"All we need now is the perfect message".

It has almost become expected. When a successful franchise based on a series of books reaches the end of the published material, studios start to think about the approaching end with some dread. One way to put off the inevitable is to split the final book into two films. It worked for Harry Potter and Twilight. Peter Jackson managed to squeeze three long films out of one Tolkien book. For most of these cases it was a severe case of milking those final chapters for all that they're worth and then going beyond that. That's simply not the case with Mockingjay Part I. The book itself has two very distinctive parts, and telling this story in a single film would not have done justice to the material. Trust me when I tell you that you'll feel like you've gotten a complete story, but one that has more story left to tell. The Hunger Games: Mockingjay Part I is the beginning of a payoff that has been promised since the first film debuted just two years ago. Yes, any film that contains Part I in the title might appear a little intimidating with promises of an untold story and a portent to a feeling of dissatisfaction. Don't let any of that keep you from the best film in the franchise. Take the risk. You'll be well rewarded for your two-hour investment.

Breaking news: anyone who goes to see movie called Into the Storm is probably more interested in “the Storm than they are in any of the people running away from it. The good news is the film understands this, to an extent, and clocks in at a slender 89 minutes. Of course, the titular Storm doesn’t appear for every one of those 89 minutes. This is very bad news because Into the Storm is populated with characters and storylines that are both forgettable and irritating. It’s basically Twister with somewhat better effects, but much less interesting people.

Into the Storm is mostly set in and around the fictional town of Silverton, Okla. A group of storm-chasers — led by cranky, road-weary Pete (Matt Walsh) — has been struggling to film tornadoes, and Pete is taking out his frustrations on the entire team. That includes data-driven meteorologist Allison (Sarah Wayne Callies), who steers the team toward Silverton. The decision looks like a bust until a dissipating system comes back with a vengeance. The storm erupts during a high school commencement ceremony, where Vice Principal Gary Fuller (Richard Armitage) realizes his oldest son is missing (and very inconveniently hanging out in an abandoned paper mill with his would-be dream girl). Gary eventually crosses path with the storm chasers, who help him in his quest to find and rescue his boy.

“One word: plastics.”

It’s a classic line from The Graduate, yet it seems impossible to sum up the career of Mike Nichols, who died Wednesday, in a single word. Maybe that word is EGOT. Nichols was the rare entertainer to hit an awards show grand slam, winning Emmys (for directing and producing Angels in America and Wit on HBO), a Grammy (for the comedy album “An Evening with Mike Nichols and Elaine May”), an Oscar (for directing The Graduate) and Tonys (for directing and producing both plays and musicals). But that only scratches the surface of the impact Nichols made. Click through and join us for a look at his eclectic work in the UpcomingDiscs archives.

Those Santa's elves at Arc Entertainment want to get you in a Holiday mood so they've given us three copies of Northpole on DVD. Robert Wagner and Jill St. John lead the cast. The Northpole is having an energy crises. The place is powered by Holiday cheer but too many folks are getting too busy to keep up their Christmas Spirit. Can one boy help by showing his Mom the magic of the season? Find out.

To win just follow these instructions.

Laughing out loud and getting startled out of your wits are two of the most visceral reactions you can have as a moviegoer. For a director to elicit either reaction is challenging enough, which is why I was so delighted to be feeling both during the thrilling, funny finale of Housebound. It’s an even more impressive feat when you consider it was accomplished by a first-time filmmaker working on a shoestring budget.

We first meet Kylie Bucknell (Morgana O’Reilly) as she and an accomplice comically fail to steal money from an ATM. She is a professional screw-up who has battled alcohol and meth addiction. Instead of sending Kylie to her umpteenth rehab program, the judge sentences her to eight months of house arrest at her family’s rustic home. Given Kylie’s unpleasant childhood memories there and the fact that she now has to share space with batty, blabbermouth mom Miriam (Rima Te Wiata), it seems like Kylie might have preferred spending time in prison.

"If anybody gets up, they're dead. Anybody moves, they're dead. Anybody makes a sound before I leave this movie, ..."

You get the idea. These are the words of one John Wojtowicz, better known as The Dog. On August 22, 1972 he attempted to rob a Chase Manhattan bank in order to finance his male lover's sex change operation so that he could become a woman. The heist was about as amateur as the come and went horribly wrong from the start. In a matter of minutes the bank was surrounded by a swarm of police units and a growing mob of bystanders. In the hours that followed, The Dog interacted with the crowd, gave a radio interview, and managed to whip the crowd into a frenzy by throwing thousands of the bank's dollars out of the front door. If this all sounds familiar to you, it should. While you may not have heard of these exploits directly, you surely saw the movie Dog Day Afternoon. Al Pacino played John Wojtowicz, and now you know where he got the nickname The Dog.

I don’t know why death still surprises me.”

As we get closer to holiday shopping time, Upcomingdiscs will be here to help you find something for that home theater fanatic on your shopping list. Keep checking back to see more recommendations for your holiday shopping. These gift guides ARE NOT paid advertisements. We take no money to publish them.

I’m not the biggest fan of Japanese animation. I don’t think it’s awful or anything, but animation is one of those things where I’m just picky about what I like.  Though I can say I am a big fan of Hayao Miyazaki (Spirited Away and Princess Mononoke) and most of his work.  I think this is worth mentioning, because though I may not be as well-versed in this genre, I’d like to feel I still go into it with an open mind, and I’m always excited to find a title that excites me that I never saw coming.  And that it precisely what Patema Inverted did.

Imagine if one day the laws of gravity were broken, and during this time friends and family all around seemed to be randomly sucked towards the sky, and you were helpless to do anything about it.  Those who would be lucky to survive and keep their feet planted firmly on ground would have to go on living in this world that had fundamentally changed overnight.  But what about those who have been floating up into the ether, what about these lost souls and their fate?  This is the fundamental springboard by which Patema Inverted takes us to a world where those who survive live in separate “realities” where some seek to live deep beneath the earth to survive, while others have created their own world in the sky that has evolved as well.

“If I step on your toe, I was aiming for your heart. But if you step on my toe, I’ll cut your f&@#ing heart out.”

Isn’t it always the case that the people closest to us usually bring us the biggest trouble, or perhaps that is a pessimistic view. However, I must admit it’s likely a view that the lead character of Betrayal could agree with as he finds himself drawn into a web of deception that threatens to destroy the lives of not only his family but his own as well. Vaz is a gangster. Based on what I saw there is no way around characterizing him that way; however, he does seem to have a few redeeming qualities such as the love he has for his family, specifically his elder son. He also appears to have inspired as well as employed a lot of loyalty to his number two, as displayed by his number two’s willingness to execute anyone on his order as well as lay down his life for his boss.

I had never seen a single episode of Hot in Cleveland before I sat down to review this season 5 DVD set. So why did it feel like I'd been watching this show my entire life? Turns out, it's entirely by design. On the surface, it doesn't seem like I'm the target audience for Hot in Cleveland: I'm under 50 years old, and I'm a man. But if you look beyond the plastic surgery jokes and geriatric humor, you'll find a show that aggressively channels — and ultimately appeals to fans of — many of the classic, multi-camera sitcoms of the past. In other words, Hot in Cleveland feels like you're watching re-runs of a show you've already seen...and still enjoy plenty.

I still can't believe that I actually live in Cleveland. But in L.A., we were feeling devalued and disposable.”