Now that it's over, Comedy Central has put together the entire six-season run of Reno 911 in one big DVD collection. The show that started out as basically a Cops parody (which is pretty funny on its own trailer-trash merits) had become a holy grail of sorts for the Comedy Channel. While some sketch shows like The Ben Stiller Show and Mr. Show have managed to touch on the Cops parody with their material, the only one that did it regularly was the show that used it for inspiration. The show spanned six seasons and a major motion picture. Reno 911 can be best described as a faux-reality show with a good deal of improvisational comedy performed by some very capable actors and actresses.

“You sell 100 million records, and see how you handle it.”

If you’ve ever seen an episode of Behind the Music — or followed popular culture at all in the previous century — then you probably know artists tend to not handle that level of success very well. However, the rise and (inevitable) fall of the original Four Seasons lineup is unique for a number reasons. Unfortunately, very few of those reasons are captured in Jersey Boys, Clint Eastwood’s oddly lifeless, workmanlike adaptation of the joyous, wildly popular Broadway musical.

Personally I’m not a fan of the Fast and Furious franchise, despite the fact that I tend to enjoy films from the genre.  For me, I’ll take the old school films like Vanishing Point, Two-Lane Blacktop, and the original Gone in 60 Seconds over these big budget productions any day.  All I can figure is that these films that I do enjoy are working with budgets that force the directors to be creative and understand most of their elaborate stunts only get one take and are not polished with CGI, but instead whatever the camera captures that is what we see on the big screen. The stunts are simply incredible, and the cars in my humblest opinion were simply cooler back then.

“It's noble work. It is useful. You are angels of mercy...I just never thought that I would end up here.”

The geriatric care wing of a hospital — where the employees are undermanned and overworked, and many of the patients are in a near-catatonic state — is not the most obvious sitcom setting. As a result, HBO's comedy series Getting On isn't exactly what I'd call a gut buster. But even though much of the humor seems hyper-specific to this particular circle of workplace hell, anybody who has ever been underpaid to do a hard, crappy job should be able to relate.

A show about divorce, now I know what you are thinking: “Yeah, Yeah what else is new, the market is flooded with shows about people trying to put their lives together after having their world rocked by divorce.” On the one hand I would agree with you; however, I challenge you to think about this. In my experience these shows are normally from the female perspective and deal with the woman dealing with a bum ex-husband, kids, and getting back into the dating pool. None of these things embody what The Exes is about.

Most movies are just not very good. Lots of money goes into turning out boring repetitive garbage. You watch it and then dispose of it and make room for the next thing. There are some who do more, but the more you do, the greater the risk. Most filmmakers are not given the freedom to take really big risks, but someone who has been given the opportunity to take the big risk is Christopher Nolan. Interstellar is $165,000,000 gamble shooting for the moon.  Actually Nolan is shooting for something way past the moon. He wants to take us to another galaxy.

Flying into home entertainment, the animated comedy adventure Planes: Fire & Rescue delivers a fun film for the whole family.  The film features some of the characters from the original and a whole lot of new ones.  Brightly animated, having fine direction and with a new storyline, the film has several good values including heroism and friendship. In this episode we find Dusty Crophopper returning from his around-the-world racing tour and about to participate in annual Corn Festival.

- “We don't have the trust of the public anymore.”

- “Get it back!”

The Newsroom took a pretty decent beating during its first season. Sure, plenty of people praised the show's exceptional acting and ambition, but too much of the conversation seemed to revolve around its flaws and its polarizing creator. In this Blu-ray set's bonus material, Aaron Sorkin cops to being “overly earnest” and “aggressively uncool” in his work.

"There are dark spirits, old and full of hate...The world is in great danger."

A trilogy is a hard animal to pull off. Even when you have a popular franchise, it is extremely difficult. All of the pieces have to work just right, or you could have a disaster on your hands. It is even harder when you've already beaten the odds once and delivered a trilogy that is both loved and a huge box office success. You run into an almost insurmountable mountain of expectations.

Erle Stanley Gardner wrote crime fiction, and while many of his 100 or so works are unknown to most of us, he created a character who has become as identified with criminal lawyers as any other in fiction. It was in these crime novels that Perry Mason first faced a courtroom. He developed a style where he would investigate these terrible crimes his clients were on trial for. He would find the real killer, and in what has become a Hollywood cliché, reveal his findings in a crucial moment during the trial. While we may not remember the novels, we all remember the man in the persona of Raymond Burr.