes the trigger, and we flashback to how the world got so messed up in the first place. For me I see the cold open for this film, and I expect that perhaps this is going to be a film that delves into what makes us human, or characters conflicted by killing monsters hiding in the shape of humans. Well, we sort of get that, but the troubling thing is that the film plays out more from the perspective of a sociopath rather than a complex individual holding onto her humanity.
Posted in: Disc Reviews by Archive Authors on January 24th, 2016
I Believe In Unicorns is a small independent movie that few people will see. It’s the kind of film experience people don’t see much of because the culture is saturated with pre-packaged product. That’s probably a bad thing. The film is by writer/director Leah Meyerhoff, and one of the stars is her mother, Toni. Leah doesn’t have much of a resume aside from a number of shorts, one of which is included on the DVD. Twitch is an early inspiration for the feature film. In both versions, Toni plays a wheelchair-bound woman cared for by her teenage daughter. This is clearly a very personal project for Leah and Toni, who is afflicted with MS. The disease has become a very big part of both of their lives. Multiple Sclerosis (MS) is an increasingly debilitating autoimmune disease that attacks the central nervous system. In both cases the teenage daughter shows stress and depression from the extraordinary responsibility placed on her.
I Believe in Unicorns is a fairly subdued and depressing story. The style is drowsy, dreamy, and downbeat, and drifts in and out of various states of indeterminate reality. Nothing spectacular, but at times it seems that we are stuck in a teenage girl’s brain. Throughout the film a very low-tech Claymation unicorn is a demonstration of a very sad fantasy world. There is actually lots of stop-motion animation throughout. Almost everything in the movie is in service to setting a continuing mood of uncertainty and confusion. Most of the story, what there is of it, is just following Davina (Natalia Dyer) as she runs off with a boy, Sterling (Peter Vack). The time is indeterminate, but some time before cell phones, and when Polaroid cameras were commonly in use. Sterling is kind of a punk with long flowing hair. The two of them just float through a kind of childish dream of romance. They drift on the road, having fun doing anything for their immediate pleasure. Everything about them seems unformed, which seems appropriate for teenage lovers.
Posted in: Disc Reviews by Gino Sassani on January 23rd, 2016
I have to admit that I'm not much of a Keanu Reeves fan. However, I'm a huge fan of Keanu Reeves movies. Let's face it, Keanu can be quite wooden with as much screen presence as a test pattern. OK, I'm showing my age with that line. But one thing he knows how to do well is pick great films to star in. From The Matrix and the recent very hit John Wick to the underrated The Devil's Advocate, Reeves can sure pick 'em. The worse case scenario here would be Keanu in an uninteresting movie. Well...Knock Knock. Who's there? An uninteresting Keanu Reeves film.
Knock Knock finds Reeves playing Evan Weber. He's an architect with a pretty much idyllic life. His wife is a renowned artist, and he has two great kids. But Evan is feeling a bit neglected on Father's Day. His wife has just gotten a shipment of catalogues from her recent exhibit, and she's not exactly paying him a lot of attention right now. To make things worse, wife and kids are off to spend Father's Day weekend at the beach, while Evan has to remain home to finish a project.
Posted in: Disc Reviews by Brent Lorentson on January 21st, 2016
Have you ever stumbled across someone’s diary? At first glance it may look innocent enough, but for the person with dreams, fears and confessions, it is that friend and confidant that will listen to its author as they bare their soul and not be faced with judgement. In The Diary of a Teenage Girl, not only do we get a peek into the secret life of Minnie Goetze (Bel Powley), but we are taken on a journey of experiencing first love and sex through the eyes of a 15 year-old girl. It’s sweet, it’s tragic, but where this film’s strength comes at its audience the strongest is with its honesty, which for some may be a bit too sobering of a reminder of what life is like as a teenager.
“I had sex today…”
Posted in: Disc Reviews by Jeremy Butler on January 21st, 2016
Here comes another in the long line of movies featuring a WWE superstar. Boy, I tell you, the floodgates open after The Rock (although now he goes by Dwayne Johnson) proved it was possible to move from wrestling stardom to silver screen stardom. That said, none them have really made the leap successfully since him; however, that is not from a lack of trying. This time around, Randy "The Viper" Orton looks to try his luck in the sequel to a WWE sponsored film in The Condemned 2.
After a botched operation to capture the leader of a gambling ring that ended in tragedy, bounty hunter Will Tanner (Orton) walks away from the bail enforcement life. Having his entire world rocked, Will resigns himself to a quiet life; however, just because he is done with his past doesn't necessarily mean that his past is done with him. He suddenly finds himself fighting for his life in a deadly game brought forth by an old enemy. To make matters worse, not only is he forced to do battle, he is forced to do battle against his very own team, the same men who accompanied him for years, men who he was willing to put his life in their hands in the past. Now he must stay one step of ahead of the men who know him best, all the while trying to make his way to the man behind the curtain.
