Posted in: Disc Reviews by Gino Sassani on November 6th, 2014
"There are dark spirits, old and full of hate...The world is in great danger."
A trilogy is a hard animal to pull off. Even when you have a popular franchise, it is extremely difficult. All of the pieces have to work just right, or you could have a disaster on your hands. It is even harder when you've already beaten the odds once and delivered a trilogy that is both loved and a huge box office success. You run into an almost insurmountable mountain of expectations.
Posted in: No Huddle Reviews by Gino Sassani on November 6th, 2014
Erle Stanley Gardner wrote crime fiction, and while many of his 100 or so works are unknown to most of us, he created a character who has become as identified with criminal lawyers as any other in fiction. It was in these crime novels that Perry Mason first faced a courtroom. He developed a style where he would investigate these terrible crimes his clients were on trial for. He would find the real killer, and in what has become a Hollywood cliché, reveal his findings in a crucial moment during the trial. While we may not remember the novels, we all remember the man in the persona of Raymond Burr.
Posted in: Disc Reviews by J C on November 5th, 2014
“Does it always have to end up in a big giant dance battle?”
If you've ever sat through a dance movie, then you know the answer is a resounding, “Yes!” Dance flicks are a somewhat different beast than movie musicals; they are less whimsical and tend to take themselves more seriously, which invariably makes them seem even sillier. Some of the movies in this genre — Dirty Dancing and Footloose — are beloved guilty pleasures. (And many people who love them don't even bother feeling guilty.) In recent years, the “dance flick” itch for moviegoers has been scratched by the Step Up franchise.
Posted in: Disc Reviews by Brent Lorentson on November 5th, 2014
This has been a review that has taken me a while to get to, not because it’s something I was dreading, but instead it had me revisiting some other Elmore Leonard adaptations to the screen. There have been countless adaptions of Leonard’s work on the big screen as well as television. Whether it’s his westerns 3:10 to Yuma, Justified or Hombre or his work on crime Jackie Brown, Out of Sight, and Get Shorty, there is a good chance at some point you’ve seen Elmore’s work, and those were just a handful of titles I mentioned. I was a teenager when I first discovered Elmore Leonard
Posted in: No Huddle Reviews by Jeremy Butler on November 5th, 2014
“WARNING: The following program contains scenes of graphic stupidity among four friends who compete to embarrass each other…”
They’re back!!! Tru TV’s smash hit Impractical Jokers is back with a season two that continues to show you that no one embarrasses you quite like your closest friends. The gang is all back; Q, Murr, Joe, and Sal, as they take their pranks to the next level. The stakes are the same: one infiltrates a prospective business such as dental office, movie theater, etc. and must do whatever the others order to push them out of their comfort zone; failure to comply results being subject to the consequences at the end of the episode.
Posted in: Disc Reviews by J C on November 4th, 2014
"Let us tell an old story anew, and we will see how well you know it."
If Christopher Nolan’s take on The Joker isn’t the very best example of modern cinematic villainy, then it’s near the top of the list. Obviously, a tremendous amount of credit goes to Heath Ledger’s Oscar-winning performance in The Dark Knight, but I’d argue the real thrill comes from the character’s arbitrary, inexplicable approach to evil.
Posted in: No Huddle Reviews by Gino Sassani on November 4th, 2014
"1968, I was twelve years old. A lot happened that year. Dennis McLain won 31 games, The Mod Squad hit the air, and I graduated from Hillcrest Elementary and entered junior high school...but we'll get to that. There's no pretty way to put this: I grew up in the suburbs. I guess most people think of the suburb as a place with all the disadvantages of the city, and none of the advantages of the country, and vice versa. But, in a way, those really were the wonder years for us there in the suburbs. It was kind of a golden age for kids."
With all of the television I've watched over the decades, it's more than a little surprising to me that I missed out on The Wonder Years.
Posted in: The Reel World by J C on November 1st, 2014
A jittery, strikingly blue eye is shown in extreme close-up. It belongs to a woman named Christine, who finds herself naked in bed with a strange man’s arm draped around her waist. She stumbles to a nearby bathroom, where she finds clues about her identity taped to a wall. The man appears shortly after and introduces himself as Christine’s husband. It’s an effective little opening that succeeds in making the viewer feel as disoriented as Christine. The problem with Before I Go To Sleep is that — even as the truth is unpacked — the disorientation turns into disengagement and (worst of all) disinterest. In other words, this is a thriller that isn’t particularly thrilling.
Posted in: Super Round-Up by Gino Sassani on October 31st, 2014
"I met him fifteen years ago; I was told there was nothing left; no reason, no conscience, no understanding; and even the most rudimentary sense of life or death, of good or evil, right or wrong. I met this six-year-old child, with this blank, pale, emotionless face, and the blackest eyes... the devil's eyes. I spent eight years trying to reach him, and then another seven trying to keep him locked up because I realized that what was living behind that boy's eyes was purely and simply... evil."
AnchorBay and Scream Factory have tapped into that pure evil. It's the collection we've waited years to see.
Posted in: The Reel World by Brent Lorentson on October 31st, 2014
“On TV it looks so real.”
When I first walked out from the theater after watching Nightcrawler, the thing that stuck with me the most is how great Jake Gyllenhaal was in this film. This isn’t the first performance he’s caught my attention in; he’s an actor who pretty much any time I see him in a film he’s one of the most memorable aspects of the film.
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