If you were a child in the 1960's or 1970's, you were around at the golden age of the Christmas television special. We just celebrated the 50th anniversary of A Charlie Brown Christmas, and there were a ton of holiday charms that came and went each year. But there were a handful that became classics and found their way to the airwaves every year in December. Of course, A Charlie Brown Christmas became one of these, and it is indeed among the best. It was not the only special to become beloved by generations of viewers. Now Dreamworks has brought together  seven of the most memorable of these classics.

Over the years it’s become a bit of a trend to read headlines discussing a pit-bull attack. Sure, it’s been known to be an aggressive breed, but I tend to be in the camp that believes it’s the owner who truly reflects a dog’s behavior.  Another unsettling trend that has been in the news lately is the abuse inflicted upon these animals, whether it is to “toughen” the dog up for fighting or simply that the dog was an unfortunate object that a person decided to unleash their cruelty upon.  I note this not to attempt to make any social commentary, but instead to set up this film that tackles both sides of the coin when it comes to pit bulls, and it just so happens to be based upon a true story. 

"Let's be careful out there!"

The final season of Hill Street Blues arrives from Shout Factory. I think it's likely you already have the full series collection. If not, this isn't really the place to start. Over the course of seven years you really get a chance to get to know these characters. You see them evolve both as actors and characters. Yes, it all comes together with one of the better season finale episodes in television history. You just can't deny yourself a chance to see it all. Last year I took that journey once again and binged the entire seven seasons, and I'm up for it again. In case you missed what there was to say about the show...read on.

Hill Street Blues: The Final Season. It just might be one of the greatest shows in television history. It certainly changed the face of television drama. Shout Factory brings the season on home. Now we want to send the final season to your home.

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At this point, the most shocking M. Night Shyamalan-related twist would be for the director to make a movie that people actually enjoyed. (The “M.” stands for “maligned,” right?) Hopes weren't exactly high when it was announced Shyamalan — who was once fated to become either “the next Hitchcock” or “the next Spielberg” — would be dabbling in the fading found footage genre. So imagine my surprise to find that The Visit — a broad, nutty mix of comedy and horror — is the director's loosest, most playful effort since Signs. It's also his first (subjectively) non-terrible flick in about a decade.

It’s been a long wait for those of us wanting to see Eli Roth’s return behind the camera since Hostel 2 hit the screens. I’ve been more than a little excited since hearing about Roth’s plans to bring the cannibal genre to its jungle roots.  It’s been long enough since audiences have been shocked by the ferocity we haven’t seen from the genre since Cannibal Holocaust and Cannibal Ferox.  Sadly, the intentions were there, but the execution just fell short.  Instead of getting the shock and gore we’ve come to expect since Cabin Fever and Hostel 1&2, this time around we get a film that feels a little restrained.

This road is like a magnet for serial killers.”

There's a difference between paying tribute and ripping somebody off. Wrecker — a high-speed, low-budget actioner — bills itself as “an homage to road classics like Duel.” Unfortunately, that's far from the only nod to Steven Spielberg's 1971 thriller. Wrecker rehashes every significant story beat from Duel, except with a lot less filmmaking skill and a pair of infinitely more annoying protagonists.

It is not very often that I am able to say that a film revolving around an extramarital affair keeps me engaged. While the writing in Adulterers became rather unfavorable towards the end, the strength of the conflict and the pacing of the editing and cinematography combine to make a significant force. That being said, I was pleasantly surprised by the intensity of the drama that unfolds among the disturbed trio, but there were many moments that distracted me from that pleasure. Through this review, I aim to be as fair and as spoiler-free as possible. I believe this film is definitely worth the watch, regardless of what does not “work” for me.

The Bible Collection. Our friendly little elf friends at history want to remind us all what Christmas is really about. It's not that small trees need love. This prize is a 16-disc collection of some of History's best Bible documentaries. You get episodes from Mysteries Of The Bible: The Bible's Greatest Heroes, Mysteries Of The Bible, The Execution Of Jesus, God vs. Satan: The Final Battle, Bible Stories From The Old Testament, Bible's Secrets Revealed, Mary Of Nazareth, Jesus: His Life, Christianity: The First Two Thousand Years and both parts of Banned From The Bible. All going to a lucky Upcomingdiscs follower.

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As soon as you see the opening credits to The Last House, you have a pretty idea that you're not in Kansas anymore, which was quite strange for me, since I'm supposed to be in Florida. Director Sean Cain lets you know up front that the film will challenge your ability to keep up. It doesn't help that you get an intercut of actor Ezra Buzzington spouting some kind of philosophy that makes no sense, partly because you can't  understand everything he's even saying. Sadly, the film doesn't come with subtitles, so it appears that Cain just doesn't want you to get comfortable at all. Well... mission accomplished. So, is that a good thing or a bad thing?