Posted in: Disc Reviews by Gino Sassani on January 21st, 2016
"Did you ever have a dream but didn't know where it started?"
Some dreams did indeed start with the box office flop Nomads. It was the first starring role in a feature film for future James Bond Pierce Brosnan. It was also the first film directed by John McTiernan and his only screenwriting credit to date. Both would go on to have quite flourishing careers, and I suspect neither spends much time looking back at Nomads, and with good enough reason. And those careers did not take long. For McTiernan his next three films would be, in order: Predator, Die Hard, and The Hunt For Red October. The film also sports a score by legendary Bill Conti, the man who started his feature film career with Rocky and ended up with a Best Music Oscar for The Right Stuff. Conti teamed up with Ted Nugent, and they improvised most of the Nomads score with Nugent making coffee runs packing his trademark extra protection. With a dream team like this you might expect Nomads to be a pretty solid film. You'd be wrong.
Posted in: No Huddle Reviews by Dan Holland on January 20th, 2016
1969 was a very eventful year for the United States of America. While I will not name all of the events that transpired over that year, I will remind you of two of the most recognized: In July, Apollo 11 lands on the moon, and in August, Woodstock takes place in upstate New York. However, the events that take place in Stonewall are not as publicized as the space race or the culminating concert of the hippie movement. In fact, I had never heard of the Stonewall riots until my final year of college. To those who are not familiar with the riots, allow me to set the scene: During the early hours of a Saturday morning in late June, an unexpected police raid befalls Stonewall Inn. The club is a popular nightspot for homosexuals in New York’s Greenwich Village, but due to the lack of homosexual rights during this time, is constantly under close watch from the police due to its patrons’ illicit activities. The aforementioned night in June was the final straw for many young men, who began to vandalize the property upon being kicked out.
Like many other dramatizations, Stonewall maintains important characters while building entertaining drama around them. The narrative brings focus to Danny (Jeremy Irvine), a boy from Kansas who has moved to New York in an effort escape the strict upbringing of his parents. Once in the city, he begins to associate with two people who have taken different approaches to fighting for gay rights in New York City. The first is Ray (Johnny Beauchamp), a flamboyant young man who takes to working the streets to support himself. The other is Trevor (Jonathan Rhys Meyers), a refined young man who believes the best way to eliminate the issue is through politics. As Danny builds relationships within the homosexual community of Greenwich Village, he quickly becomes acquainted with the shady owner of Stonewall, Ed Murphy (Ron Perlman) and his tumultuous relationship with the police, lead by Deputy Seymour Pine (Matt Craven).
Posted in: No Huddle Reviews by Archive Authors on January 20th, 2016
Broad City is about two 20-something ladies who don’t give a whoop whoop. They care so little that they don’t know they don’t care. On top of that, there is a motley collection of odd oddballs. That’s a problem, because these people have nothing but problems. Not that any of them care. And these ladies are like dudes so much that they say “dude” to each other. Our two ladies (I say ladies because I don’t want to say girls or women or other less complimentary appellations) are named Ilana Wexler and Abbi Abrams, played by Ilana Glazer and Abbi Jacobson. Glazer and Jacobson are creators, co-writers, and performers, and their involvement goes back to a web series they created before it was picked up by Comedy Central. Amy Poehler is one of the executive producers. The episodes are peppered with guest stars such as Seth Rogan (Glazer makes an appearance in Rogan’s The Night Before), Kelly Ripa (Live with Kelly and Michael), Hannibal Buress, Susie Essman (Curb Your Enthusiasm), Bob Balaban (Close Encounters of the Third Kind), Amy Ryan (Bridge of Spies), Janeane Garafalo, Patricia Clarkson, Alia Shakwat (Arrested Development) among many others. A lot of people are supporting these relative unknowns. They must see something.
Glazer and Jacobson have created something smart and fresh at the same time that it is silly, gross, and vulgar. Their point of view is underrepresented on television. It is about 20-somethings who have very few rules. Maybe they don’t know what they are doing, and maybe they are breaking other people’s rules, but they seem to be well-intentioned and cavalier. They are polyamorous and multicultural in their interests. They try not to judge but judge all the time. They are hypercritical but try to be respectful. They don’t tolerate people who bore them, but they are constantly looking for love. In other words, they are typical 20-somethings. Or are they? That’s a question that is hard to answer for anyone, but I suspect their unique perspectives are indeed unique. They might be so weird as to definitely not be role models but are portrayed with such unflinching honesty as to be somewhat representative of all of us. It is absurdist and ridiculous, but always in the context of what seems like real-life situations. Broad City is merciless satire that is directed at everyone including themselves and feels like it comes from a very real place. These women are on the cutting edge of something, and they don’t care who knows it. At times they seem to come from a privileged background and other times seem barely able to take care of themselves. Sometimes the humor is infantile, yet they almost always come off as charming. There are deleted scenes on the DVD that are as good, if not better than, the broadcast content. All in all, they are full of contradictions.









